Home University of Edinburgh Library Essentials
April 5, 2026
As of 31st March there are approximately 76,800 records in our Current Research Information System (PURE), of which 16,795 have open access documents available to the general public (22% open access). In addition there are 170 records with documents waiting for validation.
Looking specifically at just journal articles and conference proceedings:
| All time OA docs | Open access % | 2008 onwards OA docs | Open access % | |
| Medicine & Veterinary Medicine | 6513 | 33 | 4476 | 41 |
| Humanities & Social Science | 3002 | 22 | 2509 | 36 |
| Science & Engineering | 5687 | 22 | 3826 | 30 |
Monthly application figures to the Gold Open Access funds:
| Month | Applications to RCUK | Applications to Wellcome |
| January 2014 | 32 | 13 |
| February 2014 | 24 | 13 |
| March 2014 | 23 | 14 |
Status of the RCUK fund – currently there is £367,400 left in the fund*, with an additional £74,400 committed on articles submitted for publication. Altogether the fund has 35% left in the account.
(*this figure was slightly wrong last month – apologies!)
Status of the Wellcome fund – since the start of the new reporting period (November 2013) the cumulative open access spend has been £137,078
Our post today comes from Natasha Russell, Graduate Studio Assistant in Printmaking at ECA.
Recently we spent a couple of hours piecing together and marveling at a stack of 18 or so large scale oil based screen prints by the Artist Boris Bucan. These have recently been taken in by the Art Collection, gathered from the plan chests in the Print Workshop of Edinburgh College of Art where they had sat for almost three decades.
Viewing these prints was no easy feat as the prints measure two by two metres squared and are each made up of six pieces of thin cartridge-like paper. Spreading them out on the carpet between shifted tables we ordered and puzzled together the prints to form vibrant and masterfully composed posters.
The pieces here range from posters for Operas to Theatrical productions to National days. One of the posters is even for his own exhibition that exhibited these prints when they were last shown in Edinburgh, detailing, ‘Posters for Croatian National Theatre…Edinburgh College of Art…27 April 1984’. This solved the mystery of where they came from and how long they had been hiding in the plan chests.
While there are distinct motifs carrying between some of the prints, for example the geometric grass patterns, the posters vary widely in style. They span from scribbly crayon drawn monochrome prints for Puccini’s La Boheme to the bold colours of the checker-boarded ‘Faust’ that plays with a simple shape to create an optical illusion like scene. In this way his prints prove a great example of the diversity of this printmaking technique.
Bucan was born in Zagreb in 1947, where he continued to study and produce work as a graphic artist. Indeed most of these prints are printed with a mark of Zagreb Academy of Fine Arts. He is still working and exhibiting internationally.
To coincide with the 50 Years 50 Books Exhibition, which opened on Thursday 27th March, we have put together a sister website, which features digitised representations of some of the exhibits on offer.
The landing page is at http://exhibitions.ed.ac.uk– click on the flyer to get into the exhibit website (the landing page needs some work- not least to meet the requirements of accessibility and the web standards, but this will be addressed shortly!)- click on ‘Explore the Collections’ to see the images. The exhibits site has been built using a new tool from Google, called Open Gallery, which allows rapid collections development: if you have images and a simple file of metadata, it will do the rest.
Have a look and see what you think. We intend to build such sites for exhibitions as they come along, and there may even be scope for us to build some retrospectively to allow us a view of the exhibitions the library has hosted in the past.
Thanks to Joe Marshall, Emma Smith, Susan Pettigrew, Dave Anderson, Norman Rodger, Stuart Lewis and Claire Knowles for their input on this.
Scott Renton- Digital Developer
The Library has just set up trial access to the Media Education Foundation (MEF) digital films service provided via Kanopy streaming service. You can access this on the Databases trials page at www.ed.ac.uk/is/databases-trials
MEF produces and distributes documentary films and other educational resources to inspire critical thinking about the social, political, and cultural impact of American mass media. From films about the commercialization of childhood and the subtle, yet widespread, effects of pornography, pop-cultural misogyny and sexism, to titles that deal with the devastating effects of rapacious consumerism and the wars for oil that it drives.
The Library has access to the platform tailored for European rights which includes 138 videos. There are a small number of films currently not available on the European platform.
Access to the MEF during the trial period is available on-campus or if working off-campus you must be using the VPN to connect to the University network. Trial access is available until 24th April 2014 and we would welcome feedback on the service.
