The Humble Spider – A Measure of Moral Character in Physical Education

In this week’s blog post we take a closer look at the Dunfermline College of Physical Education Archives and attempt to join up the dots between the humble spider and the history of physical education in Scotland. Starting with the spider…

There are more than 45,000 species of spider found world-wide. An arachnid, they belong to a class of arthropods that include scorpions, mites and ticks. They can range in size from 0.11 inches (the tiny Samoan) to almost a foot (the Goliath birdeater tarantula). Metric, that’s around 2.5 mm up to 30.5 cm, or from a pin-head up to the length of your average class-room ruler. While a handful are dangerous to humans, the vast majority of spiders are harmless. They are critical to controlling insect populations.

The Jumping Spider - which can jump up to 50 times its own length

The Jumping Spider – which can jump up to 50 times its own length

Take a closer look at the humble spider and you’ll discover some surprising athletic prowess. The jumping spider can jump up to an impressive 50 times their body length. That’s the equivalent of a human jumping higher than a 25 storey building. The male Peacock spider lifts its legs and shakes its body in synchronised movements in order to attract mates. And every spider produces silk, the strong, flexible protein fibre which they use to build webs, to travel, to anchor themselves for jumping, and to float serenely along in the wind. Allegedly, the silk is so strong that it can absorb three times as much energy as Kevlar, the material used to make bulletproof vests.

Since ancient times, throughout the world, the spider has featured in folklore and cultural tradition. This nifty creature has been assigned a variety of moral attributes and character traits. In some cultural traditions, the spider is seen as an evil arch-intriguer, weaving webs of duplicity, designed to entrap the innocent. In others, it is cast as a model of industry, wisdom and foresight. From Persia to Poland, spiders and caves have featured in the folklore of Kings and Prophets. A Jewish story tells of a spider protecting King David, who was hiding from King Saul, by weaving a protective web across the mouth of a cave. The Story of Hijrah from the Islamic faith tells the story of a spider spinning a web in a cave to protect the Prophet Muhammad.

Here in Scotland, many will be familiar with the fabled encounter of King Robert the Bruce (1274-1329) with a spider, first popularised by Sir Walter Scott in his series ‘Tales of a Grandfather’ (1828-1830). The story goes that after defeat by Edward I at the Battle of Methven (1306), a dispirited and demoralised Bruce fled into hiding. Holed up in a cave, Bruce observed a spider stoically attempt time and again to spin its web. Every time the spider fell, it began again, until at last, the web was spun. Inspired by the tenacious spider, Bruce is alleged to have told his troops, prior to defeating the English at the Battle of Bannockburn (1314), “if at first you don’t succeed, try, try and try again”. Bruce reigned King of Scots from 1306 until his death in 1329, and is somewhat revered as a national hero in Scotland.

Lithograph of Dunfermline Abbey by T. Picken after D.O. Hill, 1847-1854 (Corson P.4114)

Lithograph of Dunfermline Abbey by T. Picken after D.O. Hill, 1847-1854 (Corson P.4114)

Dunfermline, the former capital of Scotland, has a long standing connection with Scottish kings. On his death in 1329, Robert the Bruce was the last of seven Scottish kings to be buried at Dunfermline Abbey. Sensationally, his remains were uncovered in 1818 and then re-interred at the Abbey in 1819. Towards the end of the nineteenth century, in 1891, the pulpit at Dunfermline Abbey was moved back and a monumental brass inserted to indicate the position of the royal vault.

Andrew Carnegie, the wealthy Scottish-born American industrialist and philanthropist, was born in Dunfermline in 1835. Carnegie was born just over fifteen years after the re-interment of Robert the Bruce at Dunfermline Abbey and only five years after Scott published his ‘Tales of a Grandfather’ featuring the legend of Robert the Bruce and the spider. The works of Scott were prominent in Carnegie’s education, enthusiastically relayed to him by his uncle, George Lauder, Snr. Carnegie’s ancestors had also been tenants on Broomhall Estate, the family home of Robert the Bruce’s descendants.

