I am now in my final week of the Lyell Project; time has flown by as myself and our exceptional interns have breezed through the plethora of material in this collection. Once they had finished their internships, my work turned to focus on some of the most challenging conservation work … the printed books!

Held within both the Lyell new accession and the University’s own collections, 22 printed volumes and a handful of special collection volumes were identified as being in need of interventive treatment. Several of the printed volumes had significant structural damage to their boards and spines. It was clear that through use, the tension the volume had undergone – that is the opening and closing – had led to this damage. I had to be careful that whatever method I chose to rectify this would be sympathetic to the remaining structure, and that new materials would need to be carefully introduced to support the volume structurally. All 22 volumes were at different stages of degradation; they all needed some form of structural repair to mitigate this damage. It was a similar picture with the special collection volumes, which were alike in binding style. This blog focuses on the worst of those bunch.

A small handful of the volumes were in the condition that you see Figure 1 below. Spines and boards were detached or even missing altogether. What was left, was falling apart, and the leather had little integrity.

Special Collection Volume before treatment (SC6373)

Figure 2- Diagram demonstrating the layers of the Honey Hollow technique

After some thought and research, I decided to use the ‘Honey Hollow’ technique to restore the structure of the volumes, which introduces new materials including a cast of the spine that acts as the new structure. The original spine is then attached to it, but no longer takes on any structural responsibility. This was the most feasible choice, as the condition and strength of the leather that was remaining was too poor. An illustration of the Honey Hollow technique can be seen in figure 2:

All book conservation work started with surface cleaning, consolidation of red rot and any corner repairs. Normally the first step is to lift the original spine piece from the volume. As this had already detached this was not needed. Once they had been safely stored, the casting could begin. The book was placed in a finishing press, and cling film was tightly wrapped around the spine to act as a barrier from any moisture whilst casting the spine. Pieces of 12gsm Japanese tissue were cut and attached layer by layer onto the exposed spine using wheat starch paste. Dependent on the width of the book, between 7-10 layers of tissue were required to make a strong cast.

Figure 3 – Casting of the spine using Japanese Tissue and wheat starch paste

Once the cast had dried, it was removed and trimmed. The book remained in the finishing press whilst the leather on the boards was carefully lifted using a leaf spatula. This is where the new Aerolinen fabric would be inserted. This fabric is commonly used in book conservation for both board reattachment and spine repairs. As it needed to wrap around the entire spine, a piece of the linen was pasted to the cast with a 1cm margin either side for insertion into the boards. The attachment to the spine needed to be strong, so EVA was the adhesive used for this part of the process.

Figure 4 – Left: Lifting of the board leather, Right: New Aerolinen cast

Aerolinen can be toned to make the original spine piece in other applications, however in this case it is best to cover the linen with a toned Japanese tissue of a heavier weight. A medium tone was chosen that could match the darker parts of the leather, rather than the lighter areas where it had degraded. Once attached and trimmed, it was now time to attach the original spine cover to the cast (making sure it was the right way up!).

Figure 5 – Toned Japanese Tissue cover of the cast

As often only two thirds of the original spine cover was left, some more acrylic painting had to be done to mask the toned paper. The degradation of the leather was much worse on the spine piece, so the toned Japanese tissue did not match it as well as the sides. After a little bit of painting, the overall look of the new cast was more in keeping with the original spine. All that was left to do was to repair any inner joints inside the book at the start and end of the volume with a light Japanese tissue.

Figure 6 – Special Collection Volume after treatment

The technique overall was a success; this volume and others like it are now safe to handle, and the repairs blend in with the original condition of the rest of the book. It was a really interesting technique to employ and, more importantly, a satisfying one.  This was a great experience for me to put both my ethical and technical skills to work to protect the volumes and retain what was left of the binding.

Claire

Its taking teams of multi-skilled people to open up the Charles Lyell collection! Read all about the Cultural Heritage Digitisation Service Team’s efforts to digitise the Notebooks on their latest blog here:

From Castles to Cradle: Photographing the Lyell Notebooks | Digital Imaging Unit (ed.ac.uk)

Its a long road ahead, but already 87 of the Notebooks are now completed and online. The images are being added to the University of Edinburgh’s Image website, LUNA, and you can find them here:

Search Results: All Fields similar to ‘Coll-203’ and Who equal to ‘Lyell, Charles (Sir)’ – University of Edinburgh

Thanks to all the CHDS staff – keep going!

