200th anniversary of the Battle of Waterloo – 18 June 2015

THE BATTLE OF WATERLOO REFLECTED IN OUR ARCHIVE COLLECTIONS

Decorative stripOn Sunday 18 June 1815, on the muddy fields of Waterloo just outside Brussels in today’s Belgium, Napoleon Bonaparte with his French Imperial Guard faced off the Duke of Wellington and the British and Allied army. The course of the Battle of Waterloo, notable officers and men, and the battle outcome can all be referred to elsewhere. Instead, on this 200th anniversary of Waterloo, we focus on some of the material curated by the Centre for Research Collections which reflect these hours of 18 June 1815 and the aftermath of battle.

Drinking bottle on the field of battle in scene No.7 of the Barker Panorama of Waterloo (produced in 1816), shown at Leicester Square, London

Drinking bottle and personal effects on the field of battle in scene No.7 of the Barker Panorama of Waterloo (produced in 1816), shown at Leicester Square, London. (Coll-1101 – Barker Panorama of Waterloo, CRC)

Wound sustained by Etiene G*** during the Battle of Waterloo and appearing in the case-notes of ***

Wound sustained by Etienne Gerarghier during the Battle of Waterloo and appearing in the case-notes of Dr. Thomson and Dr. Somerville. (On p. 18 of Gen.594, in Coll-530 – Collection of sketches and reports of wounded at the Battle of Waterloo, CRC)

 

 

 

 

 

 

 

 

 

 

The collections profiled are: scenes from the panorama of the field of battle at Waterloo drawn by Henry Aston Barker (Coll-1101); and, sketches and reports by Dr. John Thomson and Dr. William Somerville of the wounded at Waterloo (Coll-535).

The farm of La Haye Sainte 'where the Life Guards *** the Cuirassiers' of the French Imperial Army. In part No.1

The farm of La Haye Sainte ‘where the Life Guards charged the Cuirassiers’ of the French Imperial Army (armour and firearm equipped cavalry). In part No.1 of the panorama. (Coll-1101 – Barker Panorama of Waterloo, CRC)

Firstly… scenes from the panorama of the field of battle at Waterloo (Coll-1101).

Henry Aston Barker (1774-1856) was the younger son of Robert Barker (1739-1806), the panorama painter. Aged 12, he was sent by his father to take outlines of Edinburgh from the city’s Calton Hill for the world’s first 360 degree exhibition panorama.

Barker panoramas were exhibited at an establishment in Castle Street, off Leicester Square, London, and the first was a view of London from the roof of the Albion Mills in 1791, the drawings for which were made by the young Henry.  Later on, from 1793, Barker panoramas moved to the first purpose-built panorama building in the world, in Leicester Square itself.

Scne showing the distant spire of Planchenoit 'where Bonaparte slept the night before the Action'.

Scene showing the distant spire of Planchenoit (top left) ‘where Bonaparte slept the night before the Action’. In part No.2 of the panorama. (Coll-1101 – Barker Panorama of Waterloo, CRC)

The scenes for the panorama of the field of battle at Waterloo were drawn by Barker on the  Plateau of Mont St. Jean, the escarpment which provided Napoleon’s name for the battle – La bataille de Mont-Saint-Jean.

Scene showing distant platform or scaffold 'near which Bonaparte gave his orders in the early part of the Action'. From Coll-1101 Barker Panorama of Waterloo, CRC

Scene showing distant platform or scaffold (top left) ‘near which Bonaparte gave his orders in the early part of the Action’. In part No.3 of the panorama. (Coll-1101 – Barker Panorama of Waterloo, CRC)

Barker had also visited Paris to research the project and to interview officers who participated in the battle. The scenes were etched by J. Burnet, and they were produced in 1816 for sale to visitors to the panorama building at Leicester Square. The credit to both Burnet and Barker is printed on each of the eight components of the ‘souvenir’ panorama.

The drawings were initially done by Barker, and then etchings were made by J. Burnet

The drawings were initially done by Henry A. Barker, and then etchings were made by J. Burnet. (Coll-1101 – Barker Panorama of Waterloo, CRC)

This scene showing the trees that approximately 'mark the Right of the edge of the British position'. In part No.4 of the panorama. From Coll-1101 Barker Panorama of Waterloo, CRC

This scene showing the trees and field that approximately ‘mark the Right of the edge of the British position’. In part No.4 of the panorama. (Coll-1101 – Barker Panorama of Waterloo, CRC)

It was intended that the eight parts of the panorama be joined together to form a complete circle. The viewer would then stand in the centre and have a panoramic view of the entire scene of Battle.

