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June 18, 2026

Special Collections Conservator, Emily Hick
When I was talking with an old man in Denholm about customs, I had been reading about the ball game there and I asked him if he remembered them playing. I was totally surprised when he told me ‘They do it yet!’, and that was the beginning of the recording for the archive of this living tradition of the Borders for, next time the game was played at Denholm, I was there with the archive photographer, Lesley Davenport. Before the game, she took photos of the balls that were displayed in the windows, and the surprise here was that the game was played with multiple balls which were decorated with ribbons. The balls were provided by couples who were married or had celebrated an anniversary in the previous year.

The game is handball and when each ball is thrown up to start play, the person throwing announces the sum that will be paid when the ball is returned, like ‘There’s £5 on it!’. We watched the first ball being thrown up in Denholm that day and then observed the players lying in a heap (the ‘strow’) for half an hour or so until we had to leave for an evening engagement in Edinburgh.


The game does not require daylight but can continue after dark.

The players are not distinguished by team colours. They are divided by geographical halves into ‘Uppies’ and ‘Doonies’ and they know each other. The goals, called ‘hails’, are natural or built features that can be more than a mile apart. The players do not drive the ball into the opposite hail but bring it into their own hail

After a ball is hailed, another is thrown up, but not all balls reach the hails during play for they can be hidden (‘smuggled’) in such places as a milk churn, a rabbit burrow, or the player’s clothing, deliberately worn loose for this purpose.

When a player successfully smuggles a ba’, he is expected to take it to a hail before claiming the payment put on it and he does this when the action of the game is elsewhere.

In Jedburgh, the game is played in the streets of the town and the windows are barricaded to prevent damage.



Sometimes there is a separate boys’ game before the men’s game.

In Lilliesleaf the game is played in the fields by school children.

Visitors can take part in these games and are Uppies or Doonies depending on the direction from which they come.
The cluster of games in these locations takes place on various dates following the first new moon after Candlemas (2 February) and it is always very cold. The game that was played at Duns ceased in the nineteenth century when there was a snowstorm one year and, when it was resumed in the 1940s, it was as part of the town’s summer festival with barrels in the town square as hails.


The game is generally played at a specific time of year but its early connection with weddings is preserved at Melrose where the game is played after the marriage ceremony. The ball has been updated to a Rugby ball.

If you didn’t already know about the Borders ba’ game, you may have found all this as surprising as I did!
All images held at (C) The School of Scottish Studies Archives.
Images 1-3 Lesley Davenport
Images 4, 6-8, 11-14 Ian MacKenzie
Image 5 Gisela Stuart
Image 9 Neill Martin
Image 10 Tom McKean
Image 15 Emily Lyle

The Click & Collect service has been expanding since it’s launch in Feb 2021. As of 29th March 2021 staff and students are able to place Click & Collect requests for print material from the Law Library collections.
The Law Library resources are in addition to those already available from the Main Library, New College Library, ECA Library and University Collections Facilities. Items based at other site libraries are not yet available for Click & Collect.
To order a book collection using the service:
Full details of the service are available on the main Library Click and Collect Service webpages:
Don’t forget that the Scan & Deliver Service is also available to you!
Library and University Collections Philanthropy Manager, David McClay, brings us news on the fundraising campaign to digitise the Sir Charles Lyell notebooks.

Cover and index of Sir Charles Lyell’s notebook, Italy, 1828 (Ref: Coll-203/A1/7)
The fundraising campaign to digitise Sir Charles Lyell’s notebooks is now well underway. To reach our ambitious target of £125,000 we are hoping that new and existing Lyell supporters and friends will consider donating. Might you be able to help?
We have already been delighted to receive many individual donations from the UK and overseas. If you too would like to donate you can do so online via our Donation Portal or if you are from the United States of America, please see our guidance here
If you are involved in an historical, geological organisation which would be interested in learning more about Lyell, his notebooks and collections, and our plans to make them fully accessible please do get in touch: david.mcclay@ed.ac.uk
David McClay
Philanthropy Manager, Library & University Collections
Senior Lyell Archivist, Elaine MacGillivray, reviews her first month in post and shares some of the exciting work and plans afoot for the internationally significant Sir Charles Lyell archive.
The Sir Charles Lyell archive is of international importance and attracts great interest from academics and researchers from around the world. A key aim of our Lyell project is to make the archive as openly accessible as possible. To achieve this aim, we are progressing a number of areas of project work.

