Tag: <span>Photography</span>

Today is World Photography Day, ‘an annual celebration of the art, craft, science and history of photography.’ This year, we’d like to turn the spotlight on the amazing photographers working in the Cultural Heritage Digitisation Service by allowing them to highlight their favourite collection items they’ve photographed, and to share a piece of their own work as well. We hope their insights into the medium and their technical process will prove both interesting and informative! 

Cultural Heritage Digitisation

The top section of the front page of an issue of the newspaper "the witness", yellowed with age, the title is centre top and the rest of the image is filled with articles in very small writing.

We’ve been working on digitising The Witness for quite some time now. Here’s a little background information from our previous post on the publication: ‘A twice weekly newspaper, The Witness was created by the Church of Scotland in 1840 and edited by Hugh Miller, an influential writer, geologist and stone mason. In 1843 The Church of Scotland was faced with 200 ministers walking out citing political interference, an event which came to be known as the Disruption and led to the Free Church being established. Presbyterianism is founded on the basis that the people make the decisions, not an elite hierarchy, and the only head of the church, is God. This makes The Witness newspaper a fantastic primary source covering a significant event in Scotland’s social and religious history, and as such, a prime candidate for digitisation.’

As the editions are bound into large format volumes, we decided to contract the digitisation to a company called Autodocs. Digitisation operators Miranda and Marian then took over the quality control and processing of the files and made some fun discoveries along the way – let’s hear from them!

Cultural Heritage Digitisation

Image taken in a lecture theatre in the Barbican Centre. Taken from the perspective of the audience looking towards a screen with the AHFAP logo projected on it.
Getting ready for the conference to start

At the beginning of November, I was given the opportunity to attend the Association of Historical and Fine Art Photography (AHFAP) Conference 2023 at the Barbican Centre in London. The keynote speech by Catherine Croft from The Twentieth Century Society gave an overview of the history of the development of the Barbican, and its relationship with the photographers who have attempted to capture it – each approaching it from a unique perspective. I found all the talks fascinating, but I wanted to highlight a few in this blog that I felt captured some of the main themes I noticed in the conference this year.  

Cultural Heritage Digitisation News

The Cultural Heritage Digitisation Service (CHDS) has managed the Main Library’s Digital Wall since it was installed in late 2019.1 The Wall is made up of two sets of nine 4k screens which are operated by touch screens: users can navigate high resolution images of the library’s cultural heritage collections as well as watch videos that feature specific collection items, projects and pieces of work undertaken by library staff. When the Wall is not in use, it displays massive “Attractor” videos which run across all 18 screens, designed to draw users in. 

Cultural Heritage Digitisation Exhibitions Library

Black and white composite image of the death mask of William Burke, overlayed with the image of his skull, matching up eyes to eye sockets, teeth to mouth etc.

Last summer, I spent five days photographing the skeleton of William Burke to document recent conservation as a record for future collection care. The remains had been conserved and cleaned for the first time since the 1800s and the skeleton was going on display at the National Museum of Scotland for their 2022 exhibition “A Matter Of Death and Life“. I also photographed the life and death masks of Burke, Hare and Robert Knox (“the man who buys the beef”).

Cultural Heritage Digitisation Edinburgh Medical School

 

The Association for Historical and Fine Art Photogapher’s (AHFAP) conference is always a highlight of the year and, alongside 2and3D Photography at the Rijksmuseum and Archiving, it has become one of the must-attend events for any cultural heritage imaging professional. This year we were fortunate that AHFAP took place at the National Museum of Scotland here in Edinburgh, meaning for the first time ever the entire Cultural Heritage Digitisation team could attend! 

Library News

Two of my favourite photographs in the Centre for Research Collections come from The University of Edinburghs copy of William Henry Fox Talbot’s “The Pencil of Nature“. Shelfmark Df.3.85 .The…

Art Collections Edinburgh College of Art

Edinburgh College of Art Library News School of History, Classics and Archaeology School of Literatures, Languages and Cultures