An embroidered spider motif on the front cover of the Dunfermline College of Physical Education Old Students' Association Minute Book, 1912-1973 (Ref: EUA GD55/1/1/2)

An embroidered spider motif on the front cover of the Dunfermline College of Physical Education Old Students’ Association Minute Book, 1912-1973 (Ref: EUA GD55/1/1/2)

Perhaps it is no surprise then, that the Carnegie funded Dunfermline College of Physical Education (DCPE), founded in 1905, should adopt the humble spider as its emblem. Its motto “Efforts are Successes” a distillation of Robert the Bruce’s alleged message to his troops. By 1905, Robert the Bruce and his spider were embedded in Scottish cultural tradition as a symbol of perseverance in the face of adversity. It is also fitting that this little creature assigned with traits of patience, dedication, resolve and resilience, and seemingly super-power athletic ability should become the lauded symbol of the college graduates.

The DCPE spider pops up in all manner of places throughout the the institution’s archives. The first minute book of the DCPE Old Students’ Association (OSA), which dates from 1912, features the spider motif intricately embroidered on its cloth cover. Open the cover and you will find revealed a controversy around the college brooch and its spider design. The minutes of 29 March 1929 read:

The Dunfermline College of Physical Education Brooch, featuring the spider, lion rampant, foundation date (1905) and the motto "Efforts are Successes". Image courtesy of Lorna M. Campbell

The Dunfermline College of Physical Education Brooch. Image courtesy of Lorna M. Campbell

The question of our badge having been raised. Mrs Manifold [the President of the Association] said it had been brought to her notice that our badge, not being registered, could be sold by Messrs R.W. Forsyth to any one who asked for it. She also said that she knew of a small shop-keeper who was making our pocket badge and had sold at least fifty, not necessarily to our members.

Inquiries were made to the Carnegie Dunfermline Trust (who owned the badge) to permit the spider design to be registered. Forsyth’s (a department store with premises in Edinburgh and Glasgow) offered to pay for the registration and were ‘prepared to protect their registration even to the point of a law-suit’ so strong were their feelings about the matter. Forsyth’s also committed to only sell badges to proven DCPE OSA members.

DCPE was founded as an instrument for improving the general health of the child but the story of the spider tells us it was about more than physical health. DCPE students and graduates were encouraged to align themselves to values of respectability, refinement, poise, deportment, and decorum. The moral standing and character of DCPE students was central to their teaching and their distinct identity in this area the source of some pride and cause for protection.

With growing secularisation, questions around how we shape the moral character and civic duty of society are as important now as ever before. Social and moral concepts such as loyalty, dedication, sacrifice, team-work, good citizenship, fairness, justice and responsibility are all tied up in the ethos of sports. But has the development of specialist sub-disciplines such as bio-mechanics, exercise physiology, sport psychology and motor learning led to a marginalisation of the social dimension of physical education? Has the renaming of physical education to ‘schools of exercise’ and ‘sports studies’ diluted its moral character? Does it matter? Asking these questions might lead us not just to a better understanding of the history of physical education, but of the human experience as a whole.

There are many ‘spider’ like stories to be found in the archives. This is one of thousands just waiting to be discovered. It is by uncovering and examining these stories that archives can help us to understand our past and our present, and subsequently, shape our future.

The records Dunfermline College of Physical Education and its’ Old Students Association are held at the University of Edinburgh Archives. You can search the catalogues of the Old Students’ Association online:
Dunfermline College of Physical Education Old Students’ Association
The catalogue of the college records will be made available online soon as part of our Wellcome Research Resource-funded ‘Body Language’ archive cataloguing project.

Sources and further reading:

  • The National Geographic – Spiders
  • On Walter Scott’s ‘Tales of a Grandfather’
  • Isabella C. MacLean, The History of Dunfermline College of Physical Education, (1976).
  • Phillips, M.G., Roper, A.P., History of Physical Education in ‘Handbook of Physical Education’ (2006).
  • On Andrew Carnegie

With thanks to Clare Button for her background research of the minutes of the DCPE OSA (Ref: EUA GD55/1/1/2).