The Charles Lyell Notebooks, 1825-1874
(Ref: Coll-203/A1)
Our project archivist, Elise Ramsay’s cataloguing work continues apace and Elise is aiming to complete the cataloguing of Lyell’s 294 notebooks by the end of July 2021. Between January and March 2021, Elise also undertook a pilot project to transcribe a sample of Lyell’s notebooks using ground-breaking transcription technology, Transkribus. Elise and I were delighted to showcase the Lyell archive, our project plans, and to share our learning from the pilot with 150 international delegates at the EDITOR Transcription Workshop held earlier in March 2021. (More on that exciting development in a future blog post).
While Elise has been diligently cataloguing, I have been busy mapping all of the Lyell archive. We now have a really useful and comprehensive overview of the location, extent, scope and content of the four main elements of the collection, which feeds into our newly devised cataloguing work plans.
On completion of the first phase of cataloguing, the subsequent focus will be Lyell’s vast working correspondence and notes allocated to the University of Edinburgh in Lieu of Inheritance Tax in 2020. We have already migrated some of the existing descriptive data for this series to an electronic data-set which we can use to undertake a stock-take. This work will allow us to enhance the existing item level descriptions which we will then import into our online archives catalogue ArchivesSpace. With almost 1200 letters and a further 54 folders of papers including lecture notes and field-work we expect this work to keep us busy for some time!

Letters from Sir Charles Lyell from the Sir Charles Lyell archive.
Photo © David Cheskin
(Ref: Coll-203/Uncat)
Lyell’s correspondence includes letters between Lyell family members from as early as 1806 (when Charles Lyell was only 9 years old), as well as over 640 letters received by Charles Lyell between 1829 and 1874. 65 of those letters are from botanist, explorer and close friend of the naturalist Charles Darwin, Sir Joseph Dalton Hooker (1817-1911). They cover almost 40 years (1846-1874) during which time, Hooker was appointed botanist to the Geological Survey of Great Britain, undertook expeditions to India, the Himalayas, Syria, Palestine, and Morocco, and was latterly appointed Director of the Royal Botanic Gardens at Kew. We can’t wait to discover how these letters further illuminate the relationships and ideas shared between Lyell, Darwin and Hooker. We will be sure to share our findings with you here – watch this space.
Thanks to generous funding from the National Manuscripts Conservation Trust, supplemented by philanthropic donations we are delighted that a comprehensive conservation and preservation project will commence, we hope, later in the summer of 2021 (global pandemic permitting). I have been working closely with our Special Collections conservator to pull together a work-plan for our incoming project conservator. The conservation project will see all of the Lyell archive cleaned, repaired, consolidated, stabilised, rehoused and the conservation work fully documented. This work will serve to stabilise the collection, preventing the exacerbation and risk of further deterioration. Expect more updates on this work later this year.
Other work for me has centred around developing our project plans for the next three years: looking at how we can best enable collections access and bring to light the fascinating stories, ideas and knowledge from within the Lyell collections, to support learning, teaching and research. With this in mind, we quietly launched our public engagement account on Twitter on 8 March 2021. We were somewhat overwhelmed by the warm welcome we received and are delighted to have amassed 184 friendly followers already. You can follow us @LyellTime for more regular project highlights and chat from the project team as we work to preserve, catalogue, digitise and engage with the Sir Charles Lyell archive.
As well as plans for the development of our online resource ‘Charles Lyell’s World Online’ (thanks to generous funding from the International Association of Sedimentologists), we have a high profile, impactful and collaborative exhibition and engagement programme in our sights for the second half of 2023.
Our plans also include a significant programme of collections digitisation. We have completed a trial of photographing at high resolution 12 of Lyell’s notebooks. This means that you can now view over 1500 pages from these 12 notebooks via the University of Edinburgh Image Collections website. These images are CC-BY licensed supporting the University of Edinburgh’s open education activities and initiatives. You can find more information on CC-BY licensing on the Centre for Research Collections Image Licensing website pages.
Digitisation helps us to protect and preserve this unique archive collection whilst simultaneously enabling and enhancing access. Completing the digitisation programme means that digital images of the Lyell collections will be openly accessible online. Digitised content is also critical to our plans to generate transcriptions of the Lyell collections using Transkribus. Our ambition is to build on our existing transcription pilot to build a significant body of transcribed material, making the collections more broadly accessible to all levels of scholar.
We hope you have enjoyed reading about our news from the last month. Please share your thoughts in the comments. Next month, Elise and our project volunteer Erin McRae, will be bringing you an update on our pilot transcription project – stay tuned!
Elaine MacGillivray
Senior Lyell Archivist
We are excited to announce the work on our new Queering the Archive initiative. This initiative aims to increase representation of LGBT+ records within our collections.
Queering the Archive will hope to investigate the gaps in our collections and cataloging to improve LGBT+ representation with aims for further development and active archiving in the future. The initiative is a part of our 70th Anniversary plans and will be included in a series of events over the rest of the year. The initiative will allow us to go forward in improving marginalised and underrepresented voices and material.