*As of September 2014 the Library now has a 1-year subscription to this online resource. See New Online Resource for SPS: Education Media Foundation digital films.*
Special Collections has loaned five manuscripts to Shetland Museum and Archives for their new exhibition, “Writing the North”, which celebrates the literature of Orkney and Shetland. This exhibition is part of an AHRC-funded project coordinated by the University of Edinburgh’s English Literature department. The manuscripts include a poem by Hugh MacDiarmid written on Shetland and poems written by George Mackay Brown on his copies of the Radio Times. The display runs from 29/03/2014 – 10/05/2014. http://www.writingthenorth.com/ http://www.shetland-museum.org.uk/
The transformation of Scotland’s oldest purpose built concert hall into a centre of excellence for the study, display and enjoyment of historic musical instruments has taken a major step forward with a significant funding award.
The St Cecilia’s Hall Redevelopment Project has been awarded £823,500 by the Heritage Lottery Fund (HLF). The award is a key part of the University’s £6.5 million vision to restore, renovate and make accessible Scotland’s oldest concert hall and its world class collection of historic musical instruments.
The University is a leader in musical instrument research and St Cecilia’s Hall is home to one of the most important historic musical instrument collections anywhere in the world. St Cecilia’s Hall is a place where visitors can discover forgotten sounds and musical styles, learn about beautiful instruments and find out about the cultures of the people who created and played them.
The HLF award will fund new ways for audiences to enjoy and experience the instruments. There will be live demonstrations, innovative use of sound and recordings, song-writing projects, exhibitions about instruments and their owners, resources for schools, ‘brown bag’ concerts and much more.
The redeveloped Hall will combine over 1,000 world-class objects, research and teaching, sounds and stories; all set within the interiors of a refurbished and extended building. The plans, being developed by architects Page Park, will reinstate the 18th century character of the venue, restoring the original historic frontage and repairing the external stonework. A new entrance with a double-height feature door will be highly visible from the Royal Mile. The oval Concert Hall at the heart of the building will be completely restored and the original acoustic reinstated.
Jacky MacBeath, Head of Museums and Deputy Head of Centre for Research Collections, said:
“We are absolutely thrilled with this award from the Heritage Lottery Fund, it’s a huge boost to the project which focusses on revealing St Cecilia’s Hall as one of the Old Town’s most important historic places, transforming access to this special building and its unique collections of international significance”.
I’ve seen a startling number of beasties hiding out in our Collections over the years, and the time has come to celebrate them! From the delightful details in the margins of Books of Hours…
…to the damsels in distress being rescued from fantastical monsters.
It is also wonderful to see the same story illustrated from 2 very different traditions: St. George and the Dragon in a Book of Hours circa 1500 and made in France for a Scottish owner…
…or the strikingly different St. George and the Dragon in the Ethiopian Manuscript Gadala Georgois.
It doesn’t appear to matter where in the world -West, East, or South America- every nation has its own set of Beasties.
Some are fairly conventional sea monsters…
… and some just down right bizarre,
yet all bring a smile to my day!
Susan Pettigrew
Photographer
The Europeana Cloud project hosted its annual plenary meeting at the Royal Olympic Hotel, Athens, on March 18-19. Norman Rodger (P & I) and Scott Renton (LDD) represented the University at the event.
Two very useful days were spent looking back on the previous year, and looking forward to the year ahead: while we have fulfilled our commitment to deliver 7,000 images as research material to the cloud (we gave 12,000+), we are committed to the project for two more years, so it was interesting to communicate with other data providers and work package leaders to get their thoughts.
Building on the infrastructure
The infrastructure is not quite complete, but ultimately the data which has been uploaded to Europeana will be moved onto the cloud architecture.
The aim for the cloud, ultimately, is to serve as a definitive resource for all sorts of research material. For example, many providers may offer representations of the same work, but ultimately these should merge their way into one record, and then, after careful consideration about an ‘access framework’, be refined and improved. Obviously there is much debate over who should be allowed to edit what, and a lively exercise about this took place.
Tools, apps etc. will be developed to work on the cloud infrastructure too, and the aim is to end up with an overall resource called Europeana Research. Breakout groups as to how this could look and a full-delegate exercise about its priorities regarding roles and functionality also took place.
Data providers’ view
We are a data provider- we won’t be building apps etc, but we can give input into what we’d like to see done with our content. One aspect of further work is to develop microsites based on specific discipline, and there is a drive to build a prototype site on musicology, around manuscripts pre-1600. We were happy to engage in this debate, as we have already uploaded relevant material such as the Wode Part-Books (see the Book Reader object here- it is a thing of beauty!).