The church and windmill of the village of Braine La Leude on the battle site. In part No.5 of the panorama. From Coll-1101 Barker Panorama of Waterloo, CRC

The church and windmill of the village of Braine La Leude on the battle site. In part No.5 of the panorama. (Coll-1101 – Barker Panorama of Waterloo, CRC)

Each component is around 60cm x 29cm in size and together they show principally: 1 -The farm at La Haye Saint; 2 – Around the orchard of La Haye Sainte; 3 – Prominent part of the Plateau of Mont St. Jean; 4 – The crest of the hill on which the Imperial Guards were charged; 5 – The village of Braine La Leude; 6 – The village of Mont St. Jean; 7 – The Forest of Soigne; and, 8 – Road and hedge leading to Ter La Haye.

Distant Dome of the Church of Waterloo (Église Saint-Joseph de Waterloo) and the village of Mont St. Jean. In part No.6 of the panorama. From Coll-1101 Barker Panorama of Waterloo, CRC

Distant Dome of the Church of Waterloo in Brabant (Église Saint-Joseph de Waterloo) and the village of Mont St. Jean. In part No.6 of the panorama. (Coll-1101 – Barker Panorama of Waterloo, CRC)

At Waterloo, the French army of around 72,000 faced the outnumbering 113,000 allied British, Low Countries, German and Prussian forces. Napoleon lost around 25,000 men either killed or wounded, and 9,000 captured, while the allies lost around 23,000. Napoleon abdicated four days later.

Part of the distant Forest of Soigne, on the site of battle. In part No.7. of the panorma. From Coll-1101 Barker Panorama of Waterloo, CRC

Part of the distant Forest of Soigne on the site of battle. In part No.7. of the panorama. (Coll-1101 – Barker Panorama of Waterloo, CRC)

Scene showing personal effects on a part of the site 'where the Highlanders suffered so severely'. In part No.8 of the panorama. From Coll-1101 Barker Panorama of Waterloo

Scene showing personal effects on a part of the site ‘where the Highlanders suffered so severely’. In part No.8 of the panorama. (Coll-1101 – Barker Panorama of Waterloo)

So then… secondly… emphasising the human loss and injury… sketches and reports and case-notes of the wounded at Waterloo (Coll-535).

The wounds of French and Allied alike were described and reported on – as case-notes and sketches – by Dr John Thomson, Professor of Military Surgery at Edinburgh, and Dr William Somerville, the principal medical officer in Scotland. In the summer of 1814, Thomson had toured medical schools in France, Italy, Austria, Saxony, Prussia, Hanover and Holland, and in 1815 he was a staff-surgeon in Brabant and was at the Battle of Waterloo.

Wounds suffered by Jean Louis le Jeun who was cut with a sabre. From Coll-535

Wounds suffered by Jean Louis le Jeun who was cut with a sabre. (On p.21 of Gen.594, in Coll-535 – Collection of sketches and reports of wounded at the Battle of Waterloo, CRC)

Contents (Coll-535)

Contents pages at the beginning of the volume containing reports and cases at Gens d’Armerie Hospital in Brussels. (In the volume Gen.595, in Coll-535 – Collection of sketches and reports of wounded at the Battle of Waterloo, CRC)

The two-volume work profiled here was probably done in 1815. One also contains statistical tables of the wounded at the site – Reports cases and returns of the wounded at Waterloo (Gen. 595).

Index of the names of soldiers, description of wounds, and place of wounds, from the volume of reports, cases and returns. (Coll-

Index of the names of soldiers, description of wounds, and place of wounds, from the volume of sketches of the wounded. (In the volume Gen.594, in Coll-535 – Collection of sketches and reports of wounded at the Battle of Waterloo, CRC)

The other is illustrated with sketches of specific wounds of the soldiers, their names, their regiments, and details of their injuries – Sketches of the wounded at Waterloo. Drs. Thomson & Somerville (Gen. 594). Along with a number of other items both of the ‘Waterloo wounds’ volumes were transferred Edinburgh University Library from the Library of the Anatomical Museum, Edinburgh University, in June 1962.

