As there were several separate requests recently for images from the splendid ‘Song School St Mary’ manuscript by Phoebe Anna Traquair, we decided the time was right to digitise the book from cover to cover, replacing some fairly mixed quality old digital images and preparing it for the LUNA Book Reader http://images.is.ed.ac.uk/luna/servlet/s/109unz . This item is one of my favourites (yes, I know I have many…), and it is a beautifully illuminated, vibrantly coloured, jewel-like treasure. Although made in 1897, Traquair created this on vellum, which adds to the impression of exquisite quality.
Category: <span>Art Collections</span>
Currently I am based in the Digital Imaging Unit where I am responsible for digitising a large number of glass plate positive slides (about 3500!) which make up part of the Towards Dolly Project within the Roslin Collection. The digitisation project itself – aptly named ‘Science on a Plate’ – is funded by the Wellcome Trust and is due for completion at the end of April 2015. Only this week, the first batch of 1000 images have been made publicly accessible via the University of Edinburgh Image Collections website.
Having worked through over 1300 images so far, it is difficult to know where to start when attempting to whittle down the numbers to a small selection of favourites to post here. I have, therefore, simply chosen a handful of images that seem to jump out at me for one reason or another. These images do something to represent the wide-reaching nature of the Roslin Glass Slides Collection; many document people and animals at a particular time and place, whilst others are more informative and study-based. The collection contains images that span the globe. I am constantly surprised as I move through them. One minute I will be looking at a photograph of a Clydesdale horse at a show in Brunstane Park, Edinburgh, and the next minute I will be looking at a sable in eastern Africa or an indigenous tribe in India. The collection is vast, diverse and engaging all at once.
An exciting new exhibition on the 6th floor of the main library in the Centre for Research Collections opens on the 13th November 2014 and runs until 27th of February 2015. The exhibition will include a selection of Edinburgh Universities collection of Paolozzi plaster maquettes which are wonderful three dimensional drawings of his ideas. The Digital Imaging Unit was tasked to photograph the Josephine Baker Bronze to coincide with this exhibition. We have produced a short day in the life film of the Digital Imaging Unit at work on the Paolozzi Bronze which you can see below. A larger better quality version is available by clicking the vimeo link below the film.
I first became aware of Paolozzi through an exhibition held at the Royal Scottish Academy for the Edinburgh 1984 International Festival called "Recurring Themes” , I still own the catalogue. His work and life made a lasting impression on me as a young man. The early collage work blew my mind and the way he fed pop culture back to ourselves dismantled and rearranged raising questions about pop culture itself was remarkable.
Part of our remit in the DIU has been to work through a list of ‘Iconic’ Items from the collection in our spare time. Over the years we have completed the digitisation of some outstanding manuscripts and collections in this way, from the Hill and Adamson photographs (a personal favourite- see http://images.is.ed.ac.uk/luna/servlet/s/jl5w63) to the wonderful Laing Album Amicorum (see http://images.is.ed.ac.uk/luna/servlet/s/6oh338 ).
I wanted to share some fantastic images that have come through the Digital Imaging Unit via general random digitization requests. This material is bound for individual researchers and would normally pass under the radar. We have enough amazing material passing through DIU to make this a monthly blog feature. First up is from “Zoology of Egypt, Reptilia and Batrachia” by John Anderson Shelfmark : L*.17.93. The whole book is packed with outstanding images and worthy of digitisation in its entirety.
For the past month or so the DIU have been capturing our first ever time lapse footage of the installation of the current library festival exhibition RASHID AL-DIN 1314. We…
One of my daily problems in this job is being drawn into the objects we are digitising- it is always too tempting to start reading, and yesterday was one of the toughest challenges I have faced! A reader had requested a book-scan copy of a transcript from a Diary of John Shaw Smith and his wife Mary as they did the Grand Tour of the Mediterranean and Middle East between 1849-1852 (see http://www.archives.lib.ed.ac.uk/catalogue/cs/viewcat.pl?id=GB-237-Coll-20&view=basic ). Perhaps it was that John Shaw Smith was one of the earliest photographers to visit these regions (see http://www.luminous-lint.com/app/photographer/John_Shaw__Smith/A/), or perhaps it was because I have visited many of the places they travelled to, however once I started I became fascinated by the lively, sharp witted pair and their adventures.
Another visual essay from me this week. I thought it would be interesting to share a closer look at the amazing work of the invisible artists who populate the title pages of many books in our collections. I am constantly astonished at the graphic accomplishment present in these works from anonymous artists. I have spent some time highlighting details that are inspiring works in their own right. These works stand on their own feet and in their own space. All images this week are details from ” The Faerie Queene “. Shelfmark JY 1096. Points of note are the best snake tongue ever drawn (see below) and a fantastic phoenix rising from flames. More images from the book can be found within our image collections at http://images.is.ed.ac.uk/
Deputy Photographer, Malcolm Brown.
This week saw the start of a small project to digitise some papers that recently came to the CRC from the The Cockburn Museum, School of GeoSciences. The collection contains…
Two of my favourite photographs in the Centre for Research Collections come from The University of Edinburghs copy of William Henry Fox Talbot’s “The Pencil of Nature“. Shelfmark Df.3.85 .The…