Posted in Archives, Body Language, Collections, Physical Activity, Physical Movement, project news, Uncategorized | Tagged , , , , , , , , , , , , , , | Comments Off on The Humble Spider – A Measure of Moral Character in Physical Education

Tips for Searching Image Collections

The Digital Imaging Unit hosts the digitised content it has produced on a site called Image Collections. This site is available for searching, sharing, exporting, and reusing publically available and copyrighted images from the Library and University Collections. Many images have been used for research, teaching, publications and creating new content.

Need some images? Here are some tips for searching Image Collections.

  1. Site Overview

    The home page has a tiled look that will allow for you to jump straight into a collection of images (grouped by theme) to browse or to search across all collections using the search box at the top. If you click on a collection tile, it will take you to a collection overview page describing what you will find within that collection. Some collection pages have additional iiif manifest links so you can view an entire book as if reading through it, instead of looking at each page as an individual page. If you decide to browse that collection it will take you to a gallery style view of all the images in that collection. You can increase the number of images that appear at a time and page through to browse the entire collection. You can also use the navigation pane on the left side of the screen to filter based on specific characteristics, such as what, where, who and when.

  2. Searching Across Collections

    If you are looking for a specific search term, such as ‘student’, make sure to search across All Collections. Hover over the Collections tab on the top left of the page until Read More

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Edinburgh Research Archive downloads: June 2020

Edinburgh Research Archive: June 2020 downloads infographic

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The Forsaken Mermaid

This week we dig a little deeper into the story behind a document that was conserved in the course of our project work in 2018, and discover legendary sea creatures and a folk-tale inspired Scottish ballet.  

In 2018, project archivist, Clare Button, made a discovery: Margaret Morris’ copy of Erik Chisholm’s musical score for ‘The Forsaken Mermaid’, the first ever full length Scottish ballet. Clare made the remarkable find during her tenacious work to sort and catalogue over 300 boxes of archive material which make up the Margaret Morris Archives. The collection, which covers almost a century of movement, dance and art in Scotland, was donated to the Fergusson Gallery in Perth in 2010. It forms one of three collections included in our ‘Body Language’ project.

The Forsaken Mermaid manuscript before treatment (Ref: 2010.718)

The Forsaken Mermaid manuscript before treatment (Ref: 2010.718)

On discovering the manuscript, which is dated to around 1936, Clare found it in rather poor condition. There were multiple tears to the edges of the paper and evidence of some well-intended but rather non-expert repairs. She carefully packed up the fragile volume and arranged for it to be transported by expert couriers to specialist conservators at the University of Edinburgh’s Centre for Research Collections.

On arrival at the University of Edinburgh’s main library, the volume was unpacked by the conservation team in the bright, clinically clean, fifth-floor conservation studio. Amidst a hive of conservation activity (from re-binding rare seventeenth-century books to repairing early twentieth-century glass plate negatives), this curious manuscript met with experienced book and paper conservation student, Lisa Behrens.

Book and paper conservation student, Lisa Behrens, carefully removing adhesive tape from the Forsaken Mermaid mansucript

Book and paper conservation student, Lisa Behrens, carefully removing adhesive tape from the Forsaken Mermaid mansucript

Lisa’s first task was to dry-clean the volume and then, over two days, she painstakingly removed multiple layers of adhesive tape and binding threads. Each of the individual sheets were repaired using Japanese paper, pressed overnight and then re-sewn using a French sewing technique. This ensured that the conservation treatment did not damage the volume further and helps to protect it from further damage while still allowing it to be accessible to researchers.

