Reflections on Repository Fringe 2017

The following is a guest post by Mick Eadie, Research Information Management Officer at University of Glasgow, on his impressions of Repository Fringe 2017.

Capture1From the Arts

The first day afternoon 10×10 (lightning talk) sessions had many of the presentations on Research Data topics.  We heard talks about repositories in the arts; evolving research data policy at national and pan-national level; and archival storage and integrations between research data repositories and other systems like Archivematica, EPrints and Pure.

Repositories and their use in managing research data in the arts was kicked off with Nicola Siminson from the Glasgow School of Art with her talk on What RADAR did next: developing a peer review process for research plans.  Nicola explained how EPrints has been developed to maximise the value of research data content at GSA by making it more visually appealing and better able to deal with a multitude of non-text based objects and artefacts.   She then outlined GSA’s recently developed Annual Research Planning (ARP) tool which is an EPrints add-on that allows the researcher to provide information on their current and planned research activities and potential impact.

GSA have built on this functionality to enable the peer-reviewing of ARPs, which means they can be shared and commented on by others.   This has led to significant uptake in the use of the repository by researchers as they are keen to keep their research profile up-to-date, which has in turn raised the repository profile and increased data deposits.  There are also likely to be cost-benefits to the institution by using an existing system to help to manage research information as well as outputs, as it keeps content accessible from one place and means the School doesn’t need to procure separate systems.

On Policy

We heard from Martin Donnelly from the DCC on National Open Data and Open Science Policies in Europe.  Martin talked about the work done by the DCC and SPARC Europe in assessing policies from across Europe to assess the methodologies used by countries and funders to promote the concept of Open Data across the continent.   They found some interesting variants across countries: some funder driven, others more national directives, plans and roadmaps.  It was interesting to see how a consensus was emerging around best practice and how the EU through its Horizon 2020 Open Research Data Pilot seemed to be emerging as a driver for increased take up and action.

Storage, Preservation and Integration

No research data day would be complete without discussing archival storage and preservation.  Pauline Ward from Edinburgh University gave us an update on Edinburgh DataVault: Local implementation of Jisc DataVault: the value of testing. She highlighted the initial work done at national level by Jisc and the research data Spring project, and went on to discuss the University of Edinburgh’s local version of Data Vault which integrates with their CRIS system (Pure) – allowing a once only upload of the data which links to metadata in the CRIS and creates an archival version of the data.  Pauline also hinted at future integration with DropBox which will be interesting to see develop.

Alan Morrison from the University of Strathclyde continued on the systems integration and preservation theme by giving as assessment of Data Management & Preservation using PURE and Archivematica. He gave us the background to Strathclyde’s systems and workflows between Pure and Archivematica, highlighting some interesting challenges in dealing with file-formats in the STEM subjects which are often proprietary and non-standard.

Leading a Digital Curation ‘Lifestyle’: First day reflections on IDCC15

[First published on the DCC Blog, republished here with permission.]

Okay that title is a joke, but an apt one to name a brief reflection of this year’s International Digital Curation Conference in London this week, with the theme of looking ten years back and ten years forward since the UK Digital Curation Centre was founded.

The joke references an alleged written or spoken mistake someone made in referring to the Digital Curation lifecycle model, gleefully repeated on the conference tweetstream (#idcc15). The model itself, as with all great reference works, both builds on prior work and was a product of its time – helping to add to the DCC’s authority within and beyond the UK where people were casting about for common language and understanding in this new terrain of digital preservation, data curation, and – a perplexing combination of terms which perhaps still hasn’t quite taken off, ‘digital curation’ (at least not to the same extent as ‘research data management’). I still have my mouse-mat of the model and live with regrets it was never made into a frisbee.

Digital Curation Lifecycle

The Digital Curation Lifecycle Model, Sarah Higgins & DCC, 2008

They say about Woodstock that ‘if you remember it you weren’t really there’, so I don’t feel too bad that it took Tony Hey’s coherent opening plenary talk to remind me of where we started way back in 2004 when a small band under the directorship of Peter Burnhill (services) and Peter Buneman (research) set up the DCC with generous funding from Jisc and EPSRC. Former director Chris Rusbridge likes to talk about ‘standing on the shoulders of giants’ when describing long-term preservation, and Tony reminded us of the important, immediate predecessors of the UK e-Science Programme and the ground-breaking government investment in the Australian National Data Service (ANDS) that was already changing a lot of people’s lifestyles, behaviours and outlooks.

Traditionally the conference has a unique format that focuses on invited panels and talks on the first day, with peer-reviewed research and practice papers on the second, interspersed with demos and posters of cutting edge projects, followed by workshops in the same week. So whilst I always welcome the erudite words of the first day’s contributors, at times there can be a sense of, ‘Wait – haven’t things moved on from there already?’ So it was with the protracted focus on academic libraries and the rallying cries of the need for them to rise to the ‘new’ challenges during the first panel session chaired by Edinburgh’s Geoffrey Boulton, focused ostensibly on international comparisons. Librarians – making up only part of the diverse audience – were asking each other during the break and on twitter, isn’t that exactly what they have been doing in recent years, since for example, the NSF requirements in the States and the RCUK and especially EPSRC rules in the UK, for data management planning and data sharing? Certainly the education and skills of data curators as taught in iSchools (formerly Library Schools) has been a mainstay of IDCC topics in recent years, this one being no exception.

