Letters in the Limelight: William Herdman and HMS Challenger’s ‘weird deep sea forms’

Coll.14.9.21.13 William Herdman and ChallengerCataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

Last week’s ‘Letters in the Limelight’ focused on Dorothy Thursby-Pelham’s drawings of penguin embryos from Captain Scott’s ill-fated expedition to the Antarctic; this week, we are staying with the theme of exploration by looking at a letter (dated 25 June 1915) to Ewart from the Edinburgh-born zoologist and oceanographer Sir William Abbott Herdman (1858-1924). Ewart had evidently written to Herdman, who was then Professor of Natural History at the University of Liverpool, requesting some biographical details, to which Herdman modestly replied: ‘what an awful question you ask me! What on earth am I to say? I am the last person who ought to answer it. Will Who’s Who not supply what you want? However I suppose I must help you with any facts I can think of…’ He manages to recover from his reticence sufficiently to provide a brief career history, although he is careful to stress that ‘I had nothing to do of course with the Challenger expedition – was a school-boy at the Edin[burgh] Academy at the time; but I was one of Wyville Thomson’s young men at the ‘Challenger Office’ after he came home.’

Herdman of course refers to the HMS Challenger expedition which visited all of the world’s oceans except the Arctic between  1872 and 1876. The expedition aimed primarily to determine deep sea physical conditions such as temperature and ocean currents, although other forms of investigation, including those of a biological nature, were also carried out. In charge of the scientific staff on board was Charles Wyville Thompson (1830-1882), whom Ewart was to succeed as Professor of Natural History at the University of Edinburgh. Thompson’s location decided that the ‘Challenger Office’ mentioned by Herdman was set up in Edinburgh in order to analyse the findings of the expedition. The resulting Report on the Scientific Results of the Voyage of HMS Challenger was as monumental as the trip itself, appearing in 50 volumes up until 1895, and much of the scientific data gathered by the Expedition is still in current use.

As Herdman writes to Ewart, he became involved in Wyville Thomson’s ‘Challenger Office’ after graduating from the University of Edinburgh in 1879. He was given the collection of Tunicata (a group of marine organisms) to investigate, a work which he continued after he departed for Liverpool in 1881, and which was to be published as a report in three parts between 1882 and 1888. It was research that he evidently enjoyed: he wrote to Ewart of his ‘luck to have a lot of weird deep sea forms to describe which were of course new to science, so I was able to add some new morphological facts.’ Herdman remained in Liverpool for the rest of his career, maintaining a room in the Department of Zoology far beyond his retirement. He was also a generous benefactor to the University of Liverpool, endowing two chairs and funding a geological laboratory. He established biological stations on Anglesey, in Barrow, Lancashire and on the Isle of Man, where he also helped to found the Manx Museum in Douglas. He received honorary degrees from several universities, was actively involved with the Royal Society and was knighted in 1922. However, Herdman’s personal life was marred with sadness when his only son was killed in the Somme and his wife died suddenly after a two-day illness. Herdman himself suffered from heart disease, and died on the eve of his daughter’s wedding, after attending a family dinner in London. His obituary in Nature (2857, 114, 02 August 1924) states that ‘Sir William Herdman’s life, if it is ever written, will be an inspiration to every man, whether he is interested in science or not.’ In his own life summary which he provided to Ewart however, Herdman retains his characteristic self-deprecation, concluding the letter thus:  ‘Oh – finally, I have probably made quite as many mistakes as any other zoologist who has ranged over a pretty wide field of work.’

