Play It Again, Dolly – An Audio Interview with Playback Magazine

Masterpieces III Recently, a wonderful opportunity arose for me to promote the Towards Dolly Project and the Masterpieces III exhibition to the visually impaired community through an audio interview with John Cavanagh and Playback Magazine for the June 2013 issue. The specific feature is:

Masterpiece 3 Exhibition John Cavanagh speaks to Kristy Davis about this Exhibition taking place at Edinburgh University Library. Acting as a sequel to Masterpieces I and II, shown in 2009 and 2012, Masterpieces III continues to explore and expand the concept of a “masterpiece”, but this time approaches it from the perspectives of science and medicine.

During the interview I describe the glass slides from the Towards Dolly Project and one of my favourite objects in the collection – Mansur ibn Muhammad ibn Ahmad ibn Yusuf ibn Illyas’s 14th century illustration Tashrih-i Mansuri  (The Anatomy of Mansur of Shiraz) – the human body in Islamic medicine:

Glass SlidesAhmad illustration

 

 

 

 

 

 

 

 

Playback Magazine is part of Playback Recording Service, a registered charity, based in Glasgow at the Centre for Sensory Impaired, created to provide a free service to blind and visually impaired people to provide professional-quality recorded material to the UK, as well as parts of the USA, Australia, New Zealand and Canada. A more comprehensive history of this wonderful organization can be found on Playback’s website. Presenter John Cavanagh is an independent broadcast media professional with over 20 years of experience in the voice artist and broadcasting industries.

I hope you enjoy listening to the feature as much as I enjoyed talking to John and having the opportunity to promote this fascinating material to the visually impaired community – I’ll certainly be listening to future editions of the excellent Playback Magazine and I hope that others will as well!

Images were created by the Digital Imaging Unit, Centre for Research Collections, Edinburgh University Library and are © The University of Edinburgh.

Letters in the Limelight: Tahitian sheep and the lost Japanese garden of Perthshire

Coll.14.9.21.11 F. Bailey mentions Ella ChristieCataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

Sometimes even the smallest mention of a name in a letter contains the kernel of a fascinating story. On 13 June 1915, Mr Bailey writes to Ewart that he is currently staying with a ‘Miss Christie’ at Cowden Castle, Dollar, Perthshire, where a ‘Tahitian boy’ is lodging and receiving a military education. Bailey also provides some details about the sheep he has seen in Tahiti, which would have been of relevance to Ewart’s researches into different sheep breeds at this time. But who was this ‘Miss Christie’, Mr Bailey’s host at Cowden Castle?

Isabella (Ella) Robertson Christie (1861-1949) was an independent woman who travelled the world, photographed and wrote about her experiences and was made a Fellow of the Royal Scottish Geographical Society as well as the Royal Geographical Society. However, she is now best remembered for the Japanese garden she commissioned in the grounds of her home at Cowden Castle. When visiting Japan in 1907, Christie was especially struck by the gardens, which she wrote ‘were first copied from the Chinese, and then improved upon the lines of nature till one can scarcely see where the artificial and natural join.’ Once back at Cowden, Christie created a lake out of some marshy ground and employed Japanese designer Taki Hionda, from Nagoya’s Royal School of Garden Design, to help create a garden filled with symbolic stones that traced a route around the lake. The garden, named Shah-rak-uenor (Place of Pleasure and Delight) was frequently used for entertaining the friends and visitors who came to Cowden from all over the world. A favourite activity of visitors would be to take a fishing trip on the lake before tea, served in the tea house on an island in the middle of the lake.

Christie later called upon the advice of Professor Jiju Soya Susuki of the Soami School of Imperial Design, who deemed the gardens ‘the best in the western world’, except for the bridge, which he called ‘a flaw in a precious gem.’ Suzuki insisted on redesigning the bridge. In 1925, Christie used her contact with Susuki to employ a gardener called Matsuo, who had lost his entire family in an earthquake in Japan. Matsuo was able to provide specialist care for the plants and although he had little English and Ella Christie had no Japanese, they were clearly able to find a way to communicate. Christie granted Matsuo an estate cottage, and when he died in 1937 he was buried next to the Christie family plot in the cemetery of Muckhart Church.