Description of the wounds suffered by Angus McKinnon

Description of the wounds suffered by Angus McKinnon (On p. 39 of Gen.594, in Coll-535 – Collection of sketches and reports of wounded at the Battle of Waterloo, CRC)

Description of the wounds suffered by Anton Wallenton

Description of the wounds suffered by Anton Wallenton (On p.49 of Gen.594, in Coll-535 – Collection of sketches and reports of wounded at the Battle of Waterloo, CRC)

 

 

 

 

 

 

 

 

 

 

The sketches show the kind of sabre wounds suffered by Etienne Gerarghier and Jean Louis le Jeun, and also wounds caused by firearms and cannon… e.g. the musket-ball wounds of Angus McKinnon, 79th Regiment, and the accidental wound of the German soldier Anton Wellonton. The sketches show the entry points at ‘A’ and the exit points at ‘B’.

Return for join cases treated at the St. Elisabeth General Hospital, Brussels, from 20 June to 5 August 1815. (Coll-535)

Return for joint cases treated at the St. Elisabeth General Hospital, Brussels, from 20 June to 5 August 1815. (From volume known as Gen.595, in Coll-535 – Collection of sketches and reports of wounded at the Battle of Waterloo, CRC))

In addition to the work of Thomson and Somerville, reports in the volumes have also been written by: J. Gordon, Surgeon to the Forces in charge of Gens d’Armerie Hospital; Henry Home Blackadder; J. Cole, Surgeon to the Forces; W. Blick, Surgeon to the Forces; Roderick MacLeod, Hospital Assistant; Charles Collier, Surgeon to the Forces; and J. Roche, Surgeon to the Forces; and others. The sketches and reports are of cases in several of the hospitals accommodating the wounded around Brussels – these being the Jesuits’, the Annonciate, Gens d’Armerie, and St. Elisabeth – and in Antwerp, at the Corderie and the Facon.

Return of operations (Coll-535 )

Return of operations performed at the St. Elisabeth General Hospital, Brussels, 1 August 1815. (From volume known as Gen.595, in Coll-535 – Collection of sketches and reports of wounded at the Battle of Waterloo, CRC)

Today in 2015, the battle site of Waterloo is a popular attraction for visitors to Brussels and to Belgium generally. The site is dominated by the artificial Butte du Lion created in the 1820s in the earliest days of Waterloo tourism and before the founding of modern Belgium. The Butte du Lion is an artificial earth-mound topped by a large giant sculpted lion commemorating the location where William II of the Netherlands, Prince of Orange, was knocked from his horse by a musket-ball to the shoulder during the battle. Decorative stripAdjacent to the Butte and to the new tourist facilities built for the 200th anniversary, stands a panorama building offering a large vista of the events of 18 June 1815. The Waterloo panorama building was designed by Franz Van Ophem in 1911 for the then forthcoming 100th anniversary of the Battle. It houses a 360° panoramic oil-on-canvas painting completed by the French artist Louis-Jules Dumoulin in 1912.

Decorative stripDr. Graeme D. Eddie, Assistant Librarian Archives & Manuscripts, Centre for Research Collections

Decorative stripThis blog post was compiled with the help of some information contained on pp.307-308 of The Edinburgh professoriate 1790-1826 and the University’s contribution to nineteenth century British society. Anand Chidamber Chitnis. Ph.D. 1968. Edinburgh… and also on pp.39-50 of ‘British Medical Arrangements during the Waterloo Campaign’, by Colonel H. A. L. Howell, in Proceedings of the Royal Society of Medicine. (Sect. Hist. Med.). 1924 (17).

 

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Ministry and medicine

Today we’re welcoming a group from the EAHIL + ICAHIS + ICLC 2015 Workshop to New College Library. The Workshop is a collaboration between the European Association for Health Information and Libraries (EAHIL), the International Conference of Animal Health Information Specialists (ICAHIS) and the International Clinical Librarian Conference (ICLC). Along with a tour of the library we have brought out some  Special Collections items on a medical theme to display.

Avicenna, 980-1037. Liber Avicenna. Venice : 1500. New College Library Inc. 22

Avicenna, 980-1037. Liber Avicenna. Venice : 1500. New College Library Inc. 22

This is a detail from Liber Avicenna, a work from the Incunabula Collection. Avicenna was a Persian scholar whose medical texts became standard works at medieval universities.