Edinburgh University Library Special Collections also holds the HMS Challenger Papers: http://www.archives.lib.ed.ac.uk/catalogue/cs/viewcat.pl?id=GB-237-Coll-46&view=basic

Letters in the Limelight: Penguin Eggs from Antarctica

Coll-14.9.23.5 Dorothy Thursby PelhamCataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

‘Dr Harmer has written me that you are undertaking the investigation of the Antarctic Penguin material’, writes Dorothy Thursby-Pelham to James Cossar Ewart, ‘and would like to use my drawings. As far as I am concerned I shall be very pleased, but strictly speaking they are the property of Mrs Assheton as I did them when engaged as Dr Assheton’s assistant. She has I believe written to Dr Harmer to give the required permission.’ The letter, dated 12 May, gives no reference to year, although it is likely to be from around 1922 when Ewart was conducting research on the Emperor Penguin. He had been interested for a number of years in exploring the origin and history of feathers in birds and their possible relation to scales on reptiles. Examining Thursby-Pelham’s drawings of embryonic penguins would have allowed Ewart to make a study of the process of early feather development.

Thursby-Pelham, a scientist at the Zoological Laboratory, Cambridge, has been called ‘England’s first female sea-going fisheries scientist’ and was an active member of the International Council for the Exploration of the Sea. However, as she mentions to Ewart, she had also worked as an assistant to Dr Richard Assheton (1863-1915), Lecturer in Animal Embryology at the University of Cambridge. The drawings to which Thursby-Pelham refers, and which Ewart evidently wished to use as part of his research, were the intricate and beautiful pencil drawings of the embryos of the Emperor Penguin eggs famously collected on Scott’s last expedition (1910-1913) to the Antarctic. This expedition, commemorated in Apsley Cherry-Garrard’s 1922 book The Worst Journey in the World (which contained Ewart’s report on the Emperor Penguin as an Appendix), aimed to be the first to reach the South Pole, collecting as much scientific data as possible along the way. In particular, it was hoped that evidence would be found about the embryos of Emperor Penguins (thought to be the most ‘primitive’ of the bird species) to support the theory that there was an evolutionary link between birds and reptiles. In 1911, Edward Wilson, the expedition’s chief scientist, and two colleagues embarked on a gruelling five week journey to the nearest penguin breeding colony, pulling heavy sledges in total darkness through temperatures of -40°C. They collected five fresh eggs, three of which survived the return journey. Back in Britain, the pickled embryos were sliced and mounted onto slides, with Richard Assheton being assigned the special task of analysing them. It was at this time that Dorothy Thursby-Pelham made her pencil drawings. Meanwhile, the bodies of Scott, Wilson and a third colleague, Henry Bowers, were discovered in 1913, having perished in the cold on the return journey from the South Pole (they were beaten to the spot by Roald Amunsden’s Norwegian expedition).

The outbreak of the First World War and Assheton’s death delayed the detailed study of the embryos until 1934 – the year after James Cossar Ewart’s death – when advances in science had discounted the theory of a link between between an embryological development and evolutionary history. However, the eggs, which can still be seen today in the Natural History Museum, remain as poignant reminders of the courageous and often deadly battle for scientific discovery.

You can see images of the eggs, as well as pictures from Scott’s expedition and one of Dorothy Thursby-Pelham’s drawings here:

http://www.nhm.ac.uk/mobiletreasures/specimens/penguin-egg/index.html

Play It Again, Dolly – An Audio Interview with Playback Magazine

Masterpieces III Recently, a wonderful opportunity arose for me to promote the Towards Dolly Project and the Masterpieces III exhibition to the visually impaired community through an audio interview with John Cavanagh and Playback Magazine for the June 2013 issue. The specific feature is:

Masterpiece 3 Exhibition John Cavanagh speaks to Kristy Davis about this Exhibition taking place at Edinburgh University Library. Acting as a sequel to Masterpieces I and II, shown in 2009 and 2012, Masterpieces III continues to explore and expand the concept of a “masterpiece”, but this time approaches it from the perspectives of science and medicine.