After Ella Christie’s death in 1947, the Japanese gardens were maintained and kept open to the public, even after Cowden Castle was demolished in 1952. However, things quickly deteriorated. Several acts of vandalism in the 1960s, including the burning of the teahouse, the destruction of the bridges, shrine and lanterns, left Ella Christie’s beloved garden in ruins. Now, despite efforts to raise money to restore the gardens, not to mention the enthusiasm of Christie’s great-nephew and the current owner of the estate, Sir Robert Stewart of Arndean, little remains of Sharakuen except the lake, some stonework and a few tantalising fragments of the shrine, although the rhododendrons that Christie imported from the Himalayas can still be seen.

Although it would be nice to know more about the ‘Tahitian boy’ undergoing military training that F. Bailey mentions, his letter’s brief hint does at least point the way towards the fascinating life of Ella Christie and the garden she created.

You can read more information about the Ella Christie’s Japanese garden, and also see some pictures, here: http://www.geocities.jp/kita36362000/perthshire_english.htm

Photographs from Ella Christie’s travels can be seen on the Royal Geographical Society’s website: http://www.rsgs.org/ifa/gemellachristie.html

I am also indebted to Catherine Horwood’s book, Gardening Women: Their Stories from 1600 to the Present (Virago, 2010).

From Bukhara to Texas – Dr. CC Young and His Karakul Sheep

The Karakul is one, if not the, oldest breed of domesticated sheep that originated in Central Asia and is known for its ability to withstand harsh environments. Karakul Market, BukharaWhile the fur pelts of the Karakul were prized, they were also used as a source for milk, meat, tallow and wool. The breed was named for the village, Karakul, which lies in the valley of the Amu Darja River in the former emirate of Bukhara, West Turkestan (now Uzbekistan). This region is one of high altitude with scant desert vegetation and a limited water supply causing the sheep to adapt to the harsh environment.

Dr CC Young and Karakul LambsWanting to introduce this hearty breed of sheep known for the quality of its fur, Dr. CC Young, a Russian physician who immigrated to Texas in the United States, imported the first Karakul rams and ewes into the United States in 1908. From accounts, it was quite an endeavour! After travelling to Russia armed with letters of introduction from President Theodore Roosevelt to prominent Russian businessmen, Young returned to New York City with several Karakul rams and ewes of which the Secretary of Agriculture ordered  to be returned to Russia or slaughtered; however, after being in quarantine, they were shipped to his father’s ranch Harem to Texasin Texas. Then, in 1912, Dr. Young ‘joined the International Sheep Congress in Moscow, Russia and purchased several Karakul rams and ewes from various exhibitors; these sheep arrived in Baltimore, Maryland in 1913, but he had to sell many of them to recoup his finances. He started the Young Karakul Fur Sheep Company with some men in Prince Edward Island, Canada and tried to re-purchase the sheep and move them to the island. Since there was so much interest in this breed of sheep, the company sent Dr. Young to Bukhara to secure a larger flock. He traversed the desert, the southern and central plateaus of Turkestan (Uzbekistan) and along the Amu-Daria River. With his connections to various Russian officials, Dr. Young was able to select the finest specimens and so, a flock of 21 sheep (15 rams and 6 ewes) were shipped to the United States quarantine station in Beltsville, Maryland, where 5 of the rams died and the rest of the flock was shipped to Charlottetown, Prince Edward Island.

Dr CC Young in Uzbek dressDr. CC Young’s article, “Origin of the Karakul Sheep” in the Journal of Heredity, American Genetic Association is a fascinating first-hand account of his adventures in Central Asia and in his description of the breed.

Letters in the Limelight: ‘The Wizard of Sussex’ and the Piltdown Man

Coll.14.9.21.16 Dawson signatureCataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

As a prominent figure in the field of zoology, Ewart’s professional connections frequently interlinked with those involved with disciplines such as archaeology and palaeontology. Ewart was often able to use these connections to benefit his own research into the prehistoric origins of domestic animals. For example, one of his most well-known pieces of research was ‘On the Skulls of Horses from the Roman Fort at Newstead, near Melrose, with Observations on the Origin of Domestic Horses’ (Transactions of the Royal Society of Edinburgh, 45: 555-587, 1907). But one of his Ewart’s correspondents from the archaeological world proved to be more notorious than the rest…

In September 1915, Ewart received a letter (ref: GB 237 Coll-14/9/21/16) from amateur palaeontologist and antiquarian Charles Dawson (1864-1916) concerning the case of a horse with some unusual horn-like protuberances on its skull. Dawson goes on to say that he will shortly be visiting Ewart in Edinburgh and will bring with him ‘some new pieces of Eoanthropus skull from near Piltdown, in which you might be interested.’ Just how interested Ewart was in these skull fragments we will never know, but Charles Dawson was certain to hold the interest of the scientific world in a firm grasp for some time to come.