A University of Edinburgh alumni (1931 and 1934), Erik Chisholm (1904-1965) was a leading Scottish modernist composer. Glasgow born Chisholm jointly founded the Celtic Ballet with Margaret Morris. At the age of 34, he was appointed Celtic Ballet’s director of music in 1938, although he had composed the musical score for ‘The Forsaken Mermaid’ earlier, in 1936. The choreography for ‘The Forsaken Mermaid’ was by Morris and the set and costumes by the artist, and then principal of Glasgow School of Art, Andrew Taylor-Elder (1908-1966). Celtic Ballet performed ‘The Forsaken Mermaid’, their inaugural production, at the Lyric Theatre, Glasgow, on 6 December 1940.

A curious folk-tale, ‘The Forsaken Mermaid’ features those legendary supernatural sea people, human from the head to the waist but with a fish tail instead of legs. There are many folk-tales of love stories and marriages between a mermaid and a man, some have even claimed descent from such a union. This particular story takes place under and on the water and partly on land.  ‘The Forsaken Mermaid’ tells the story of a mermaid who fell in love with a man when she is caught in a fisherman’s net. But the man grows tired of her and she returns to the sea in despair. The sea-people seek revenge in a terrible storm, drowning the fishermen. The mermaid pleads for the life of her love.

Subsequent Celtic Ballet productions were set to Scottish themes and incorporated elements of Margaret Morris Movement, Scottish country and Highland dance styles. Celtic Ballet went on to tour in Europe, Russia and the United States of America. They were one of the first British companies to perform in France after the second world war.  Chisholm went on to be appointed the Principal of the College of Music at the University of Capetown where he remained until his death in 1965. He held a lifelong interest in Scottish music and published a collection of Celtic folk-songs in 1964.

The Forsaken Mermaid manuscript after treatment (Ref: 2010.718)

The Forsaken Mermaid manuscript after treatment (Ref: 2010.718)

This annotated manuscript is evidence of just one of multiple collaborations with artists that Margaret Morris spearheaded, which can be found throughout the collection. Since undergoing successful conservation treatment, it has now been returned to its home at the Fergusson Gallery at Perth. While the gallery remains closed for the time-being (July 2020) in line with Scottish Government guidance on coronavirus restrictions, there are lots of sources online where you can find out more.

  • You can read more about the conservation treatment of the volume on Centre for Research Collections conservation blog ‘To Protect and (Con)serve’.
  • We love this fantastic video footage from 1923 showing Margaret Morris Merry Mermaids, showing dancers at Harlech beach performing mermaid inspired movement, courtesy of the British Film Institute.
  • Artist Donald Bain’s painting ‘Celtic Ballet: Forsaken Mermaid’ can be viewed on the National Galleries Scotland website.
  • The Celtic Ballet and its history feature in this opinion piece from ‘The National’ newspaper.
  • There is some fascinating reading around Erik Chisholm and his career to be found on the Erik Chisholm Trust website.
Posted in Archives, Body Language, Collections, Dance, Margaret Morris, Margaret Morris Movement, Physical Activity, Physical Movement, project news | Tagged , , , , , , , , , , , , , , | Comments Off on The Forsaken Mermaid

Edinburgh Research Explorer downloads: June 2020

Edinburgh Research Explorer: June 2020 downloads infographic

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Protocols.io trial… six months on!

We launched a trial of protocols.io Enterprise in December 2019, and a lot has been achieved in the first six months.

The number of registered UoE users has increased from 121 to 217 and the number of private protocols from 36 to 106 which demonstrates a significant interest in using the platform with its additional Enterprise functionality,

We have also run a number of webinars specifically for UoE staff and students which have been well attended.

While these numbers suggest interest amongst our research community in using protocols.io we have to collect better feedback before we can decide if protocols.io Enterprise is to become an ongoing service provided by the University.

That is why we are now launching this short survey about protocols.io which is open to all UoE research staff and students. The aim is to gather initial thoughts from our community and to identify people who may be prepared to contribute more in-depth feedback as the trial progresses.