Ideas for this project include bringing together musicologists to improve metadata, annotate images, transcription of the scores using OMR (the musical manuscript version of OCR!), and markups such as Music XML and MEI, which would allow the machine to read and play the scores, and (hopefully) allow some link-up to existing sound files, video, and images of instruments (we did of course give Europeana all of our instrument content for MIMO). We have let it be known we’re keen to get involved- we may even be able to improve our own records as a result.
Other things potentially upcoming are an e-Cloud related maps project, where they are looking for mediaeval map content. We have no shortage of this (see the Charting the Nation image collection), and we have not yet given it to them. On top of that, there are at least a thousand more LUNA images ready to upload, so these can move through to Europeana as well.
Another area that was explored in depth was the governance of Europeana Cloud, post project, and a task force is being established to review this. It is likely that we will be involved in this process as the project moves into Year 2.
Communicating Europeana
One of the big issues that was identified this week was how to communicate and promote the good things that Europeana are doing. It’s something that everyone needs to get involved in to justify the effort and cost that’s gone into it. We will surely get a chance to do our bit next year, as Edinburgh has been volunteered to host the plenary next March!
The Ukraine crisis has been headline news for a few months now. If you are looking to do some research in this area or are just interested in keeping up to date with the situation then you may find some of these resources useful.
Library Resources
These are mostly resources that have been subscribed to by the Library and are only available to staff and students at University of Edinburgh. You can use these to find newspaper articles and commentaries, academic literature and background reading.
Current Digest of the Post-Soviet Press
Each week the Current Digest presents a selection of Russian-language press materials, translated into English, the translations are intended for use in teaching and research.
Factiva (off-campus access available via VPN)
Provides full-text access to a large number of UK newspapers as well as full-text access to a significant range of international newspapers and news sources.
Integrum (for access see entry in Databases A-Z list)
Offers the largest database of Russian sources: Federal and regional Russian press, TV channels, websites, libraries and databases as well as full texts of classical literature.
Lexis Library and Nexis UK (off-campus access by clicking on Login via Academic Sign In and UK federation)
Lexis Library includes full-text access to the vast majority of UK broadsheet and tabloid newspapers and a large number of local papers. Nexis UK provides full-text access to a large number of international newspapers and news sources.
Click on Russian studies, Politics or Newspapers for more recommended databases in these subject areas.
Freely available online resources
University College London’s (UCL) School of Slavonic and East European Studies Library (UCL SSEES) have created a fantastic repository of sources, analysis and updates on the Ukraine crisis: http://www.ssees.ucl.ac.uk/library/directory/ukraine2014.htm. This is updated regularly and if you follow them on Twitter you will be alerted to every update.
BBC News
Chatham House
Brookings Institution
Council for Foreign Relations (CFR)
Ukrainian Research Institute at Harvard University.
Voice of Russia
Ukrainian News Agency
Global Voices
These are just a few examples of resources and repositories available online that are covering this subject. The UCL SSEES website provides links to even more useful sites.
Being lucky, as I am, to work with a wide variety of archival collections relating to the history of animal genetics in Edinburgh, it can be mightily difficult to select an all-time ‘favourite’ item. However, it was ‘make-up-your-mind time’ last month at the University of Edinburgh’s Innovative Learning Week, when myself and several colleagues from the Centre for Research Collections were invited to give a Pecha Kucha (a fast-paced and time-controlled) presentation on our favourite items or aspects of the collections with which we work.
For me, there were a few strong contenders, but the ultimate winner had to be a photograph album presented to C.H. Waddington, the director of the Institute of Animal Genetics in Edinburgh, by his staff and students on the occasion of his 50th birthday in 1955.
The beautifully presented volume is still in perfect condition and contains a wonderful selection of photographs, all with careful names and annotations. The more formal portraits of staff and scientific researchers give a unique insight into laboratory and research work in the 1950s. In terms of white coats and microscopes, not much has changed today, but I’m not so sure about this suave example of pipe-smoking!
The album also contains pictures of individuals who don’t always feature in the official histories of Edinburgh’s animal genetics community, including the scientists’ wives. The Institute was sometimes rumoured to be a hotbed of scandal and intrigue, so one would like to have been a fly on the wall at this particular party…
I also love the informal and humorous photographs in the album, which paint a much more individual and human picture of the geneticists’ lives and working environment than can be gained simply through printed papers, research reports and official correspondence. Who can fail to be inspired by pictures of an amateur ballet based on the fruit fly Drosophila, for example?
You can watch a video of the Pecha Kucha here: http://vimeo.com/87273640
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