Unlike his brothers, Dawson did not attend university but followed his father into the legal profession and became a solicitor. However, he held a lifelong passion for fossil-hunting and archaeology, making some uncannily fortunate finds (a Roman statuette made uniquely of cast iron, the teeth of a previously unknown species of mammal, a unique form of an ancient timber boat). At the age of only 21 he was made a Fellow of the Geological Society. However despite these successes, he complained that he was always ‘waiting for the big ‘find’ which never seems to come along’.

Ever since the publication of Darwin’s On the Origin of Species in 1859, there had been an intense rush to find any ancient remains which would form ‘the missing link’ between apes and humans. Early human remains had been found elsewhere in Europe (including Cro-Magnon man in France), but the British Isles apparently  lacked any evidence. However, this changed when in December 1912 it was announced at a meeting of the Geological Society that skull and jawbone fragments had been discovered by Charles Dawson (later accompanied by palaeontologist Arthur Smith Woodward), in Pleistocene gravel beds in Piltdown, Sussex, which seemed to suggest an early human with a large brain, ape-like jaw but human teeth. The fragments Dawson refers to in his letter to Ewart were those of a molar tooth and skull pieces which seemed to match those of the Piltdown Man (Eoanthropus dawsoni or ‘Dawson’s Dawn Man’) which were unearthed at a nearby site in 1915. Dubbed ‘the Wizard of Sussex’, Dawson finally found the public acclaim he craved, although he did not live to gain a knighthood or a prestigious Royal Society Fellowship. However, he also died without seeing his Piltdown discovery exposed as a fraud: this did not happen until 1953.

Improved technology for dating fossils from the 1940s meant that scientists in the Natural History Museum began to examine the Piltdown remains in detail. It was then they made various alarming discoveries: the skull and jaw fragments actually came from two different species, a human and an ape (probably an orang-utan); the teeth had been deliberately filed down to make them look human; and the remains had been artificially stained to match the local gravels.

Several theories have emerged which either inculcate Dawson as the sole perpetrator of the fraud or name various other individuals who could have been involved (including Arthur Conan Doyle). However, the general consensus casts Dawson as the prime or only suspect. But all of this was still to come when Dawson wrote to Ewart back in September 1915 – yet another example of how James Cossar Ewart’s correspondence collection charts its way through an eventful and occasionally turbulent period in scientific discovery.

You can read more about the Piltdown hoax on the Natural History Museum’s site here:

http://www.nhm.ac.uk/nature-online/science-of-natural-history/the-scientific-process/piltdown-man-hoax/

 

Animals and Disease

Another theme within the Roslin Glass Slides Collection is physical manifestations of disease and abnormalities in animals from genetic diseases to viral and bacterial infections to insect borne illnesses. Some of the most prevalent in the images are scrapie and scab with some images of Spirillosis in a horse, a double headed calf and cattle meat infected with tuberculosis. Additionally, there are images of animal hospitals and disease prevention methods. This was certainly a vital area of research and interest to these scientists since understanding the genetic aspects of the various diseases could lead to improved treatments and prevention methods to ensure the animals survival and to benefit the economic impact in animal breeding.

Sheep with ScrapieScrapie is a fatal, degenerative disease that affects the nervous systems of sheep and goats. It is one of several transmissible spongiform encephalopathies (TSEs), which are related to bovine spongiform encephalopathy.

 

Sheep with ScabSheep scab is a highly contagious skin disease caused by a mite called Psoroptes ovis causing scaly lesions to develop on the woolly parts of a sheep’s body making them itch resulting in them rubbing or biting themselves causing wool loss.