The survey can be accessed at https://edinburgh.onlinesurveys.ac.uk/protocols-io-6-month-survey

To find out more about protocols.io or this trial you can read this blogpost from when the trial launched: https://libraryblogs.is.ed.ac.uk/2019/12/13/new-research-data-management-tool-on-one-year-trial-protocols-io/

Alternatively please visit our website, where you will also find links to all the protocols.io webinars we have run: https://www.ed.ac.uk/information-services/research-support/research-data-service/during/open-research-tools/protocols

Kerry Miller
Research Data Support Officer
Library & University Collections

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We Are Still Here!

We are delighted to announce that thanks to generous support from the Wellcome Research Resource Fund, our Body Language archives project will now run until January 2021.

It seemed a very different world when we began our Wellcome Research Resource-funded ‘Body Language’ project back in September 2017. The aim of our project is to catalogue, preserve and make available three significant collections relating to movement, dance, gymnastics and physical education in Scotland and beyond. The collections include the Margaret Morris Archives, the records of Dunfermline College of Physical Education and the records of Scottish Gymnastics. You can read more about the project and collections on our ‘About’ page. The project was originally due to complete in July 2020 – but we are still here, and I am very pleased to report that we are not going anywhere soon. Thanks to a generous grant supplement and project extension from our project funder, our ‘Body Language’ project will now run until January 2021.

Image showing the Margaret Morris Collection in situ at the Fergusson Gallery, Perth

We miss discovering daily delights in the archive – the Margaret Morris Collection in situ at the Fergusson Gallery, Perth

In February 2020, my main focus was centred around completing the cataloguing of the Margaret Morris collection. The cataloguing, conservation and preservation of both the Dunfermline College of Physical Education and Scottish Gymnastics collections were largely complete. I was working on final edits for those two collections, alongside the work on the Margaret Morris collection. The work required a lot of to-ing and fro-ing between boxes, creating the last of hundreds of box-lists, crafting and implementing a new intellectual arrangement for the Margaret Morris collection, and numbering the physical collections. I was also working with colleagues from our Digital Imaging Unit on the digitisation element of our project and with colleagues from our Library Digital Development team, developing the technical infrastructure for our new project website. The website will host the collections catalogues and provide contextual information for public engagement and research based around the collections.

By the middle of March 2020, Europe had been identified as the epicentre of the COVID-19 pandemic and it was becoming increasingly evident that we may have to move to home working at very short notice. With the prospect of no physical access to the collections for an indefinite period, I began to capture as much information as possible about the remaining uncatalogued material. I hastily created box-lists and took photographs of the physical layout and arrangement of collections, to act as a memory aid and to allow me to continue project work from home.

Image showing the view from our project archivist's home office

View from our project archivist’s home office

I have been working from home since 18 March 2020. While I have been able to continue work on many of the outstanding project tasks at home, I and others on the team have been unable to physically access collections to complete essential cataloguing and digitisation work. And like so many people, our team are also facing some of the many and varied challenges that have come along with lock-down, such as increased childcare commitments, home schooling, and caring commitments.

We are delighted therefore (and a little relieved) that Wellcome have offered to supplement our original grant and to extend the project end date by 6 months. This will help enormously to mitigate some of the impact and challenges that we have faced, and continue to face, in light of the current global health crisis. We hope to be able to return to working with the physical collections before the end of the project – we miss them (and our colleagues).

The extension provides an opportunity, over the coming months, for us to share more here; about the collections, our work, and to highlight some of the interesting discoveries that we have made. We’ll be posting something every week, (with perhaps a guest post or two). Please join us on our journey as we work our way through the concluding stages of our project.

I am really happy to be able to work with these fantastic collections for a little longer. Thank you Wellcome!

Elaine MacGillivray
Project Archivist

Posted in Archives, Body Language, Collections, Dance, Margaret Morris, Margaret Morris Movement, Uncategorized | Tagged , , , , , | Comments Off on We Are Still Here!

Database trial – Global Newsstream

The Library has just arranged a free trial of Global Newsstream from ProQuest. The trial has been advertised in the Library’s E-resources Trials website http://edin.ac/e-resources-trials and can be accessed on and off campus via University login.

