Giving Decorated Paper a Home … Loose-leaf Material

In this post, Technician Robyn Rogers discusses her bespoke mounting and rehousing of loose-leaf papers from the University’s decorated paper collection. Robyn’s first post about working through the collection’s bound volumes can be seen here. If you are interested in learning more about the historic uses, production and trade of decorated paper, you can visit the online exhibition on this collection, curated by Elizabeth Quarmby Lawrence here.

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Conserving calligraphy: preparing Esther Inglis’ manuscripts for digitisation

In this post book conservator Amy Baldwin talks about the conservation work undertaken on volumes appearing in the upcoming online exhibition “Rewriting the script: the works and words of Esther Inglis”.

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The Book Surgery Part 2: Bringing Everything Together

In this blog, Project Conservator Mhairi Boyle her second day of in-situ book conservation training she has undertaken with Book Conservator Caroline Scharfenberg (ACR). Mhairi previously undertook a Maternity Cover contract at the CRC within the Conservation Department.


In the previous blog, the examination and initial steps in spine repair and board reattachment of two volumes from the Royal (Dick) School of Veterinary Studies (R(D)SVS) were described. The first blog in this series can be found here.

After my first session with Caroline, I sat down and pored over all my notes and the millions of photos I had taken. The amount of thought, precision and care that goes into book spine linings and repairs that will eventually be hidden and concealed shows how complex even in-situ book conservation steps can be. After jotting down my notes into a coherent order and cross-referencing everything with Caroline, I came back to the studio a few weeks later refreshed and ready for a full day of training and collaboration.

In this session, Caroline and I focused on making spine pieces and hollows, and examined how to reattach cracked book boards in different ways. One of the things I like most about working in Conservation is that we are constantly adapting and evolving techniques, tailoring them to the objects we are currently working on. This is exactly what Caroline demonstrated to me: informed by our initial examinations of both volumes, we tailored the treatment steps for each book based on its size, weight, and particular areas of weakness.

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Volunteer Voice – Laura Keizer

In this week’s blog, we interview a conservation volunteer to find out what they do in the studio and the benefits of volunteering….

Laura Keizer surface cleaning a bound volume in the conservation studio

Laura Keizer surface cleaning a bound volume in the conservation studio

1.What is your name?

Laura Keizer

2. Where are you from?

I’m originally from the Netherlands, but – following a short stint in Reykjavík – have been an Edinburgh resident for over three years now

3. What do you do when you are not volunteering?

Despite currently being swamped in dissertation research for the MSc in Book History and Material Culture, I love to go hiking in the Scottish hills and highlands, hunting for castles or other medieval vestiges on my bike, or simply reading a book or knitting.

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