But has anything really changed significantly, either in libraries or more importantly across academia since digital curation entered the namespace a decade ago? This was the focus of a panel led by the proudly impatient Carly Strasser, who has no time for ‘slow’ culture change, and provocatively assumes ‘we’ must be doing something wrong. She may be right, but the panel was divided. Tim DiLauro observed that some disciplines are going fast and some are going slow – depending on whether technology is helping them get the business of research done. And even within disciplines there are vast differences –-perhaps proving the adage that ‘the future is here, it’s just not distributed yet’.

panel session

Carly Strasser’s Panel Session, IDCC15

Geoffrey Bilder spoke of tipping points by looking at how recently DOIs (Digital Object Identifiers, used in journal publishing) meant nothing to researchers and how they have since caught on like wildfire. He also pointed blame at the funding system which focuses on short-term projects and forces researchers to disguise their research bids as infrastructure bids – something they rightly don’t care that much about in itself. My own view is that we’re lacking a killer app, probably because it’s not easy to make sustainable and robust digital curation activity affordable and time-rewarding, never mind profitable. (Tim almost said this with his comparison of smartphone adoption). Only time will tell if one of the conference sponsors proves me wrong with its preservation product for institutions, Rosetta.

It took long-time friend of the DCC Clifford Lynch to remind us in the closing summary (day 1) of exactly where it was we wanted to get to, a world of useful, accessible and reproducible research that is efficiently solving humanity’s problems (not his words). Echoing Carly’s question, he admitted bafflement that big changes in scholarly communication always seem to be another five years away, deducing that perhaps the changes won’t be coming from the publishers after all. As ever, he shone a light on sticking points, such as the orthogonal push for human subject data protection, calling for ‘nuanced conversations at scale’ to resolve issues of data availability and access to such datasets.

Perhaps the UK and Scotland in particular are ahead in driving such conversations forward; researchers at the University of Edinburgh co-authored a report two years ago for the government on “Public Acceptability of Data Sharing Between the Public, Private and Third Sectors for Research Purposes,” as a pre-cursor to innovations in providing researchers with secure access to individual National Health Service records linked to other forms of administrative data when informed consent is not possible to achieve.

Given the weight of this societal and moral barrier to data sharing, and the spread of topics over the last 10 years of conferences, I quite agree with Laurence Horton, one of the panelists, who said that the DCC should give a particular focus to the Social Sciences at next year’s conference.

Robin Rice
Data Librarian (and former Project Coordinator, DCC)
University of Edinburgh

New data curation profile in History

Margaret Forrest, Academic Liaison Librarian for the School of History, Classics and Archaeology, is the latest to contribute a data curation profile. She has interviewed researcher Graham J. Black, who is a PhD candidate in the School. His subject is the aerial bombing during the Vietnam War and he has thousands of government documents, articles and pictures to manage.

The profile has been added to previous ones on the DIY RDM Training Kit for Librarians web page created by other librarians participating in the RDM librarian training. The librarians covered five RDM topics in separate two-hour sessions,where they reinforced what was learned in MANTRA through group discussion, exercises from the UK Data Archive, and listening to local experts.

Each librarian was encouraged to complete an independent study as part of the training: interview a researcher and write up a data curation profile. This was designed to test their self-confidence at talking to researchers about RDM, as well as give them the opportunity to ‘share their data’ by publishing the profile on the website.

Margaret described her experience to Anne Donnelly, one of the trainers:

This was definitely the most enjoyable part of the training and I learned so much from this interview process and the writing up (mainly because of the value of what I had learned from the MANTRA course).

The final group of eight academic service librarians completed their training this summer. This completes a deliverable in the University’s RDM Roadmap. More curation profiles are welcome; we may put them in a collection in Edinburgh DataShare. They could be useful learning objects for others doing training in research data support, in terms of thinking critically about RDM practices.

Robin Rice
Data Librarian

New Data Curation Profiles: Edinburgh College of Art

Jane Furness, Academic Support Librarian, Edinburgh College of Art, has contributed two new data curation profiles to the DIY RDM Training Kit for Librarians on the MANTRA website. One data curation profile for Dr Angela McClanahan, and another data curation profile for Ed Hollis. Jane was one of eight librarians at the University of Edinburgh to take part in local data management training.

Jane has profiled data-related work by Dr Angela McClanahan, Lecturer in Visual Culture at the School of Art, Edinburgh College of Art. In the interview Angela discusses the importance of research data management, anonymisation and sharing, long term access to data, and the need to reconsider the term ‘data’ in an arts research context.

Jane has profiled data-related work by Ed Hollis, Deputy Director of Research, Edinburgh College of Art. In the interview Ed discusses the different data owners, rights and formats involved in researching and publishing a book, copyright issues of sharing data and the issue of referring to research materials as ‘data’ in the arts research context.