Piperno, Pietro. De effectibus magicis libri sex ... Naples : 1647. New College Library TR.395

Piperno, Pietro. De effectibus magicis libri sex … Naples : 1647. New College Library TR.395

Part of the TR Collection currently being catalogued as part of the Funk Projects, De effectibus magicis libri sex is a seventeenth century work on medicine, magic and the occult.

Sibbald, Robert. Scotia illustrata, sive, Prodromus historiae naturalis ... Edinburgh : 1684.

Sibbald, Robert. Scotia illustrata, sive, Prodromus historiae naturalis … Edinburgh : 1684. New College Library DPL 9

 

Robert Sibbald was an Edinburgh physician and later the first professor of medicine at the University of Edinburgh. This work, Scotia illustrata, is a descriptive regional guide to Scotland’s natural history, with reference to the health of the inhabitants of each region. It once belonged to another doctor, Dr John Hutton, who was court physician at the court of William and Mary. He gifted his library to the Presbytery of Dumfries, from where it came to New College Library where it is now part of the Dumfries Presbytery Library.

Christine Love-Rodgers, Academic Support Librarian – Divinity

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Christ or Confucius, Which?

Christ or Confucius, Which? is just one of the book titles now on display in New College Library, in honour of the conference being held on James Legge and Scottish Missions to China at New College on 11-13 June 2015.

Macgowan, John. Christ or Confucius, Which? Or, the story of the Amoy Mission. London : London Missionary Society, 1889. New College Library sMR 5 McG

Macgowan, John. Christ or Confucius, Which? Or, the story of the Amoy Mission. London : London Missionary Society, 1889. New College Library sMR 5 McG

Henry, B.C. The Cross and the Dragon ; or, Light in the Broad East. London: S.W. Partridge & Co, 1885.      New College Library sMR 5 Hen

Henry, B.C. The Cross and the Dragon ; or, Light in the Broad East. London: S.W. Partridge & Co, 1885. New College Library sMR 5 Hen

 

The authors of these works were contemporaries of James Legge (1815-1897), who was a missionary and scholar of Chinese. He became Principal of the Anglo-Chinese College in Malacca established in 1818 by the pioneering protestant missionary Robert Morrison (1782–1834). In 1842 he was put in charge of the London Missionary Society’s mission house in Hong Kong where he spent a third of his life. He became an accomplished translator of Chinese Classical texts. Returning home to Scotland in 1873, he then  took up the newly endowed chair of Chinese at Oxford University. Many editions of his works are held in the University of Edinburgh Library, with several at New College Library.

Legge, James. The notions of the Chinese concerning God and spirits : with an examination of the defense of an essay, on the proper rendering of the words Elohim and Theos, into the Chinese language, by William J. Boone ... / Hongkong : Printed at the "Hongkong Register" office, 1852. New College Library Z.1763

Legge, James. The notions of the Chinese concerning God and spirits : with an examination of the defense of an essay, on the proper rendering of the words Elohim and Theos, into the Chinese language, by William J. Boone … / Hongkong : Printed at the “Hongkong Register” office, 1852. New College Library Z.1763

Legge, James. The sacred books of China : the texts of Confucianism / Part 1, The Shû King The religious portions of the Shih King The Hsiâo King. Oxford : Clarendon, 1899. New College Library C2/a4

Legge, James. The sacred books of China : the texts of Confucianism / Part 1, The Shû King The religious portions of the Shih King The Hsiâo King.
Oxford : Clarendon, 1899. New College Library C2/a4

Christine Love-Rodgers, Academic Support Librarian – Divinity

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ScienceDirect website down

The ScienceDirect website is currently unavailable due to an outage.  Elsevier are aware of the issue and are urgently working to restore access to their website.

ACCESS RESTORED

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E-Resources Access Alert – EZProxy downtime

Access to E-Resources using EZProxy will be unavailable on Tuesday 9th June between 8.30am and 9.30am followed by a further 1 hour at risk period.  This is to allow our EZProxy service to be upgraded and improve off campus access to our e-resources.

Please see http://edin.ac/1bjVuCC for details of how to access E-Resources during this time.  Further updates may also appear on the IS Alerts page http://reports.is.ed.ac.uk/alerts/.

We apologise for any inconvenience during this time.

