Letters in the Limelight: Tahitian sheep and the lost Japanese garden of Perthshire

Coll.14.9.21.11 F. Bailey mentions Ella ChristieCataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

Sometimes even the smallest mention of a name in a letter contains the kernel of a fascinating story. On 13 June 1915, Mr Bailey writes to Ewart that he is currently staying with a ‘Miss Christie’ at Cowden Castle, Dollar, Perthshire, where a ‘Tahitian boy’ is lodging and receiving a military education. Bailey also provides some details about the sheep he has seen in Tahiti, which would have been of relevance to Ewart’s researches into different sheep breeds at this time. But who was this ‘Miss Christie’, Mr Bailey’s host at Cowden Castle?

Isabella (Ella) Robertson Christie (1861-1949) was an independent woman who travelled the world, photographed and wrote about her experiences and was made a Fellow of the Royal Scottish Geographical Society as well as the Royal Geographical Society. However, she is now best remembered for the Japanese garden she commissioned in the grounds of her home at Cowden Castle. When visiting Japan in 1907, Christie was especially struck by the gardens, which she wrote ‘were first copied from the Chinese, and then improved upon the lines of nature till one can scarcely see where the artificial and natural join.’ Once back at Cowden, Christie created a lake out of some marshy ground and employed Japanese designer Taki Hionda, from Nagoya’s Royal School of Garden Design, to help create a garden filled with symbolic stones that traced a route around the lake. The garden, named Shah-rak-uenor (Place of Pleasure and Delight) was frequently used for entertaining the friends and visitors who came to Cowden from all over the world. A favourite activity of visitors would be to take a fishing trip on the lake before tea, served in the tea house on an island in the middle of the lake.

Christie later called upon the advice of Professor Jiju Soya Susuki of the Soami School of Imperial Design, who deemed the gardens ‘the best in the western world’, except for the bridge, which he called ‘a flaw in a precious gem.’ Suzuki insisted on redesigning the bridge. In 1925, Christie used her contact with Susuki to employ a gardener called Matsuo, who had lost his entire family in an earthquake in Japan. Matsuo was able to provide specialist care for the plants and although he had little English and Ella Christie had no Japanese, they were clearly able to find a way to communicate. Christie granted Matsuo an estate cottage, and when he died in 1937 he was buried next to the Christie family plot in the cemetery of Muckhart Church.

After Ella Christie’s death in 1947, the Japanese gardens were maintained and kept open to the public, even after Cowden Castle was demolished in 1952. However, things quickly deteriorated. Several acts of vandalism in the 1960s, including the burning of the teahouse, the destruction of the bridges, shrine and lanterns, left Ella Christie’s beloved garden in ruins. Now, despite efforts to raise money to restore the gardens, not to mention the enthusiasm of Christie’s great-nephew and the current owner of the estate, Sir Robert Stewart of Arndean, little remains of Sharakuen except the lake, some stonework and a few tantalising fragments of the shrine, although the rhododendrons that Christie imported from the Himalayas can still be seen.

Although it would be nice to know more about the ‘Tahitian boy’ undergoing military training that F. Bailey mentions, his letter’s brief hint does at least point the way towards the fascinating life of Ella Christie and the garden she created.

You can read more information about the Ella Christie’s Japanese garden, and also see some pictures, here: http://www.geocities.jp/kita36362000/perthshire_english.htm

Photographs from Ella Christie’s travels can be seen on the Royal Geographical Society’s website: http://www.rsgs.org/ifa/gemellachristie.html

I am also indebted to Catherine Horwood’s book, Gardening Women: Their Stories from 1600 to the Present (Virago, 2010).