During the interview I describe the glass slides from the Towards Dolly Project and one of my favourite objects in the collection – Mansur ibn Muhammad ibn Ahmad ibn Yusuf ibn Illyas’s 14th century illustration Tashrih-i Mansuri  (The Anatomy of Mansur of Shiraz) – the human body in Islamic medicine:

Glass SlidesAhmad illustration

 

 

 

 

 

 

 

 

Playback Magazine is part of Playback Recording Service, a registered charity, based in Glasgow at the Centre for Sensory Impaired, created to provide a free service to blind and visually impaired people to provide professional-quality recorded material to the UK, as well as parts of the USA, Australia, New Zealand and Canada. A more comprehensive history of this wonderful organization can be found on Playback’s website. Presenter John Cavanagh is an independent broadcast media professional with over 20 years of experience in the voice artist and broadcasting industries.

I hope you enjoy listening to the feature as much as I enjoyed talking to John and having the opportunity to promote this fascinating material to the visually impaired community – I’ll certainly be listening to future editions of the excellent Playback Magazine and I hope that others will as well!

Images were created by the Digital Imaging Unit, Centre for Research Collections, Edinburgh University Library and are © The University of Edinburgh.

Letters in the Limelight: Tahitian sheep and the lost Japanese garden of Perthshire

Coll.14.9.21.11 F. Bailey mentions Ella ChristieCataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

Sometimes even the smallest mention of a name in a letter contains the kernel of a fascinating story. On 13 June 1915, Mr Bailey writes to Ewart that he is currently staying with a ‘Miss Christie’ at Cowden Castle, Dollar, Perthshire, where a ‘Tahitian boy’ is lodging and receiving a military education. Bailey also provides some details about the sheep he has seen in Tahiti, which would have been of relevance to Ewart’s researches into different sheep breeds at this time. But who was this ‘Miss Christie’, Mr Bailey’s host at Cowden Castle?

Isabella (Ella) Robertson Christie (1861-1949) was an independent woman who travelled the world, photographed and wrote about her experiences and was made a Fellow of the Royal Scottish Geographical Society as well as the Royal Geographical Society. However, she is now best remembered for the Japanese garden she commissioned in the grounds of her home at Cowden Castle. When visiting Japan in 1907, Christie was especially struck by the gardens, which she wrote ‘were first copied from the Chinese, and then improved upon the lines of nature till one can scarcely see where the artificial and natural join.’ Once back at Cowden, Christie created a lake out of some marshy ground and employed Japanese designer Taki Hionda, from Nagoya’s Royal School of Garden Design, to help create a garden filled with symbolic stones that traced a route around the lake. The garden, named Shah-rak-uenor (Place of Pleasure and Delight) was frequently used for entertaining the friends and visitors who came to Cowden from all over the world. A favourite activity of visitors would be to take a fishing trip on the lake before tea, served in the tea house on an island in the middle of the lake.

Christie later called upon the advice of Professor Jiju Soya Susuki of the Soami School of Imperial Design, who deemed the gardens ‘the best in the western world’, except for the bridge, which he called ‘a flaw in a precious gem.’ Suzuki insisted on redesigning the bridge. In 1925, Christie used her contact with Susuki to employ a gardener called Matsuo, who had lost his entire family in an earthquake in Japan. Matsuo was able to provide specialist care for the plants and although he had little English and Ella Christie had no Japanese, they were clearly able to find a way to communicate. Christie granted Matsuo an estate cottage, and when he died in 1937 he was buried next to the Christie family plot in the cemetery of Muckhart Church.

After Ella Christie’s death in 1947, the Japanese gardens were maintained and kept open to the public, even after Cowden Castle was demolished in 1952. However, things quickly deteriorated. Several acts of vandalism in the 1960s, including the burning of the teahouse, the destruction of the bridges, shrine and lanterns, left Ella Christie’s beloved garden in ruins. Now, despite efforts to raise money to restore the gardens, not to mention the enthusiasm of Christie’s great-nephew and the current owner of the estate, Sir Robert Stewart of Arndean, little remains of Sharakuen except the lake, some stonework and a few tantalising fragments of the shrine, although the rhododendrons that Christie imported from the Himalayas can still be seen.