 

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Rare Mass for the Dead from the MH Collection

A guest post from Paul Nicholas, Funk Projects Cataloguer

Title-page MH.83

Missae defunctorum, iuxta usum Ecclesiae Romanae, cum ordine et canone extensae. Tulli Leucorum : Ex officina Ioannis Laurentii, et Ioannis Francisci Laurentii, typographorum Regiorum & Episcopalium, MDCLXXI. New College Library MH.83.

We were delighted this week to discover a rare Mass for the Dead in the MH Collection at New College Library. This folio volume is a Roman Catholic priest’s ‘handbook’ published in 1671 and intended to be used during a ceremonial mass for the dead. The printed text in black would be spoken out loud, the text printed in red forms ceremonial instructions for the priest. The musical notation shows Gregorian chant, scripted in square notation.

Score MH.83

At the time of writing, we have not identified another copy of this item in any of the bibliographic databases of the world’s library collections – so we are hoping it may be unique! This item was catalogued as part of the Funk Cataloguing Projects at New College Library.

Possible printer's device MH.83Paul Nicholas – Funk Projects Cataloguer

With thanks to Elizabeth Lawrence, Assistant Rare Books Librarian

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A Visit from Dolly…

It has been a while since my last post, but rest assured, the ‘Towards Dolly’ project has not been idle! As you’ll have seen from the last couple of posts, John Bryden has done a brilliant job digitising the Roslin glass slide collection. We’ve also been conducting some fascinating oral history recordings which we’ll post more about soon. But mainly, we’re excited to announce our forthcoming exhibition in the University of Edinburgh Main Library’s Exhibition Gallery. Titled ‘Towards Dolly: a century of animal genetics in Edinburgh’, this multimedia exhibition will explore the enormous contribution the Edinburgh area has made to the science of genetics over the last century. We will be open from 31 July to 31 October 2015 and also appear as part of this year’s Edinburgh Festival Fringe Festival: https://tickets.edfringe.com/whats-on/towards-dolly-a-century-of-animal-genetics-in-edinburgh

Read More

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Data Visualisation with D3 workshop

Last week I attended the 4th HSS Digital Day of Ideas 2015. Amongst networking and some interesting presentations on the use of digital technologies in humanities research (the two presentations I attended focused on analysis and visualisation of historical records), I attended the hands-on `Data Visualisation with D3′ workshop run by Uta Hinrichs, which I thoroughly enjoyed.

The workshop was a crash course to start visualising data combining d3.js and leaflet.js libraries, with HTML, SVG, and CSS. For this, we needed to have installed a text editor (e.g. Notepad++, TextWrangler) and a server environment for local development (e.g. WAMP, MAMP). With the software installed beforehand, I was ready to script as soon as I got there. We were recommended to use Chrome (or Safari), for it seems to work best for JavaScript, and the developer tools it offers are pretty good.

First, we started with the basics of how the d3.js library and other JavaScript libraries, such as jquery or leaflet, are incorporated into basic HTML pages. D3 is an open source library developed by Mike Bostocks. All the ‘visualisation magic’ happens in the browser, which takes the HTML file and processes the scripts as displayed in the console. The data used in the visualisation is pulled into the console, thus you cannot hide the data.

For this visualisation (D3 Visual Elements), the browser uses the content of the HTML file to call the d3.js library and the data into the console. In this example, the HTML contains a bit of CSS and SVG (Scalable Vector Graphics) element with a d3.js script which pulls data from a CSV file containing the details: author and number of books. The visualisation displays the authors’ names and bars representing the number of books each author has written. The bars change colour and display the number of books when you hover over.

Visualising CSV data with D3 JavaScript library

The second visualisation we worked on was the combination of geo-referenced data and leaflet.js library. Here, we combine the d3.js and leaflet.js libraries to display geographic data from a CSV file. First we ensured the OpenStreetMap loaded, then pulled the CSV data in and last customised the map using a different map tile. We also added data points to the map and pop-up tags.

Visualising CSV data using leaflet JavaScript library

In this 2-hour workshop, Uta Hinrichs managed to give a flavour of the possibilities that JavaScript libraries offer and how ‘relatively easy’ it is to visualise data online.

Workshop links:

Other links:

Rocio von Jungenfeld
EDINA and Data Library

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Weekend e-resource disruption

 

logoThe MyILibrary e-books website will be shut down for maintenance on Saturday 30th May – 1pm – 7pm.  Ingram Content Group apologise for any inconvenience that may be caused during this downtime.