Letters in the Limelight: ‘The Wizard of Sussex’ and the Piltdown Man

Coll.14.9.21.16 Dawson signatureCataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

As a prominent figure in the field of zoology, Ewart’s professional connections frequently interlinked with those involved with disciplines such as archaeology and palaeontology. Ewart was often able to use these connections to benefit his own research into the prehistoric origins of domestic animals. For example, one of his most well-known pieces of research was ‘On the Skulls of Horses from the Roman Fort at Newstead, near Melrose, with Observations on the Origin of Domestic Horses’ (Transactions of the Royal Society of Edinburgh, 45: 555-587, 1907). But one of his Ewart’s correspondents from the archaeological world proved to be more notorious than the rest…

In September 1915, Ewart received a letter (ref: GB 237 Coll-14/9/21/16) from amateur palaeontologist and antiquarian Charles Dawson (1864-1916) concerning the case of a horse with some unusual horn-like protuberances on its skull. Dawson goes on to say that he will shortly be visiting Ewart in Edinburgh and will bring with him ‘some new pieces of Eoanthropus skull from near Piltdown, in which you might be interested.’ Just how interested Ewart was in these skull fragments we will never know, but Charles Dawson was certain to hold the interest of the scientific world in a firm grasp for some time to come.

Unlike his brothers, Dawson did not attend university but followed his father into the legal profession and became a solicitor. However, he held a lifelong passion for fossil-hunting and archaeology, making some uncannily fortunate finds (a Roman statuette made uniquely of cast iron, the teeth of a previously unknown species of mammal, a unique form of an ancient timber boat). At the age of only 21 he was made a Fellow of the Geological Society. However despite these successes, he complained that he was always ‘waiting for the big ‘find’ which never seems to come along’.

Ever since the publication of Darwin’s On the Origin of Species in 1859, there had been an intense rush to find any ancient remains which would form ‘the missing link’ between apes and humans. Early human remains had been found elsewhere in Europe (including Cro-Magnon man in France), but the British Isles apparently  lacked any evidence. However, this changed when in December 1912 it was announced at a meeting of the Geological Society that skull and jawbone fragments had been discovered by Charles Dawson (later accompanied by palaeontologist Arthur Smith Woodward), in Pleistocene gravel beds in Piltdown, Sussex, which seemed to suggest an early human with a large brain, ape-like jaw but human teeth. The fragments Dawson refers to in his letter to Ewart were those of a molar tooth and skull pieces which seemed to match those of the Piltdown Man (Eoanthropus dawsoni or ‘Dawson’s Dawn Man’) which were unearthed at a nearby site in 1915. Dubbed ‘the Wizard of Sussex’, Dawson finally found the public acclaim he craved, although he did not live to gain a knighthood or a prestigious Royal Society Fellowship. However, he also died without seeing his Piltdown discovery exposed as a fraud: this did not happen until 1953.

Improved technology for dating fossils from the 1940s meant that scientists in the Natural History Museum began to examine the Piltdown remains in detail. It was then they made various alarming discoveries: the skull and jaw fragments actually came from two different species, a human and an ape (probably an orang-utan); the teeth had been deliberately filed down to make them look human; and the remains had been artificially stained to match the local gravels.

Several theories have emerged which either inculcate Dawson as the sole perpetrator of the fraud or name various other individuals who could have been involved (including Arthur Conan Doyle). However, the general consensus casts Dawson as the prime or only suspect. But all of this was still to come when Dawson wrote to Ewart back in September 1915 – yet another example of how James Cossar Ewart’s correspondence collection charts its way through an eventful and occasionally turbulent period in scientific discovery.

You can read more about the Piltdown hoax on the Natural History Museum’s site here:

http://www.nhm.ac.uk/nature-online/science-of-natural-history/the-scientific-process/piltdown-man-hoax/

 

A New Arrival

The ‘Towards Dolly’ team are rather excited about a recent acquisition by Edinburgh University Library Special Collections: a collection of original artwork by acclaimed artist and designer Yolanda Sonnabend (1935-) created to illustrate developmental biologist Conrad Hal Waddington’s book Tools for Thought (London, 1977). The collection consists of around 250 watercolours, black inkwork drawings, tracings, collages and material sourced for collage-work. Although not officially part of the ‘Towards Dolly’ project, Sonnabend’s artwork and papers relating to her collaboration with Waddington forms a timely and fascinating complement to the Waddington papers which have been catalogued as part of the project.