I was delighted to take on the challenge of helping photograph the University’s collection of notebooks of geologist Sir Charles Lyell, and there’s a bit more to photographing 300 notebooks than one might imagine. The Cultural Heritage Digitisation Service is a fantastic team of people, and quickly welcomed me onboard. Prior to this posting, I’ve enjoyed a varied background, including photographing the contents of National Trust for Scotland castles as part of a major digitisation project Reveal, plus Polar and Northern Lights photography aboard expedition cruise ships.

Read More →

It was a great pleasure for some of the Lyell project staff to welcome the Murray family to the Library, and to show them how their generous support is allowing the archive to be conserved, digitised and curated. The repairs and bespoke rehousing of the notebooks were found to be particularly interesting.

John, Claire, Pamela, Susan, David and colleagues look forward to updating the rest of our supporters as well as welcoming further donors to Edinburgh in the months ahead.

The purpose of a headline is to draw a reader into the story written below. “The dog of death roams a city for five hours”, is a headline that surely makes a person want to read more. It conjures up images of a dog shaped manifestation of the Grim Reaper roaming the streets to claim passing souls, or an atomic age puppy causing havoc on buildings and city infrastructure.

An assortment of newspaper headlines relating to Lulu the dog, 1961

The above headline was published by the Daily Mail in January 1961. Other papers at the time had similar headlines referring to Killer Lulu and the germ-carrying terrier. But what is the story behind these headlines and why is there a collection of these newspaper cuttings in the archive of the Royal (Dick) School of Veterinary Studies?

During the Christmas break 1960-1961, Mr Barry Leek, an assistant in veterinary physiology at the Royal (Dick) School of Veterinary Studies, was visiting Birmingham with his family. Whilst he was driving through town he was involved in an unfortunate incident when a lorry backed into his car. In the ensuing panic his dog Lulu jumped out the car and ran away. Mr Leek quickly informed the police of the missing dog and stressed that she must be found as quickly as possible since she had been injected with the salmonella “duck egg” virus!

A dog, which could supposedly kill a man with a single pat*, was on the loose in Birmingham city centre, and this caused a massive emergency service response. All police officers were informed of the situation, “find this dog…it’s dangerous”. Police cars with speakers patrolled the streets warning people to stay away from Lulu. If anyone had come into contact with her, they were to visit their doctor immediately! The police also visited schools to warn children not to approach the dog and pictures of Lulu were quickly sourced to be shown on the news later that day.

After five hours, Lulu was found in an alley not far from where she was last seen. Relief all round. The city was saved. Though the question remained, how much of a danger was Lulu to society?

A photograph of Lulu the dog, from the Scottish Daily Express, Tuesday January 3 1961

The University of Edinburgh denied that Lulu could have been injected with salmonella. Mr Charles H. Steward, Edinburgh University’s secretary at the time stated, “We have investigated the matter, and we are convinced that the dog is not used for experimental purposes, and that there was NO danger to anyone.” The R(D)SVS principal, Professor Alexander Robertson, agreed by saying no experimentations were carried out on dogs at the veterinary college and even added, “it is not a very serious disease – in fact, I am surprised there had been so much fuss made.” Mr Leek later admitted that no such injection was given to Lulu and she was suffering a case of naturally occurring food poisoning at the time. He was more worried about Lulu’s reaction to children having not been socialised with them and feared Lulu might pass on salmonella to them.

The result of such a major reaction to a dog with a tummy bug lead to protests in Birmingham for different reasons. One being a reaction to why such a dangerous dog was allowed to go through the city without adequate preparation was allowed. The other protests were concerned with dogs being kept for experimental purposes by the University.

These newspaper cuttings can be found in one folder of many in the archive of the Royal (Dick) School of Veterinary Studies, which is currently being catalogued as part of the One Health project. There are plenty of stories emerging from the pages and they will be shared here.

*even I’m getting swept up in the sensationalism