Although it would be nice to know more about the ‘Tahitian boy’ undergoing military training that F. Bailey mentions, his letter’s brief hint does at least point the way towards the fascinating life of Ella Christie and the garden she created.

You can read more information about the Ella Christie’s Japanese garden, and also see some pictures, here: http://www.geocities.jp/kita36362000/perthshire_english.htm

Photographs from Ella Christie’s travels can be seen on the Royal Geographical Society’s website: http://www.rsgs.org/ifa/gemellachristie.html

I am also indebted to Catherine Horwood’s book, Gardening Women: Their Stories from 1600 to the Present (Virago, 2010).

From Bukhara to Texas – Dr. CC Young and His Karakul Sheep

The Karakul is one, if not the, oldest breed of domesticated sheep that originated in Central Asia and is known for its ability to withstand harsh environments. Karakul Market, BukharaWhile the fur pelts of the Karakul were prized, they were also used as a source for milk, meat, tallow and wool. The breed was named for the village, Karakul, which lies in the valley of the Amu Darja River in the former emirate of Bukhara, West Turkestan (now Uzbekistan). This region is one of high altitude with scant desert vegetation and a limited water supply causing the sheep to adapt to the harsh environment.

Dr CC Young and Karakul LambsWanting to introduce this hearty breed of sheep known for the quality of its fur, Dr. CC Young, a Russian physician who immigrated to Texas in the United States, imported the first Karakul rams and ewes into the United States in 1908. From accounts, it was quite an endeavour! After travelling to Russia armed with letters of introduction from President Theodore Roosevelt to prominent Russian businessmen, Young returned to New York City with several Karakul rams and ewes of which the Secretary of Agriculture ordered  to be returned to Russia or slaughtered; however, after being in quarantine, they were shipped to his father’s ranch Harem to Texasin Texas. Then, in 1912, Dr. Young ‘joined the International Sheep Congress in Moscow, Russia and purchased several Karakul rams and ewes from various exhibitors; these sheep arrived in Baltimore, Maryland in 1913, but he had to sell many of them to recoup his finances. He started the Young Karakul Fur Sheep Company with some men in Prince Edward Island, Canada and tried to re-purchase the sheep and move them to the island. Since there was so much interest in this breed of sheep, the company sent Dr. Young to Bukhara to secure a larger flock. He traversed the desert, the southern and central plateaus of Turkestan (Uzbekistan) and along the Amu-Daria River. With his connections to various Russian officials, Dr. Young was able to select the finest specimens and so, a flock of 21 sheep (15 rams and 6 ewes) were shipped to the United States quarantine station in Beltsville, Maryland, where 5 of the rams died and the rest of the flock was shipped to Charlottetown, Prince Edward Island.

Dr CC Young in Uzbek dressDr. CC Young’s article, “Origin of the Karakul Sheep” in the Journal of Heredity, American Genetic Association is a fascinating first-hand account of his adventures in Central Asia and in his description of the breed.

Letters in the Limelight: ‘The Wizard of Sussex’ and the Piltdown Man

Coll.14.9.21.16 Dawson signatureCataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

As a prominent figure in the field of zoology, Ewart’s professional connections frequently interlinked with those involved with disciplines such as archaeology and palaeontology. Ewart was often able to use these connections to benefit his own research into the prehistoric origins of domestic animals. For example, one of his most well-known pieces of research was ‘On the Skulls of Horses from the Roman Fort at Newstead, near Melrose, with Observations on the Origin of Domestic Horses’ (Transactions of the Royal Society of Edinburgh, 45: 555-587, 1907). But one of his Ewart’s correspondents from the archaeological world proved to be more notorious than the rest…

In September 1915, Ewart received a letter (ref: GB 237 Coll-14/9/21/16) from amateur palaeontologist and antiquarian Charles Dawson (1864-1916) concerning the case of a horse with some unusual horn-like protuberances on its skull. Dawson goes on to say that he will shortly be visiting Ewart in Edinburgh and will bring with him ‘some new pieces of Eoanthropus skull from near Piltdown, in which you might be interested.’ Just how interested Ewart was in these skull fragments we will never know, but Charles Dawson was certain to hold the interest of the scientific world in a firm grasp for some time to come.