 

wos-logo_webThomson Reuters have advised that Web of Science and Endnote Online are “at risk” during their maintenance period on Sunday 31st May 2015 – 1:00pm – 16:00pm.

They expect minimal interruption to the service for users who are logged into Web of Science™ or EndNote® Online. Thomson Reuters apologise for any inconvenience.

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A Hare Raising Tale

Over the last month, conservation has been playing host to two rather notorious and unsavoury characters, namely William Burke and William Hare. Thankfully for us not in person but rather in the form of a scrapbook containing original documents and cuttings from their capture and subsequent trail and execution.

scrapbook 1

Burke and Hare Scrapbook before treatment

Scrapbook 5

William Burke ‘blood’ Letter

The most interesting and macabre of all of these is a letter written in the blood of William Burke – as it (helpfully) states “This is a letter written with the blood of Wm. Burke, who was hanged at Edinburgh on 28th Jan. 1829 for the Murder of Mrs. Campbell or Docherty. The blood was taken for his head on the 1st of Feb. 1829.” Unsurprisingly, the scrapbook, and this letter in particular, has caused a lot of attention, and has recently appearing in a number of newspaper and websites. I have found myself in the rather unusual position of combining conservation with press calls – the conservation life is not always quite so glamorous!

The scrapbook has a pamphlet style of binding with the cuttings pasted into its pages, the larger of which have been folded in order to fit within the volume. Overall, the scrapbook was in a reasonable condition and it was decided therefore to take a minimal interventive conservation approach with treatment focused on surface cleaning, tear repair where necessary and rehousing. The aim was to stabilise the object allowing it to be stored and accessed with minimal risk, at the same time as maintaining its authenticity.

Scrapbook 6

Scrapbook containing folded cutting and hand-written documents

The first stage of treatment was to surface clean the pages. This was done with “chemical sponge” – made of vulcanised rubber which (despite its name) contains no chemicals – which works by gently lifting off any surface dirt on the pages. This has not only aesthetic benefits but, more importantly, will remove any potentially damaging substrates. Surface dirt can contain acidic particulates, cause abrasions, attract moisture, and become a food source of mould, all of which can affect the long-term preservation of the object.

Secondly, I carried out tear repairs where necessary using Japanese tissue and wheat starch paste. The tears where primarily on the larger format cuttings that had been folded in position within the scrapbook and found in areas where the paper had become weak, especially along the folds or along edges where the cutting has projected beyond the edge of the scrapbook. Again, as with surface cleaning, repairing tears will not only improve the appearance of the pages, but will also provide structural stability making the paper easier to handle and reduce the risk of the tear getting caught and becoming worse.

Theatre Bill_2

Before tear repair

Theatre Bill_1

After tear repair

The last stage in treatment, and arguably the most important, was to address the housing needs of the scrapbook. As well as providing physical support to the item, choosing appropriate storage has the added benefits of giving an extra layer of protection from accidental damage, as well as acting as a buffer to atmospheric pollutants, dust and light, and any fluctuations in environmental conditions. It is important to know and understand what the materials you are using are made from as poor quality materials that are in close contact with collection items can cause severe damage. Acid from these materials can migrate to the object causing discolouration and embrittlement and hastening the its deterioration.

Scrapbook 4

Scrapbook during treatment and rehousing

I decided, therefore, to house the detached, fragile and vulnerable front and back covers of the scrapbook in polyester sleeves allowing them to be easily consulted without being removed and so would drastically improve handling whilst minimising the risk of any tears getting worse. Because of the poor quality and acidic nature of the paper cuttings contained within the scrapbook, the individual pages were interleaved with a light-weight acid-free paper to reduce the transfer of any potential harmful elements within the sheets. The scrapbook itself – alongside some loose-sheet material contained within – were rehoused in acid-free paper folders which, in turn, were placed inside a four-flap enclosure made from acid-free card.

scrapbook 2

Rehousing of the scrapbook into acid-free paper enclosures

Scrapbook 3

Rehousing of the scrapbook into four-flap enclosure

And the blood letter? Well, it is certainly not every day that I come across something so unusual, interesting and, quite frankly, a little unsettling. However, by applying general conservation principles of minimal treatment and the use high-quality and appropriate conservation and rehousing materials, I was able to treat the letter, and scrapbook as a whole, very much like other paper-based material. Perhaps with just a little more murder and intrigue this time…

Post by Emma Davey, Conservation Officer

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