As we have seen from earlier posts on this blog, Waddington (Director of the Institute of Animal Genetics in Edinburgh from 1947 until his death in 1975) held a lifelong interest in art, particularly in how it can be used to illuminate and represent scientific concepts. This interest culminated in his 1969 book Behind Appearance, a comparative study of science and painting in the twentieth century. Tools for Thought: How to understand and apply the latest scientific techniques of problem solving was Waddington’s last completed work (published posthumously) and presented approaches such as systems and catastrophe theory, cybernetics and futures research as tools for facing the world’s economic, social and ecological problems. Yolanda Sonnabend’s boldly confident illustrations are a perfect partner to Waddington’s imaginative cross-disciplinary thinking. Here is a slideshow showing a few examples from the collection:

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Born in Rhodesia, Sonnabend studied painting and stage design at the Slade School of Fine Arts. As well as being an accomplished portraitist, she is probably best known for her work as a designer for theatre and ballet, having worked for the Royal Opera House, the Royal Ballet, Sadler’s Wells and the Stuttgart Ballet company. We are delighted to have this unique collection of her artwork at Edinburgh University Library Special Collections.

You can see more examples of Sonnabend’s work here on the BBC’s website: http://www.bbc.co.uk/arts/yourpaintings/artists/yolanda-sonnabend

All images appear here with kind permission from Yolanda Sonnabend.

Letters in the Limelight: Edwin Brough, the man who hunted Jack the Ripper

Coll.14.9.8.32 Edwin BroughCataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

I would never have guessed that there would be even a slight link between James Cossar Ewart and Jack the Ripper, but this week’s letter in the limelight, written to Ewart on 28 April 1902 by Edwin Brough, proves otherwise…

Brough was a silk manufacturer and bloodhound breeder who became publicly well known when two of his hounds, Barnaby and Burgundy (‘Burgho’), became involved in the hunt for Jack the Ripper, the infamous Whitechapel serial killer of 1888, who was never caught. In the huge public outcry surrounding the hunt for the murderer, numerous suggestions were made for the use of bloodhounds, whose extraordinary sense of scent and ability to follow a trail tirelessly makes them ideal tracking animals. However, Brough maintained that the hounds were of limited use due to the age of the scent and the crowded city environment, although it does seem that the presence of the hounds in the City temporarily deterred any further murders.

Brough predominantly bred hounds for tracking competitions, and was also a key figure in the introduction of the breed into America after exhibiting three of his hounds at the Westminster KC show in New York City. However, Brough was clearly interested in other types of animals breeding: in his letter to Ewart he discusses the experiments of a Colonel W. Scoby, who crossed a carting mare with a blood horse to produce excellent hunting horses. Brough himself was also successful breeder of cows, including the famous Jersey cow ‘Antic’ who in 1896 gave 1,071 gallons of milk!

The letter to Ewart bears the heading ‘Wyndyate’ (later called Scalby Manor) near Scarborough, Yorkshire. The house, with its stables and kennels, was built for Brough in 1885 and he lived here until 1910, breeding and training his famous hounds. The building has been a hotel or pub since the 1980s. You can see pictures of the Manor as it is now here: http://www.jtrforums.com/showthread.php?t=10311

Letters in the Limelight: Rowland Ward, taxidermist

Coll14.9.10.71 Rowland Ward billCataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

For anyone seriously interested in studying the various physical and biological characteristics of animals in James Cossar Ewart’s time, taxidermy played an important role. Ewart’s correspondence reveal that he travelled extensively around the world observing or seeking out various breeds of animals (for instance in 1905 he went to Mexico to study mustangs). He was also able to acquire various breeds or hybrids at his home in Penicuik (most usually sheep, ponies and his famous zebra/horse hybrids). We also know that his correspondents sent him photographs or glass slides depicting various interesting specimens. However, sometimes travel or photography was not possible, or a particular animal Ewart wished to inspect died before he could visit, or he wanted to preserve one of his own animals for future research use, such as examining colouration or markings. This is where taxidermy came into its own. The picture shows a bill from the renowned taxidermist Rowland Ward. Dated 4 July 1904, it summarises the services Ewart had received since 1902, including ‘skinning Przewalski’s horse [a species of wild horse], preserving and dressing skin, making artificial skull’, ‘preserving and macerating skeleton’ and ‘skinning zebra hybrid.’ During the course of his research, Ewart amassed quite a collection of zebra and horse skins, skulls and bones, which allowed him to compare variations in markings, bone structure and other characteristics.

