Home University of Edinburgh Library Essentials
June 19, 2026
Listening to Victoria Stodden, Assistant Professor of Statistics at Columbia University, give the keynote speech at the recent Open Repositories conference in lovely Prince Edward Island Canada, I realised we have some way to go on the path towards her idealistic vision of how to “perfect the scholarly record.”

Charlottetown, Prince Edward Island
As an institutional data repository manager (for Edinburgh DataShare) I often listen and talk to users about the reasons for sharing and not sharing research data. One reason, well-known to users of the UK Data Archive (now known as the UK Data Service), is if the dataset is very rich and can be used for multiple purposes beyond those for which it was created, for example, the British Social Attitudes Survey.
Another reason for sharing data, increasingly being driven by funder and publisher policies, is to allow replication of published results, or in the case of negative results which are never published, to avoid duplication of effort and wasting public monies.
It is the second reason on which Stodden focused, and not just for research data but also for the code that is run on the data to produce the scientific results. It is for this reason she and colleagues have set up the web service, Run My Code. These single-purpose datasets do not normally get added to collections within data archives and data centres, as their re-use value is very limited. Stodden’s message to the audience of institutional repository managers and developers was that the duty of preserving these artefacts of the scientific record should fall to us.
Why should underlying code and data be published and preserved along with articles as part of the scholarly record? Stodden argues, because computation is becoming central to scientific research. We’ve all heard arguments behind the “data deluge”. But Stodden persuasively focuses on the evolution of the scientific record itself, arguing that Reproducible Research is not new. It has its roots in Skepticism – developed by Robert Boyle and the Royal Society of the 1660s. Fundamentally, it’s about “the ubiquity of error: The central motivation of the scientific method is to root out error.”
In her keynote she developed this theme by expanding on the three branches of science.
Stodden is scathing in her criticism of the way computational science is currently practiced, consisting of “breezy demos” at conferences that can’t be challenged or “poked at.” She argues passionately for the need to facilitate reproducibility – the ability to regenerate published results.
What is needed to achieve openness in science? Stodden argued for the need for deposit and curation of versioned data and code, with a link to the published article, and permanence of the link.This is indeed within the territory of the repository community.
Moreover, to have sharable products at the end of a research project, one needs to plan to share from the outset. It’s very difficult to reproduce the steps to create the results as an afterthought.
I couldn’t agree more with this last assertion. Since we set up Edinburgh DataShare we have spoken to a number of researchers about their ‘legacy’ datasets which – although they would like to make them publicly available, they cannot, either because of the nature of the consent forms, the format of the material, or the lack of adequate documentation. The easiest way is to plan to share. Our Research Data Management pages have information on how to do this, including use of the Digital Curation Centre’s tool, DMPOnline.
– Robin Rice, Data Librarian
This appears to be a previously-unknown collection of shells formed by Charles Darwin. Whilst cataloguing chosen exhibits for an upcoming exhibition, myself and Gillian McCay the geology curator tipped out a small green box of what appeared at first to be some rather dirty looking gastropods. You can imagine our surprise when we found a slip lining the box which informed us the specimens were collected by Charles Darwin.
When we considered we were looking through the collection of his close and influential friend Charles Lyell, there appeared little reason to believe otherwise. After some research I discovered that St Helena (the given location of the find) was one of the stops Darwin made on HMS Beagle, the five year voyage he made investigating geology and making natural history collections, many of which were sent back to Cambridge. Somehow these specimens have gone from the shores of St Helena, through some of the most important figures of early natural science, to delighting a couple of unsuspecting and very excited curators.
Emma Smith, Exhibitions Intern
Last month we digitised the fantastic Recueil de Desseins Ridicules, 1695 by George Focus (shelfmark SRD.1.2) for an order, but were so fascinated by the images that we thought it worthy of further investigation. However, all we have really been able to find out is that he was born in Chateaudun circa 1639/40, that he was influenced by Nicolas Poussin & Gaspard Dughet & that he spent much of his adult life insane & “Confined to small houses” where he died in 1708.
The DIU would like to thank our Volunteer, Noah Salaman, for all the work he did prepping these images to go into the book reader software. We think this book has great potential for a crowd-sourcing project to transcribe & translate the text on each of the drawings- watch this space!
The Book Reader can be viewed at http://images.is.ed.ac.uk/luna/servlet/s/jedr3j
Or, you can zoom in on the full size pages at http://images.is.ed.ac.uk/luna/servlet/s/y3zwbv
![[Newton, John] / An authentic narrative of some remarkable and interesting particularas in the life of ********* ... London, 1786.](https://libraryblogs.is.ed.ac.uk/newcollegelibrarian/files/2013/07/z-1188.jpg?w=300)
[Newton, John] / An authentic narrative of some remarkable and interesting particularas in the life of ********* … London, 1786. New College Library Z.1188
In 1764, the year he was ordained as an Anglican priest, his Authentic Narrative appeared and quickly became a bestseller. Newton’s early life as a seaman slave trader coloured his experiences in later life, when he wrote and campaigned against slavery and is known to have met and advised William Wilberforce. He was a prominent hymn writer, and his legacy lives on today in the well known hymn ‘Amazing Grace’ .
New College Library has this sixth edition, at Z.1188, published in 1786, but it went through ten British and eight American editions before the end of the century. It was quickly translated into several other languages – New College Library also holds a Gaelic edition at Gaelic Coll. 137.
Sources
D. Bruce Hindmarsh, ‘Newton, John (1725–1807)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2010 [http://www.oxforddnb.com/view/article/20062, accessed 18 July 2013]
Concept, The Journal of Contemporary Community Education Practice Theory has published its Summer 2013 issue.
As well as a contribution from internationally respected and well published academic, Mike Newman there is an article from Jo Northedge, a current student on the Community Education Msc programme at Moray House. Their articles characterise one of the key purposes of the journal, which is to encourage writers other than academics to contribute.
The first issue of Concept was published in the Spring of 1991. After a long and successful life in print, in late 2009, with the support of the library, Concept published the first online issue of the journal using Open Journal Systems (OJS).
There have been a variety of special issues and discrete publications on themes including including Youth Work, Participation, Citizenship and Community Development.
The new issue and a full archive of the online issues are available on the journal site: http://concept.lib.ed.ac.uk
The CRC’s image collection is available through the LUNA image discovery tool, and can be accessed here.
This is great, but there’s a need to get the collections well-publicised, through as many means as possible, and because of this, the Digital Imaging Unit advised that a linked Flickr site would be a good vehicle to draw users in. The Digital Library Development team investigated ways of linking LUNA data to Flickr, and came up with a solution that involved interrogating the LUNA database, populating some MySQL tables, and using PHP to generate Flickr-compatible XML. From here, the Flickr App garden- an ‘Aladdin’s Cave’ of useful interfaces to Flickr resources- was checked to find a suitable load API, and indeed we found one. The results can be seen here:
Metadata for the records includes Title, Rights Statement, Description, Tags (Creators, Subjects, Ids, Shelfmarks) and a link back to the high resolution LUNA record.These highlights have had their metadata enriched by volunteers to improve the presentation of the records. However, there is a lot of work to be done to get all of LUNA up to this standard, and we’re aware of the need for more cataloguers. Could crowdsourcing be a valid approach to this? There’s a debate for another post!
Thanks to DIU interns Alice Tod and Jessica Macaulay for their hard work on these items.
This week we started a trial – photographing some Glass Lantern Slides for the Towards Dolly Project, & one of the first images we took showed that there is nothing new under the sun…

