Over the last few months, our team has been working on digitising the Lothian Health Service Archive’s collection of Annual Public Health Reports for the City of Edinburgh. Comprising of 74 bound volumes of reports recording the public health of Edinburgh’s residents from 1865 to 1973, these documents are an absolute goldmine of information just waiting to be utilised by academics and researchers, covering everything from birth, death and disease rates to specific aspects of public health that were overseen by the City authorities, like infectious diseases or sanitation.
Tag: <span>Edinburgh</span>
Last summer, I spent five days photographing the skeleton of William Burke to document recent conservation as a record for future collection care. The remains had been conserved and cleaned for the first time since the 1800s and the skeleton was going on display at the National Museum of Scotland for their 2022 exhibition “A Matter Of Death and Life“. I also photographed the life and death masks of Burke, Hare and Robert Knox (“the man who buys the beef”).
In February 2022, PhD students Vesna Curlic and Ash Charlton began their digitisation internships in partnership with the University of Edinburgh’s Library and University Collections and the Centre for Data, Culture, and Society. Together, they reflect on the joys and challenges of digitisation.
We were tasked with an internship project that has two main parts – half our time is spent in the Cultural Heritage Digitisation Service’s Digital Imaging Unit (DIU) in the University’s Main Library scanning early volumes of The Student, University of Edinburgh’s student newspaper. The other half of the time, we work to develop a training pathway for the Centre for Data, Culture and Society which will direct people towards resources for undertaking their own digitising projects. This post is part one of two, reflecting on our experiences digitising The Student.
In November 2019 the Library excitedly welcomed Sir Charles Lyell’s two hundred and ninety-four notebooks into its Special Collections. With support and funding from leading institutions, groups and donations pledged from over 1000 individuals, this tectonic acquisition meant the notebooks were able to stay in the UK and join the Library’s existing collection of Lyell-related materials. As part of the DIU team, I was lucky enough to photograph Lyell’s notebooks, working with the world’s finest quality cameras to digitise a previously private collection into the public sphere and beyond.
This week’s images all come from a lovely photograph album commissioned by the University in 1900 (Shelfmark EUA CA1/2). We don’t have much information about this volume but we think…