Born in London in 1847, Rowland Ward left school at 14 to begin work at his father Henry Ward’s taxidermy studio. His gift for taxidermy and sculpture soon became clear, and his hard work and entrepreneurship soon made him established. His final premises, The Jungle, was situated in London’s fashionable Piccadilly district and largely catered for wealthy sportsmen and game hunters, as well as naturalists like Ewart. He became widely known for his hugely detailed dioramas, often used at large exhibitions, depicting, for example, scenes of jungle life, as well as fashionable ‘animal furniture’. However, he also pioneered techniques in taxidermy which are still employed today, and his books on taxidermy and extensive compilation of horn measurements are still consulted. The business continued to flourish after Ward’s death in 1912, its subsidiary company finally closing in 1983.

You can see examples of Rowland Ward’s work here: http://taxidermyemporium.co.uk/15.html

Letters in the Limelight: stolen birds’ eggs and ‘the curse of ornithology’

Cataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

Coll.14.9.10.99 Zetland eggsAs the Easter weekend approaches, we have eggs on the mind (albeit mostly of the chocolate variety) so this week’s ‘Letters in the Limelight’ follows this theme (eggs that is, not chocolate). A letter sent to James Cossar Ewart on 8th September 1904 from J. Kirkland Galloway, Procurator-Fiscal of Zetland (Shetland), concerns the prosecution taking place in Shetland under the Wild Birds Protection Act. Kirkland-Galloway describes the taking of two eggs of the Great Skua and one egg of the Sea Eagle and writes that he has been instructed to send the eggs to Ewart ‘to dispose of as you may best in the interest of science’.  The ornithologist William Eagle Clarke wrote earlier to Ewart (28th July 1904) to suggest that the Edinburgh Museum of Science and Art, where he worked, might be the best place for the eggs. He angrily comments that egg-lifting ‘is a senseless business and is the curse of ornithology.’

Historically, the effective protection of birds and their eggs was a gradual process.  The Wild Bird Protection Act (1880) was a start but it fell short in many areas: it failed, for example, to stop the collection of eggs. This was an activity which became highly organised during the Victorian era, where specimen collecting in various forms was all the rage. The 1896 Wild Birds Protection Act which Kirkland-Galloway mentions gave county councils the right to apply for orders to protect particular areas or species of birds, while an Act of 1902 allowed birds or eggs taken illegally to be confiscated. The Society for the Protection of Birds (which got its Royal Charter in 1904) was obviously a driving force in this legislation, culminating in the Protection of Birds Act of 1925. However, the legislation didn’t stop everyone:  in 1916 a vicar stole the last native White-tailed Sea Eagle eggs on Skye and the last adult bird was shot on Shetland two years later (although the species was successfully reintroduced to Scotland in 1975).

The details of the prosecution mentioned in Kirkland-Galloway’s letter are not known and neither is the ultimate fate of the eggs, but it is sobering to see a snapshot in time where the eggs of wild birds did not enjoy the same protection as they do today.

Letters in the Limelight: Susanna Carson Rijnhart

Cataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

Coll.14.9.8.10 Cockerell Rijnhart mentionThis week’s ‘Letters in the Limelight’ focuses on a postcard dated 14 February 1902 which was sent to Ewart from the American naturalist Theodore Dru Alison Cockerell (1866-1948). Cockerell is worthy of a blog post in himself, but here we will focus on the name of a woman who Cockerell mentions quite casually: Susanna Carson Rijnhart. Cockerell writes:

We have been staying in Las Vegas at present [with] Dr (Mrs) Rijnhart, a Canadian lady who has spent a number of years in Tibet. She tells me that male yellow dun horses, with dark dorsal stripe and dark mane and tail…are very common in Tibet. She says they are quite like those we have here in New Mexico. This may not be new, but it is interesting.