 

Spirilosis in HorseSpirillosis is a disease caused by the presence of spirilla in the blood or tissues. Spirilla is a ‘genus of large (1.4–1.7 mcm in diameter), rigid, helical, gram-negative bacteria (family Spirillaceae) that are motile by means of bipolar fascicles of flagella. These freshwater organisms are obligately microaerophilic and chemoorganotrophic, possessing a strictly respiratory metabolism; they neither oxidize nor ferment carbohydrates. ‘

Double Headed Cheviot LambThe double-headed Cheviot lamb suffered from Diprosopus or Cranialfacial duplication which is a rare congenital disorder whereby parts (accessories) or all of the face is duplicated on the head.

 

Tuberculous MeatTuberculosis is a common, and in many cases lethal, infectious disease caused by various strains of mycobacteria, usually Mycobacterium tuberculosis which infects the lungs and occasionally other parts of the body.

 

 

There are also images of disease prevention methods though mostly of cattle dipping to prevent ticks and one of an animal hospital in India.

India Animal HospitalCattle Dipping Texas with President Taft

 

 

 

While I’ve catalogued many scientific off-prints and glass slides on animals and disease in the Roslin Collection which are available for you to see if you make an appointment to see the material, I’d also recommend having a look at the DEFRA website for more information.

A New Arrival

The ‘Towards Dolly’ team are rather excited about a recent acquisition by Edinburgh University Library Special Collections: a collection of original artwork by acclaimed artist and designer Yolanda Sonnabend (1935-) created to illustrate developmental biologist Conrad Hal Waddington’s book Tools for Thought (London, 1977). The collection consists of around 250 watercolours, black inkwork drawings, tracings, collages and material sourced for collage-work. Although not officially part of the ‘Towards Dolly’ project, Sonnabend’s artwork and papers relating to her collaboration with Waddington forms a timely and fascinating complement to the Waddington papers which have been catalogued as part of the project.

As we have seen from earlier posts on this blog, Waddington (Director of the Institute of Animal Genetics in Edinburgh from 1947 until his death in 1975) held a lifelong interest in art, particularly in how it can be used to illuminate and represent scientific concepts. This interest culminated in his 1969 book Behind Appearance, a comparative study of science and painting in the twentieth century. Tools for Thought: How to understand and apply the latest scientific techniques of problem solving was Waddington’s last completed work (published posthumously) and presented approaches such as systems and catastrophe theory, cybernetics and futures research as tools for facing the world’s economic, social and ecological problems. Yolanda Sonnabend’s boldly confident illustrations are a perfect partner to Waddington’s imaginative cross-disciplinary thinking. Here is a slideshow showing a few examples from the collection:

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Born in Rhodesia, Sonnabend studied painting and stage design at the Slade School of Fine Arts. As well as being an accomplished portraitist, she is probably best known for her work as a designer for theatre and ballet, having worked for the Royal Opera House, the Royal Ballet, Sadler’s Wells and the Stuttgart Ballet company. We are delighted to have this unique collection of her artwork at Edinburgh University Library Special Collections.

You can see more examples of Sonnabend’s work here on the BBC’s website: http://www.bbc.co.uk/arts/yourpaintings/artists/yolanda-sonnabend

All images appear here with kind permission from Yolanda Sonnabend.

Dining ‘Al Fresco’ in the Early 20th Century

In anticipation of the (hopefully) approaching warm weather, I’ve found a selection of images of people dining al fresco in Uruguay, Argentina and British Columbia, Canada in the early 20th century.

 
Two of the images are from Fray Bentos, Uruguay – one showing a group of men standing around a traditional South American barbeque pit/campfire roasting three animals on spits and the other shows the same men, joined by women, sitting around a picnic table. Unfortunately, no one is identified in either image; however, one of the group members may be Oldfield Thomas, a zoologist who travelled to South America around the late 19th / early 20th century. If anyone can identify the people in the group, it would be greatly appreciated!

 

Cooking on an Asado for lunch near Fray Bentos, Uruguay

Cooking on an Asado for lunch near Fray Bentos, Uruguay

Camp lunch near Fray Bentos, Uruguay

Camp lunch near Fray Bentos, Uruguay

 

 

 

 

 

 

In contrast, the next two images show groups of gauchos, sitting around their camp fires on the Argentinian plains outside of Buenos Aires.

