In today’s blog we hear from our new Project Conservator, Mhairi Boyle. Mhairi recently finished a maternity cover post conserving the CRC’s Special Collections and is very excited to be part of the One Health team.

In October 2021, in my previous conservator role within the CRC, I received a very strange message. It read:

“Hi Mhairi, do you have time this afternoon for me to pop by conservation and ask you for some advice? I’ve found what I think might be a bit of frog muscle.”

The message was from Fiona Menzies, the One Health Project Archivist. At the time, Fiona was sorting through the Royal Dick Vet School archive and had come across some a frog specimen adhered to a page of a notebook. As a paper conservator, I do not often get messages regarding animal specimens. Little did I know that this frog muscle would, in August 2022, be mine.

A tiny piece of dried frog muscle on some Litmus Paper.

That is, ‘mine’ in the sense that it is now my job to conserve and rehouse the three collections which fall under the One Health umbrella. Starting this project has been a little daunting – spanning three sizeable collections, we have everything from pig trotters in jars and graduation robes to animal sketches and photographs of farms. Not only this, but the content of the collections is sometimes confronting and unsettling to take in. This project is not for the faint of heart!

You have to be brave to join the One Health team!

On my first day on the job, Fiona gave me a tour of where some of the collections are housed. Although the R(D)VS and OneKind archives are now stored at the CRC and at our offsite storage facility, the RZSS archive is still stored at multiple sites across Edinburgh Zoo. Thankfully this was not a great shock or surprise to me: in my previous role, I went out to visit the Zoo with Fiona and our University Archivist & Research Collections Manager Rachel Hosker.

I’d like to think that running alongside the One Health project is Project MhairiHealth. Although paper conservation work is very practical in its nature, I never imagined that in my role I’d be moving crates of archives and heavy books around a zoo! I’ll definitely be fitter by the end of this project.

Making friends with the locals.

As I mentioned, the RZSS archive is dotted about different locations throughout Edinburgh Zoo. It is the task of Fiona and myself to consolidate everything firstly into one central location at the Zoo, to enable us to see exactly how much material we have and how to move forwards.

Part of the RZSS archive before moving.

At the CRC, we can put most things we are working on onto a trolley, and zip up and down using the library lift to wherever we like with little effort. However, at the Zoo, our moving operation has required us to work with the wonderful staff at the RVSS to move one big chunk of their archive from an office cupboard to what is now our appraisal office. There were quite a few stairs involved, and with impending rainclouds threating our operation, we had to be speedy moving the boxes from one part of the building to another. The last thing we want is a soggy archive.

After filling half of our office with boxes, we decided it was a good place to stop for the day. There are still parts of the archive in several other locations, but we will have to work in batches to process everything.

Stay tuned for the next blog post!

After moving!

Today we have the second instalment of a two-part series by Projects Conservator Mhairi Boyle. Mhairi spent April 2022 working on The Witness, a collection of Edinburgh-based newspapers held by New College Library. You can read the first part of the series here.

The first instalment of this series focused on the contextual background and the condition of The Witness newspapers. In this final instalment, I will be discussing the ethical challenges of digitisation conservation work and reveal some highlight findings from the collection.

Weak and damaged areas.

In the Conservation team we often use the terms ‘pre-digitisation treatment’ and ‘post-digitisation treatment’. When assessing objects for digitisation, it is important to consider the condition of each object and how it will be digitised. If the pressing or scanning of an object will worsen its condition, pre-digitisation conservation treatment is often recommended. If there is damage to an object that will not be made worse during the digitisation process, then it can be flagged for post-digitisation treatment. In the case of The Witness, each newspaper will be laid flat, and each page scanned. This could worsen the split areas and areas of weakness when each page is turned for scanning. When each page is pressed, the tension from the old adhesive and thread holding each volume together could also create new splits and damage. This presented a new dilemma: we had to decide whether to keep the newspapers bound, or disbind each volume.

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Today we have the final instalment of a two-part series from Collections Care Assistant, Sarah Partington. In this post, she talks about cleaning and  rehousing a collection of works by the Gaelic Baptist preacher and hymn writer, Padruig Grannd. Sarah has just completed a government-funded Kickstart placement and has now started a new role working with our collections at the University Collections Facility.

The Peter Grant Collection comprises volumes of works by the Gaelic Baptist preacher and hymn writer, Padruig Grannd. These were stored together in a box, along with other printed works, manuscript sermon notebooks, and items pertaining to one of his descendants, Daniel Grannd. The material was put together in the 50s and it had unfortunately experienced the effects of unsuitable storage conditions over the years prior to it coming into the care of the Centre for Research Collections. This was obvious from its condition: in addition to the more common issues with older books, such as surface dirt, loose boards, text blocks and spines, most of the items in the box also showed serious signs of mould, residual staining, and warping from damp conditions in past storage. Conservators and archivists alike will get shudders when they hear whispers of attics, basements or garages…the likely former home of this collection.

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