Global Newsstream enables users to search the most recent global news content, as well as archives which stretch back into the 1980s featuring content from newspapers, newswires, and news sites in active full-text format. This product provides one of the largest collections of news from the US, Canada, Europe, Africa, Asia, Latin America, and Australia. All titles are cross-searchable on the ProQuest platform allowing researchers easy access to multiple perspectives, resources, and languages on the topic they are researching.

Coverage: 1980 – current. Trial ends: 7th Aug 2020.

It includes the following sub-databases:

Canadian Newsstream

Full text of over 190 Canadian newspapers from Canada’s leading publishers. This full text database includes the complete available electronic backfile for most newspapers, providing full access to the articles, columns, editorials and features published in each. Some backfiles date as far back as the late 1970s. View title list.

Global Breaking Newswires

Provides timely access to the best newswire content available globally as well as growing archive of news that may not be captured in any of the traditional print sources. View title list.

International Newsstream

Provides the most recent news content outside of the US and Canada, with archives which stretch back decades featuring newspapers, newswires, and news sites in active full-text format. View title list. It consists of the following Nesstreams:

  • Asian Newsstream — more than 60 of the most respected national and regional sources of news and current affairs information in Asia and the Far East. View title list.
  • Australia & New Zealand Nesstream — offers access to leading Australian and New Zealand newspapers. View title list.
  • European Newsstream — contains 552 national and regional newspapers and other news sources from across Europe. View title list.
  • Latin American Newsstream — includes titles from Brazil, Mexico, Argentina, Costa Rica, Peru, Uruguay, Chile, Colombia, Ecuador, Guatemala, Puerto Rico, and Venezuela. Latin American Newsstream provides newspapers in Spanish and Portuguese. Key newspaper titles include: El Universal (Mexico City);O Globo (Brazil);La Nación (Argentina);and El Mercurio (Chile). View title list.
  • Middle East & African Newsstream — newspapers, news wires, websites, and blogs from leading publishers throughout the region. Sources include The Jerusalem Post, the Gulf Daily News, Kuwait Times, Cape Times, and Yemen Times, among many others. It includes backfiles as far back as 1988. View title list.

U.S. Newsstream

Provides the most recent premium U.S. news content, as well as archives which stretch back into the 1980s featuring newspapers, newswires, blogs, and news sites in active full-text format. For academic and public libraries, U.S. Newsstream offers exclusive access to the Los Angeles Times, Chicago Tribune, and co-exclusive access (with Factiva) to The Wall Street Journal. View title list.

We already subscribe to two full-text global newspaper databases: Factiva and Nexis UK. It’d be useful to compare these sources. Feedback welcome.

Posted in Chinese Studies, Database trials, German Studies, Islamic and Middle Eastern Studies, Japanese Studies, Korean Studies, LLC general, Russian Stud, Scandinavian Studies, Spanish, Portuguese and Latin American Studies | Comments Off on Database trial – Global Newsstream

ProQuest Access 350: 600 years of world history

*Access has now been extended until 31st July 2024*

I’m very pleased to let you know that University of Edinburgh Library has set up a new subscription with ProQuest that gives you access to almost all available ProQuest digital primary source databases until 31st December 2021.

ProQuest Access 350 allows you to explore 600 years of world history online and will help enrich learning, teaching and research at the University across a range of subject areas and topics including History, the Arts, Literature and Social Sciences.

Read More

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New! African Newspapers, Series 1 1800-1922

I’m pleased to let you know that the Library had recently purchased the digital primary source database African Newspapers, Series 1 1800-1922 part of the World Newspaper Archive from Readex. This gives you unique access to a fully searchable collection of historical newspapers from Africa.

You can access the African Newspapers, Series 1 1800-1922 via the Newspapers, Magazines and Other News Sources guide. Or you can access it via the Databases A-Z list. Individual newspaper titles will also be added to DiscoverEd in the near future. Read More

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