Unlike his brothers, Dawson did not attend university but followed his father into the legal profession and became a solicitor. However, he held a lifelong passion for fossil-hunting and archaeology, making some uncannily fortunate finds (a Roman statuette made uniquely of cast iron, the teeth of a previously unknown species of mammal, a unique form of an ancient timber boat). At the age of only 21 he was made a Fellow of the Geological Society. However despite these successes, he complained that he was always ‘waiting for the big ‘find’ which never seems to come along’.

Ever since the publication of Darwin’s On the Origin of Species in 1859, there had been an intense rush to find any ancient remains which would form ‘the missing link’ between apes and humans. Early human remains had been found elsewhere in Europe (including Cro-Magnon man in France), but the British Isles apparently  lacked any evidence. However, this changed when in December 1912 it was announced at a meeting of the Geological Society that skull and jawbone fragments had been discovered by Charles Dawson (later accompanied by palaeontologist Arthur Smith Woodward), in Pleistocene gravel beds in Piltdown, Sussex, which seemed to suggest an early human with a large brain, ape-like jaw but human teeth. The fragments Dawson refers to in his letter to Ewart were those of a molar tooth and skull pieces which seemed to match those of the Piltdown Man (Eoanthropus dawsoni or ‘Dawson’s Dawn Man’) which were unearthed at a nearby site in 1915. Dubbed ‘the Wizard of Sussex’, Dawson finally found the public acclaim he craved, although he did not live to gain a knighthood or a prestigious Royal Society Fellowship. However, he also died without seeing his Piltdown discovery exposed as a fraud: this did not happen until 1953.

Improved technology for dating fossils from the 1940s meant that scientists in the Natural History Museum began to examine the Piltdown remains in detail. It was then they made various alarming discoveries: the skull and jaw fragments actually came from two different species, a human and an ape (probably an orang-utan); the teeth had been deliberately filed down to make them look human; and the remains had been artificially stained to match the local gravels.

Several theories have emerged which either inculcate Dawson as the sole perpetrator of the fraud or name various other individuals who could have been involved (including Arthur Conan Doyle). However, the general consensus casts Dawson as the prime or only suspect. But all of this was still to come when Dawson wrote to Ewart back in September 1915 – yet another example of how James Cossar Ewart’s correspondence collection charts its way through an eventful and occasionally turbulent period in scientific discovery.

You can read more about the Piltdown hoax on the Natural History Museum’s site here:

http://www.nhm.ac.uk/nature-online/science-of-natural-history/the-scientific-process/piltdown-man-hoax/

 

Animals and Disease

Another theme within the Roslin Glass Slides Collection is physical manifestations of disease and abnormalities in animals from genetic diseases to viral and bacterial infections to insect borne illnesses. Some of the most prevalent in the images are scrapie and scab with some images of Spirillosis in a horse, a double headed calf and cattle meat infected with tuberculosis. Additionally, there are images of animal hospitals and disease prevention methods. This was certainly a vital area of research and interest to these scientists since understanding the genetic aspects of the various diseases could lead to improved treatments and prevention methods to ensure the animals survival and to benefit the economic impact in animal breeding.

Sheep with ScrapieScrapie is a fatal, degenerative disease that affects the nervous systems of sheep and goats. It is one of several transmissible spongiform encephalopathies (TSEs), which are related to bovine spongiform encephalopathy.