GB 237 Coll-1434 (Box 4), Roslin Glass Slides. The Drop Scene Two Miles Up the Wanganui River, New Zealand. Photograph of a Maori girl standing on a canoe at ‘the drop scene two miles up the Wanganui River’ in New Zealand in the late 19th or early 20th century. In the background there is another canoe, jungle and mountains.
Although this slide was produced in the early 20th C, there is clear evidence of photo manipulation. Once we zoomed in on the image it became clear that the Maori Girl in her Canoe on New Zealand’s Wanganui River was in fact a fraud! Sunlight doesn’t often come from 2 directions, nor does perspective suddenly alter proportions (compare the girl’s canoe with the smaller canoe behind her). Furthermore, she has the classic ‘cut-out’ look of early photo-montages. Despite this, on the small 8cm x 8cm original, it is hard to spot at a glance- one of the unexpected bonuses of digitisation is the ability to zoom in on small details.
Last week saw the delivery of our brand new camera- the Hasselblad H5D-200MS. This camera is hot off the press with only a few in the country so far. Capable of capturing high quality files up to an astonishing 570MB, this should be fantastic for shooting exhibition images when large format printing is called for. The addition of a second copy unit will also help us to gear up towards increasing the departments output.
More information about the camera can be found at http://www.hasselblad.co.uk/promotions/h5d.aspx
One of the gems being stored out at the Annexe amongst the ECA Collection is the below oil panting by Dame Elizabeth Violet Blackadder.

Tuscan Landscape by Elizabeth V. Blackadder, Oil on paper, 51 x 71 cm, Collection: ECA part of University of Edinburgh Fine Art Collection
A Scottish painter and printmaker, in 1962 Blackadder began teaching at Edinburgh College of Art where she continued until her retirement in 1986.
She is the first woman to be elected to both the Royal Scottish Academy and the Royal Academy.
Her work can be seen at the Tate Gallery, the Scottish National Gallery of Modern Art, and the Museum of Modern Art in New York, and has appeared on a series of Royal Mail stamps.
If you are interested in the paintings stored out at the Annexe, the BBC have digitised the collection and made it available on the web page ‘Your Paintings’.
Stephanie Farley (Charlie), Library Annexe Assistant
Congratulations to Digital Curation Centre staffer Sarah Jones, who co-authored an article about UK University RDM initiatives with Jisc Programme Manager Simon Hodson in the Guardian Higher Education Network pages today:
“Seven rules of successful research data management in universities: Sound research rests on the ability to evidence, verify and reproduce results – managing your data enables all three.”
Sarah is helping the University develop support for Data Management Planning towards its RDM Roadmap goals as part of the DCC’s 21 institutional engagements providing tailored support to increase research data management capability.
A number of direct and indirect pointers to the University of Edinburgh’s work appear in this concise but well-presented piece, including the Research Data MANTRA online course, the formation of an RDM Steering Group, a roadmap to address EPSRC data sharing requirements, online guidance for staff, and librarian training.
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