 

Shearers Midday Meal, Cabana Foriane, Argentina. Photograph of a group of sheep shearers sitting and standing around a cook fire and pot for their midday meal on the plains in the early 20th century.

Shearers Midday Meal, Cabana Foriane, Argentina. Photograph of a group of sheep shearers sitting and standing around a cook fire and pot for their midday meal on the plains in the early 20th century.

Photograph of a group of men, gauchos, eating breakfast in their camp on the plains in Argentina in the early 20th century.

Photograph of a group of men, gauchos, eating breakfast in their camp on the plains in Argentina in the early 20th century.

Photograph of a group of men and a woman standing around a camp fire in camp in British Columbia, Canada in the early 20th century. One of the men may be Professor Robert Wallace, another man may be Alex Easton and the woman may be Isabel Easton.

Photograph of a group of men and a woman standing around a camp fire in camp in British Columbia, Canada in the early 20th century. One of the men may be Professor Robert Wallace, another man may be Alex Easton and the woman may be Isabel Easton.

 

 

 

 

 

 

 

 

Finally, there is an image of Professor Robert Wallace, who taught rural agriculture and natural history at the University of Edinburgh in the early 20th century, next to a camp fire in British Columbia, Canada.

These images illustrate a fascinating aspect of social history at the turn of the 20th century – that scientists on expeditions around the world documented what and how they ate when ‘out in the field’ provides an interesting insight.

Letters in the Limelight: Edwin Brough, the man who hunted Jack the Ripper

Coll.14.9.8.32 Edwin BroughCataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

I would never have guessed that there would be even a slight link between James Cossar Ewart and Jack the Ripper, but this week’s letter in the limelight, written to Ewart on 28 April 1902 by Edwin Brough, proves otherwise…

Brough was a silk manufacturer and bloodhound breeder who became publicly well known when two of his hounds, Barnaby and Burgundy (‘Burgho’), became involved in the hunt for Jack the Ripper, the infamous Whitechapel serial killer of 1888, who was never caught. In the huge public outcry surrounding the hunt for the murderer, numerous suggestions were made for the use of bloodhounds, whose extraordinary sense of scent and ability to follow a trail tirelessly makes them ideal tracking animals. However, Brough maintained that the hounds were of limited use due to the age of the scent and the crowded city environment, although it does seem that the presence of the hounds in the City temporarily deterred any further murders.

Brough predominantly bred hounds for tracking competitions, and was also a key figure in the introduction of the breed into America after exhibiting three of his hounds at the Westminster KC show in New York City. However, Brough was clearly interested in other types of animals breeding: in his letter to Ewart he discusses the experiments of a Colonel W. Scoby, who crossed a carting mare with a blood horse to produce excellent hunting horses. Brough himself was also successful breeder of cows, including the famous Jersey cow ‘Antic’ who in 1896 gave 1,071 gallons of milk!

The letter to Ewart bears the heading ‘Wyndyate’ (later called Scalby Manor) near Scarborough, Yorkshire. The house, with its stables and kennels, was built for Brough in 1885 and he lived here until 1910, breeding and training his famous hounds. The building has been a hotel or pub since the 1980s. You can see pictures of the Manor as it is now here: http://www.jtrforums.com/showthread.php?t=10311

Thrills and Spills and Just another Day at the Races – Motion Studies, Breeding and Cloning in Horse Racing

Now that spring has arrived and with National Hunt season ending and Flat Season beginning, I thought I’d show you some horse racing images we have in the Roslin glass plate slide collection.

Horse racing and animal genetics go well together since issues of genetic traits and physiology are of interest to both breeders and scientists. These images illustrate the ‘body in motion’ – from Muybridge’s film still of a horse running at a gallop to a race horse in the midst of a fall during a steeplechase – they can illustrate how race horse breeding has developed by being able to compare the points of the horse in the slides.Gallop Motion StudyWhite Cockade falls

 

 

 

Looking over the slides I found that they fell into three sub-genres within horse racing :

The first, ‘Racehorses at Rest,’ shows various individual well-known horses in profile which is very useful to see and compare favourable traits found in winners. Additionally, the text beneath the image provides a bit of history on the particular horse.