Ewart’s abiding research interest at this time was studying those breeds of horses which bear the marks of being of more ancient stock than the popular Arabian horse, which emerged at a later date. Dr Rijnhart was obviously able to provide some information on possible examples of this ‘ancient breed’ from her experiences in Tibet, but there is no indication here of exactly how harrowing that experience was…

Born in Ontario in 1868, Rijnhart graduated as a medical doctor from Toronto at the age of 20 and practised for 6 years. But it was her meeting and marriage to the controversial Petrus Rijnhart, a Dutch-born missionary, that really sent her life on its turbulent course. Before they had been married more than a few months, the couple set out to work as independent missionaries in Tibet. Life was hard, particularly considering the Muslim revolt which broke out in 1896 in Kumbum, where the couple worked. They tended to the wounded and sick and opened a medical dispensary nearby, but their ultimate aim was to reach Lhasa, the Tibetan capital unvisited by Westerners since 1846 and which lay 800 miles away across a series of mountain ranges. In May 1898, Susanna and Petrus left for Lhasa on horseback with their baby Charles and three local hired men, but things swiftly went wrong for them. After two months, two of their hired men deserted, their pack animals were stolen and the baby Charles died suddenly. Determined, the couple pressed on, but it wasn’t long before their caravan was attacked by bandits, leaving them helpless and completely alone. Petrus left Susanna behind to seek help and was never seen or heard of again. A revolver and a little money was all Susanna had left. Still she pressed on across the mountains, bribing a series of local guides, until she reached Kangding (then the most remote outpost of Chinese missionaries) in rags and with frost-bitten feet. There she made her way to the China Inland Mission, where she met James Moyes, who would become her second husband. In 1900 Susanna returned to Canada with failing health and wrote a book about her experiences With the Tibetans in Tent and Temple (Edinburgh, 1901). She bore a son to James in January 1908 but died a month later.

From small names on postcards do big stories come…

Happy Birthday to Crew!

Walton, Thompson, Kammerer, Hogben, Fell, Crew, Cytovich 1924Tomorrow (2nd March) marks the birthday of Professor F.A.E Crew (1886-1973), who was the first Director of what became known as the Institute of Animal Genetics in Edinburgh from 1921 until 1944. It would be a long blog post indeed to try and do justice to this remarkable man. Crew, medically qualified but with a lifelong interest in breeding fowl, steered the Institute from its penniless early days into its heyday as a world renowned research centre, attracting such individuals as Nobel winner H.J Muller. The image above shows Crew (second from the right in the natty cravat) with a group of similarly renowned visitors to the Institute including Dame Honor Fell (Director of Strangeways Laboratory, Cambridge) and zoologist/medical statistician Lancelot Hogben. However, Crew’s influence was by no means confined to the sphere of genetics. He fought in both world wars, attaining the rank of Major in the First War, then Brigadier in the Second. By the time the Second War was at a close, Crew gave up the Directorship of the Institute in order to take up the Chair of Public Health and Social Medicine at Edinburgh University. He also established the Polish School of Medicine in Edinburgh (which awarded medical degrees recognised by the Polish government in exile until its closure in 1949), wrote the impressive six-volume official Army Medical History of the War, was World Health Organisation Visiting professor at Rangoon and Bombay (he also set up the first medical genetics clinic in India) and was happily driving around Turkey in a caravan well into his seventies.

Charismatic, handsome, a beautiful writer and renowned as a public speaker (his friend Hogben remarked that ‘he had a histrionic talent worthy of a Shakespearean actor’) Crew nevertheless remained self effacing all his life, always claiming that his career moves were down to ‘pure luck’ and that ‘mine has not been a very distinguished career’. Crew left no traceable personal archive, but treasures such as a photocopied draft of an autobiography and an endlessly colourful 8 hour interview recording with Margaret Deacon of the Science Studies Unit helps to fill out the picture. The latter recording captures Crew’s wry humour, compassion and humility perfectly whilst also providing such memorable anecdotes as his keeping of tame goats in his office at the Institute (whose constant grazing apparently saved him from having to be bothered by any official correspondence) and the experimental cocks which Crew trained to walk down to the cellar each night so as not to disturb the neighbours!

He remained eloquent and witty right up until his death aged 87.  As he was also a committed humanist, his conclusion to his essay ‘On the Meaning of Death’ published in A.J Ayers’ The Humanist Outlook (1968), is a fitting epithet: ‘In a world so organized that everyone equipped to do so would be able to enjoy life at least as much as I have done, there would be very few who would hanker after an existence beyond the grave for the life lived on this earth would be complete in itself.’

Letters in the Limelight: E.A. Clemens

Cataloguing the correspondence of zoologist/animal breeder James Cossar Ewart (1851-1933), I have been intrigued by the various ‘life stories’ which emerge from the letters. Periodically I will be including some highlights in a series of posts entitled ‘letters in the limelight’ .