Progress Pride Flag
There are unfortunately little accounts of LGBT+ histories and recordings in the School of Scottish Studies Archives. In particular, there is little representation on queer folklore, folk narratives, or songs in a wider historical and archival setting. LGBT+ histories are sometimes ‘hidden’ histories, either through historical context on discussion of LGBT+ identity and topics, lack of archiving or archival interest, or a lack of appropriate and inclusive search-terms and cataloging that reflects queer identities.
Queering the Archive will begin with an intervention and discussion workshop.
The workshop will provide a starting point to actively work with the community to discuss our collections, representation, as well as crowd-source search-terms for improvement of cataloging developed by and for the LGBT+ community.
Workshops will allow participants to engage with our records and active intervention through crowd-sourcing and discussion. It is our aim to work with the community, skill-share, and offer meaningful collaboration and discussion as much as possible throughout the initiative. It will introduce you to our collections, queer theory, and investigations into our LGBT+ and related records.
Workshops will be completely free and led remotely via Zoom, and will utilise other platforms.
Dates are to be announced.
We will also be producing a series of blogs exploring the initiative and application of queer theory to our collections with further discussion.
The next blog will explore queering the collections through the popular and infamous ‘cross-dressing’ ballads and exploring the queerness and issues of LGBT+ representation in the context of the selected ballads and traditions.
We will also be exploring the work ‘behind the scenes’ of Queering the Archive through our blogs and we will include other exciting material and updates!
If you are interested in taking part in the workshops, researching LGBT+ records, using our collections for your work, depositing your work and records, or working with us for Queering the Archive, please contact Elliot.Holmes@ed.ac.uk
Written by Elliot Holmes.
Elliot is one of the Archives and Library Assistants at the School of Scottish Studies Archives and uses He/They pronouns. You can also find him on twitter @elliotlholmes
Follow @EU_SSSA on twitter for updates on the 70th Anniversary, Queering the Archive, and sharing our collections.
#SSSA70 #QueeringSSSA
The term Queering has been used by many across the Gallery, Library, Archive, and Museum, (GLAM), sector with many launching queering initiatives to expand and represent LGBT+ histories. We will be using the term Queer as a catch-all term, and the term Queering in regards to application of queer theory and approaches. We will also be using the term LGBT+ throughout the initiative.
This Bothy ballad – rendered beautifully here by Enoch Kent in 1954 – holds a special place in my heart because it was one of the first examples of the genre I heard from The School of Scottish Studies Archives. At the time, I was working towards my undergraduate degree on the Scottish Studies 1B course ‘Creating Scotland’, where this track was used as an example of the unique repository of knowledge that the archives represent. From that moment on, I knew that my academic interests lay in the exploration of our archive and duly shifted the focus of my degree from English Literature to Scottish Ethnology. My current doctoral project has revealed to me that the diverse range of intangible cultural heritage embodied by the archives is truly breath-taking. This researcher, for one, has merely scratched the surface.
Enoch’s ballad belongs to genre of narrative songs associated with the reorganisation of rural Scottish society during the ‘Agrarian Revolution’ of the nineteenth century. ‘Just as the growth of capitalist farming ensured that the farming units were split up into large farms and small crofts’, says David Buchan, ‘it ensured that rural society was divided into a small group of wealthy farmers and a large group of farm labourers’ (1972: 255). These labourers were often peripatetic and sold their labour to farm owners on a six-monthly basis, a procedure known as ‘feeing’. From the 1830s until the late nineteenth century, the feeing procedure was notoriously inequitable and exploitative, in favour of the farm owners, of course. The unmarried labourers would live in Bothan [Scottish Gaelic: ‘hut, cottage’] attached to the farms and pass their leisure time sharing songs.