 

Sheep with ScabSheep scab is a highly contagious skin disease caused by a mite called Psoroptes ovis causing scaly lesions to develop on the woolly parts of a sheep’s body making them itch resulting in them rubbing or biting themselves causing wool loss.

 

Spirilosis in HorseSpirillosis is a disease caused by the presence of spirilla in the blood or tissues. Spirilla is a ‘genus of large (1.4–1.7 mcm in diameter), rigid, helical, gram-negative bacteria (family Spirillaceae) that are motile by means of bipolar fascicles of flagella. These freshwater organisms are obligately microaerophilic and chemoorganotrophic, possessing a strictly respiratory metabolism; they neither oxidize nor ferment carbohydrates. ‘

Double Headed Cheviot LambThe double-headed Cheviot lamb suffered from Diprosopus or Cranialfacial duplication which is a rare congenital disorder whereby parts (accessories) or all of the face is duplicated on the head.

 

Tuberculous MeatTuberculosis is a common, and in many cases lethal, infectious disease caused by various strains of mycobacteria, usually Mycobacterium tuberculosis which infects the lungs and occasionally other parts of the body.

 

 

There are also images of disease prevention methods though mostly of cattle dipping to prevent ticks and one of an animal hospital in India.

India Animal HospitalCattle Dipping Texas with President Taft

 

 

 

While I’ve catalogued many scientific off-prints and glass slides on animals and disease in the Roslin Collection which are available for you to see if you make an appointment to see the material, I’d also recommend having a look at the DEFRA website for more information.

A New Arrival

The ‘Towards Dolly’ team are rather excited about a recent acquisition by Edinburgh University Library Special Collections: a collection of original artwork by acclaimed artist and designer Yolanda Sonnabend (1935-) created to illustrate developmental biologist Conrad Hal Waddington’s book Tools for Thought (London, 1977). The collection consists of around 250 watercolours, black inkwork drawings, tracings, collages and material sourced for collage-work. Although not officially part of the ‘Towards Dolly’ project, Sonnabend’s artwork and papers relating to her collaboration with Waddington forms a timely and fascinating complement to the Waddington papers which have been catalogued as part of the project.

As we have seen from earlier posts on this blog, Waddington (Director of the Institute of Animal Genetics in Edinburgh from 1947 until his death in 1975) held a lifelong interest in art, particularly in how it can be used to illuminate and represent scientific concepts. This interest culminated in his 1969 book Behind Appearance, a comparative study of science and painting in the twentieth century. Tools for Thought: How to understand and apply the latest scientific techniques of problem solving was Waddington’s last completed work (published posthumously) and presented approaches such as systems and catastrophe theory, cybernetics and futures research as tools for facing the world’s economic, social and ecological problems. Yolanda Sonnabend’s boldly confident illustrations are a perfect partner to Waddington’s imaginative cross-disciplinary thinking. Here is a slideshow showing a few examples from the collection:

Born in Rhodesia, Sonnabend studied painting and stage design at the Slade School of Fine Arts. As well as being an accomplished portraitist, she is probably best known for her work as a designer for theatre and ballet, having worked for the Royal Opera House, the Royal Ballet, Sadler’s Wells and the Stuttgart Ballet company. We are delighted to have this unique collection of her artwork at Edinburgh University Library Special Collections.

You can see more examples of Sonnabend’s work here on the BBC’s website: http://www.bbc.co.uk/arts/yourpaintings/artists/yolanda-sonnabend

All images appear here with kind permission from Yolanda Sonnabend.

Dining ‘Al Fresco’ in the Early 20th Century

In anticipation of the (hopefully) approaching warm weather, I’ve found a selection of images of people dining al fresco in Uruguay, Argentina and British Columbia, Canada in the early 20th century.