Dan Patch Horse

The second, ‘Racehorses during a Race,’ shows the horse and jockey in motion on a flat-track or jumping over fences during steeplechases. These images are very useful to see the physiology of the horse in motion. Prince of Wales on Pet DogMovich America's Fastest Racehorse

Grey mare's leap

 

 

 

 

The third, ‘Racehorses – Accidents’ – is just that- from showing suffragette, Emily Davison’s pulling down George V’s horse at the Epsom Derby in 1913 to horses falling after taking a jump during a steeplechase. Just as a caution – these particular photographs are not particularly pleasant to view; however, they are fascinating to see how the camera has captured the moment and to see how the horses’ body moves.

No Damage DoneSatan and Gamecock fall over the fencesDavison Suffragette Horse 4

 

 

 

 

Another issue arising is the one on cloning racehorses – can it be done (yes); is it done (yes); are cloned racehorses allowed to race (no); and why clone racehorses (to preserve winning horses genetic lines).  Mike Bunker wrote in his article, “Cloning may be Horse Racing’s Next Horizon” on the 2007 Centre of Genetics and Society website,

Although cloning of food animals has become relatively common since 1996, when Scottish scientists made a DNA duplicate of a sheep named Dolly, the notion of copying racehorses for entertainment purposes is a controversial one. The Jockey Club, which writes and enforces thoroughbred racing’s rulebook, and the American Quarter Horse Association both prohibit the practice.

The first horse cloned was “Prometea,” in 2003 by Cesare Galli, at the University of Bologna in Cremona, Italy, though it was considered to be mostly a ‘scientific experiment’; then, in 2005, – the first champion racehorse, “Pieraz2,” was cloned by the same scientist to preserve its genetic lines. In 2008, Charlotte Kearsley (supervised by John Woolliams) wrote her PhD thesis for the University of Edinburgh on Genetic Evaluation of Sport Horses in Britain in which her “aim of this project was to derive models for predicting breeding values for British bred sport horses and hence develop procedures for their evaluation.”

There are more articles and websites on the genetics of breeding and cloning racehorses and there are more slides in the collection as well, so I hope that this has provided some interesting insight!

Letters in the Limelight: Rowland Ward, taxidermist

Coll14.9.10.71 Rowland Ward billCataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

For anyone seriously interested in studying the various physical and biological characteristics of animals in James Cossar Ewart’s time, taxidermy played an important role. Ewart’s correspondence reveal that he travelled extensively around the world observing or seeking out various breeds of animals (for instance in 1905 he went to Mexico to study mustangs). He was also able to acquire various breeds or hybrids at his home in Penicuik (most usually sheep, ponies and his famous zebra/horse hybrids). We also know that his correspondents sent him photographs or glass slides depicting various interesting specimens. However, sometimes travel or photography was not possible, or a particular animal Ewart wished to inspect died before he could visit, or he wanted to preserve one of his own animals for future research use, such as examining colouration or markings. This is where taxidermy came into its own. The picture shows a bill from the renowned taxidermist Rowland Ward. Dated 4 July 1904, it summarises the services Ewart had received since 1902, including ‘skinning Przewalski’s horse [a species of wild horse], preserving and dressing skin, making artificial skull’, ‘preserving and macerating skeleton’ and ‘skinning zebra hybrid.’ During the course of his research, Ewart amassed quite a collection of zebra and horse skins, skulls and bones, which allowed him to compare variations in markings, bone structure and other characteristics.

Born in London in 1847, Rowland Ward left school at 14 to begin work at his father Henry Ward’s taxidermy studio. His gift for taxidermy and sculpture soon became clear, and his hard work and entrepreneurship soon made him established. His final premises, The Jungle, was situated in London’s fashionable Piccadilly district and largely catered for wealthy sportsmen and game hunters, as well as naturalists like Ewart. He became widely known for his hugely detailed dioramas, often used at large exhibitions, depicting, for example, scenes of jungle life, as well as fashionable ‘animal furniture’. However, he also pioneered techniques in taxidermy which are still employed today, and his books on taxidermy and extensive compilation of horn measurements are still consulted. The business continued to flourish after Ward’s death in 1912, its subsidiary company finally closing in 1983.

You can see examples of Rowland Ward’s work here: http://taxidermyemporium.co.uk/15.html