This week, we have a final blog post from Irene, our fourth Thomson-Walker Intern….
Times goes by so quickly, and I am already reaching the last week of my internship at the Centre for Research Collections (CRC). The main purpose of this internship was to conserve a collection of medical portraits in the Thomson-Walker collection. This mainly involved removing prints from acidic backings and rehousing them. Some of the prints were adhered completely to the backing board, so the verso of the print could not be seen. When removing the backing from one print, I found that there was writing on the back which was previously hidden. This means that as well as improving its condition, more information can be learned about the print.
Print with backing partially removed to reveal text on verso
I have come across some very interesting prints in the collection. The coloured ones are usually my favourite, as there aren’t many in the collection, but one in particular caught my attention: a portrait of a French nurse. I have conserved over 400 prints during my internship, and this one has been the only female portrait I have seen, so I found it very exciting!
Print of French Nurse
During my time here, I have also had the chance to work on many different projects and activities such as seminars with students and innovative initiatives such as the ‘Crowdsourcing Conservation’ event in which volunteers helped to rehouse a large collection over a two-day period. It has been a great experience working at the CRC. I have gained plenty of hands-on practice, and I’ve had the opportunity to work with a fantastic team from who I have learned many things. My time in Edinburgh has been hugely beneficial for my future career as a conservator.
In this week’s blog we hear from Clàudia Callau Buxaderas, who is the third in a series of interns to work on the Thomson-Walker collection…
It has been almost eight weeks since I started my internship at the CRC and sadly, this is already my last week working here. After graduating in conservation at the University of Barcelona, I worked as an intern in other institutions and studios around Spain and now I feel extremely lucky to have had the opportunity to work on the Thomson-Walker collection, a large collection of 2700 prints. I am the third conservator to work on this project, which has definitely been an advantage as I was able to start my work on the very first day. I have to thank the two interns before me for that, Samantha Cawson and Victoria Haddock, as they have provided detailed reports to help the future interns on this project. This information has been essential for me to get into the rhythm and way of working in the studio. In the same way, I hope to provide other interns in the future with some new ideas. Given the size the collection, it is always beneficial to find new ways and methods to speed up the work and to get the most of these (very short!) weeks.
Clàudia working in the studio
Victoria Haddock, the second in a series of interns working on the Thomson-Walker collection, reviews her time spent at the CRC in this week’s blog post. If you’d like to find out more about this project, you can view Victoria’s end of internship Powerpoint presentation at the bottom of this article.
As I watch another beautiful sunset from the window of the CRC conservation studio, it seems a good moment to reflect back on the past 10 weeks of my internship here, which have absolutely flown by.
Although I did think on my first day that I was looking forward to 10 weeks of solid tape removal, the internship has been very busy, varied and with lots of opportunities beyond what I first expected.