E.A Clemens letter Coll14.9.8.3E.A.  Clemens (d. 1924) is perhaps one of Ewart’s more ‘exotic’ correspondents – not least due to his being the nephew of Samuel Clemens (aka Mark Twain). Earnest Allen (‘Al’) Clemens owned a ranch in Magdalena, New Mexico, and so owned a fair number of horses, which were Ewart’s primary focus of study at this time. In a letter dated 21 June 1902, Clemens tells Ewart that he would happily supply him with any horses from his own herd for experimental purposes, as well as any required skulls and other anatomical parts for analysis. One important motive behind breeding and cross-breeding at this time was the production of animals hardy enough to cope with heavy work or difficult conditions. In a letter to a mutual friend, American naturalist Theo Cockerell, Clemens reports that he was aiming to set up an experimental breeding station on his ranch to breed hardy ponies adapted for life in the prairie or desert. Whether or not he achieved this is as yet unknown (maybe this will emerge in later correspondence), but he was clearly a man with ambition.

Fascinated by this exchange of letters between a ranch in New Mexico and a rural bungalow south of Edinburgh, I did a bit of rooting around for any more information on Clemens. And what a story! His home, now named Clemens Ranch House, is now a registered cultural property and the current owners have created this informative website:

http://clemensranchhouse.com/briefhistory.html

It is interesting to read about how Clemens’ personality manifested itself in the building of his ranch house. He was obviously a perfectionist: he reputedly ordered stonemasons from Italy to cut the locally quarried stone for the ranch house and ordered his back porch to be ripped out and remade three times before he was happy with the height. He was also cautious: after apparently being held hostage for three days by desperados, Clemens designed numerous trap doors, tunnels and escape routes from each room of the house!

 Join us again for more ‘letters in the limelight’…

A Sense of Place

Last week the Dolly team enjoyed a trip out to King’s Buildings, the main campus for the University of Edinburgh’s College of Science and Engineering. Bustling with students – not to mention architectural styles – the site is a chessboard of history, not least where animal genetics is concerned. King’s Buildings was home to, for instance, the Institute of Animal Genetics, the MRC Epigenetics Unit and the Poultry Research Centre. We were fortunate enough to have for our guide Professor Grahame Bulfield (former Director of the Roslin Institute and a University genetics student during the 1960s), who is also a valued adviser on the Dolly project board. Grahame’s encyclopaedic knowledge of the roll-call of each building’s previous occupants meant that we were able to visit the habitats of many of the individuals that Kristy and I have been ‘getting to know’ through our cataloguing. It was fascinating to be able to put, if you like, ‘places to names’, and gave us a sense of the social geography of animal genetics at Edinburgh. Here are a couple of our highlights:

Crew building

This building, now called the Crew building and used by the School of Geosciences, was formerly known as the Institute of Animal Genetics. Frances A.E Crew, Director of the Department in Animal Breeding since 1920, had worked to raise funds partly to pay for a designated building for the Department. Designed by John Matthew, the building was opened in 1930.

This oak panel contains the names of those who obtained higher degrees from theOld Genetics plaque and memorabilia now in Ashworth Department up to the year 1950. It used to hang in the entrance hall of the Institute building (above) but has now been moved to the Ashworth Laboratories (also built in 1929), now used by the School of Biological Sciences. Note also the wonderful chairs carved with various farm animals!

 

Ashworth staircase and palms right

The majestic staircase in the Ashworth building displays portraits of many key scientific figures within the University. F.A.E Crew can be seen on the right next to the wooden-framed picture, with his successor as Director, C.H Waddington, two pictures up.

 

 

Not quite so visually grand as the two preceding buildings, this used to house C.HOld Waddington MRC Epigenetics Building Waddington’s Epigenetics Laboratory. Funded by the Medical Research Council, the Wellcome Foundation and the Distillers Company, the building was opened in 1965, with Waddington moving his office from the Institute of Animal Genetics building into the top floor here. Aesthetically perhaps a far cry from John Matthew’s creation, but also a bold statement of the continuing expansion of genetics at the University.

With thanks to Professor Grahame Bulfield.