 
Two of the images are from Fray Bentos, Uruguay – one showing a group of men standing around a traditional South American barbeque pit/campfire roasting three animals on spits and the other shows the same men, joined by women, sitting around a picnic table. Unfortunately, no one is identified in either image; however, one of the group members may be Oldfield Thomas, a zoologist who travelled to South America around the late 19th / early 20th century. If anyone can identify the people in the group, it would be greatly appreciated!

 

Cooking on an Asado for lunch near Fray Bentos, Uruguay

Cooking on an Asado for lunch near Fray Bentos, Uruguay

Camp lunch near Fray Bentos, Uruguay

Camp lunch near Fray Bentos, Uruguay

 

 

 

 

 

 

In contrast, the next two images show groups of gauchos, sitting around their camp fires on the Argentinian plains outside of Buenos Aires.

 

Shearers Midday Meal, Cabana Foriane, Argentina. Photograph of a group of sheep shearers sitting and standing around a cook fire and pot for their midday meal on the plains in the early 20th century.

Shearers Midday Meal, Cabana Foriane, Argentina. Photograph of a group of sheep shearers sitting and standing around a cook fire and pot for their midday meal on the plains in the early 20th century.

Photograph of a group of men, gauchos, eating breakfast in their camp on the plains in Argentina in the early 20th century.

Photograph of a group of men, gauchos, eating breakfast in their camp on the plains in Argentina in the early 20th century.

Photograph of a group of men and a woman standing around a camp fire in camp in British Columbia, Canada in the early 20th century. One of the men may be Professor Robert Wallace, another man may be Alex Easton and the woman may be Isabel Easton.

Photograph of a group of men and a woman standing around a camp fire in camp in British Columbia, Canada in the early 20th century. One of the men may be Professor Robert Wallace, another man may be Alex Easton and the woman may be Isabel Easton.

 

 

 

 

 

 

 

 

Finally, there is an image of Professor Robert Wallace, who taught rural agriculture and natural history at the University of Edinburgh in the early 20th century, next to a camp fire in British Columbia, Canada.

These images illustrate a fascinating aspect of social history at the turn of the 20th century – that scientists on expeditions around the world documented what and how they ate when ‘out in the field’ provides an interesting insight.

Letters in the Limelight: Edwin Brough, the man who hunted Jack the Ripper

Coll.14.9.8.32 Edwin BroughCataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

I would never have guessed that there would be even a slight link between James Cossar Ewart and Jack the Ripper, but this week’s letter in the limelight, written to Ewart on 28 April 1902 by Edwin Brough, proves otherwise…

Brough was a silk manufacturer and bloodhound breeder who became publicly well known when two of his hounds, Barnaby and Burgundy (‘Burgho’), became involved in the hunt for Jack the Ripper, the infamous Whitechapel serial killer of 1888, who was never caught. In the huge public outcry surrounding the hunt for the murderer, numerous suggestions were made for the use of bloodhounds, whose extraordinary sense of scent and ability to follow a trail tirelessly makes them ideal tracking animals. However, Brough maintained that the hounds were of limited use due to the age of the scent and the crowded city environment, although it does seem that the presence of the hounds in the City temporarily deterred any further murders.

Brough predominantly bred hounds for tracking competitions, and was also a key figure in the introduction of the breed into America after exhibiting three of his hounds at the Westminster KC show in New York City. However, Brough was clearly interested in other types of animals breeding: in his letter to Ewart he discusses the experiments of a Colonel W. Scoby, who crossed a carting mare with a blood horse to produce excellent hunting horses. Brough himself was also successful breeder of cows, including the famous Jersey cow ‘Antic’ who in 1896 gave 1,071 gallons of milk!

The letter to Ewart bears the heading ‘Wyndyate’ (later called Scalby Manor) near Scarborough, Yorkshire. The house, with its stables and kennels, was built for Brough in 1885 and he lived here until 1910, breeding and training his famous hounds. The building has been a hotel or pub since the 1980s. You can see pictures of the Manor as it is now here: http://www.jtrforums.com/showthread.php?t=10311