Turriff feeing Fair, 1890. (Photo: Peter Cooke Collection) (School of Scottish Studies Archives & Library) (ref. Peter_Cooke_Red_box 8_126)
Thus, a ‘new-style ballad grew and flourished […] and the literate descendants of the oral-traditional singers created and sang ballads which have traces of the old style, and which, like the old ballads, grew organically out of a certain set of social conditions’ (Buchan 1972: 268). Buchan goes on, noting that ‘instead of escaping from the hard realities of everyday life by singing about another life’, the Bothy ballad singer ‘relieved his feelings by commenting directly and sardonically on the life he led, day in, day out’ (1972: 268). In The Barnyards o’ Delgaty, for instance, we hear about the poor condition of the farm’s horses, them being all ‘skin and bone’; the narrator rails against the perceived social control exerted by the famer, exclaiming ‘I can drink and no be drunk’ and boasting that he can ‘fecht [fight] and no be slain’; and the central importance of the feeing procedure is writ large by its incorporation in the expressive culture of the farm labourers. The promises of the farmer and the bleak actuality of the farm (Buchan 1972: 262) are thereby negotiated in song, giving us an unparalleled insight into the lived experiences of Scotland’s farm labourers during the nineteenth century. Even this terse examination hints at the rich resource the archives represent for casual listener and researcher alike.
Robert Fell is a doctoral researcher in Celtic and Scottish Studies working with the storytelling traditions of Scotland’s Traveller communities.
Work Cited:
Buchan, David. 1972. The Ballad and the Folk (London: Routledge & Keegan Paul). Online access via DiscoverEd
This week’s blog comes from Project Collections Assistants Anna O’Regan, Winona O’Connor and Max Chesnokov who worked with Preventive Conservator Katharine Richardson on a project back in 2019 to survey and clean the Semple Collection, a large rare books collection from the School of Divinity.
Introducing the team

Max, Winona and Anna

Image by Gerd Altmann from Pixabay
Unfortunately, not every print book in our collections is available as an e-book.
So what can you do to source a digital copy of an essential book, when the library print collections are not accessible, e.g. due to Lockdown rules?
Firstly, double check on DiscoverEd for the title you need. You can filter your search results by “online resource” to double check in case there is an ebook there. For more guidance on how to do this, check out the recording of our session ‘How to find online library resources for your studies using DiscoverEd‘.
Then consider whether the Scan & Deliver service could be useful, if you just need one chapter of a print book or 1 journal article.
Consider using the Inter Library Loan service to get digitised journal articles or book chapters.
You can also use the student Request a Book (RAB) service to ask the library to purchase an ebook or another copy of a print book.
You could also try the various online archives of (sometimes ‘out of print’) books. Here is a list, in no particular order:
5: Directory of Open Access Books (DOAB)
7: OAPEN
8: Directory of Open Access Journals (DOAJ)
If you need a complete book, consider whether you can purchase a cheap second hand copy yourself, eg using an ethical online bookshop such as wordery https://wordery.com/ or bookshop.org https://uk.bookshop.org/
For more information about open access educational resources and advice, take a look at the University of Edinburgh Open.Ed resource.
You could also explore the digital collections of the British Library and the National Library of Scotland.
If you are feeling very stuck about what to do, please do contact your Academic Support Librarian for help, advice and support.
Jane Furness, Academic Support Librarian
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