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March 4, 2026
In celebration of the public lecture on The Bible and the Mishnah by Professor Shaye J D Cohen, Harvard University on Tuesday 5 May, we currently have Jewish texts from our Special Collections on display in New College Library.
This Babylonian Talmud is part of the Longforgan Free Church Ministers Library, an extremely well preserved example of a Manse library which came to New College in the 1960s. It is currently being catalogued as part of the Funk Donation projects. As well as this 12 volume Babylonian Talmud, works by Maimonides and Isaac ben Jacob Alfasi ha-Cohen are evidence of the importance of Hebrew scholarship to the Scottish Church.

Seder Ṭohorot Mishnayot mi-Seder Kodashim im perush / ha-Rambam. Venice : Daniel Bomberg, 1528. New College Library Dal-Chr 58
This image is from Maimonides’s commentary on the Mishnah which was one of the first to be published. It is part of the the Dalman-Christie Collection, which was transferred to New College Library in 1946 from the Church of Scotland Hospice in Jerusalem. This collection was recently catalogued as part of the Funk Donation Projects.

Mischna, sive, Totius Hebraeorum juris : rituum, antiquitatum, ac legum oralium systema. Amsterdam : Gerardus & Jacobus Borstius, 1698. New College Library Dal-Chr 45
This is the frontispiece from one of the volumes in this six volume set of the Mishnah with text in Hebrew and Latin. It also contains commentaries of Maimonides and Bertinoro in Latin. New College Library holds copies in both the Dalman-Christie and the Longforgan Collections.
Christine Love-Rodgers, Academic Support Librarian – Divinity
We keep finding things we didn’t know we had! Special Collections has been playing host to experts from the London firm of specialist booksellers, Bernard Quaritch. During their investigations they unearthed this little pamphlet which turns out to be an uncatalogued and unrecorded copy of poet Percy Bysshe Shelley’s first publication, “The Necessity of Atheism”, printed in 1811. This cheeky little tract dismisses the entire history of theology and belief in 13 small pages, concluding triumphantly “Every reflecting mind must allow that there is no proof of the existence of a Deity. Q.E.D.”. Shelley was at the time 19 and a student at University College, Oxford. As a result of circulating this within the University (and to the Anglican Bishops!) he was expelled and the pamphlet suppressed. There are only 2 surviving copies listed on COPAC (and another 3 in E.B. Murray’s standard edition of The Prose Works). Our copy seems to have come from the Dugald Stewart bequest in 1910. We will now get it catalogued, hopefully without any dangerous consequences.
This work, Perush-ha Torah, is just one of the early works of Jewish scholarship in the Dalman-Christie collection of Hebrew books, which was recently catalogued as part of the Funk Donation Projects at New College Library. The Dalman-Christie Collection was transferred to New College Library in 1946 from the Church of Scotland Hospice in Jerusalem.
Christine Love-Rodgers, Academic Support Librarian – Divinity
Our blog post today comes from History of the Book student and CRC volunteer Allie Newman.
The University of Edinburgh Centre for Research collections holds a veritable treasure trove of early printed books, also known as incunabula or incunables. Numbering over 200 items, the collection houses everything from the apparently mundane to the richly decorated, both in terms of type ornament and colours. Today I would like to showcase Inc.49.2, a delightfully illustrated Bible printed by Anton Koberger in Berlin in 1483, that is a wonderful illustration of a particular period of book history.
The advent of the printing press in the West, begun by Gutenberg’s moveable type press in 1440, heralded a new era in book production. Suddenly, instead of taking weeks, months, or even years to copy out a book by hand, books could be produced relatively quickly and in larger numbers by moveable type presses. This naturally put manuscript production into an immediate spiral of decline, eventually leading to the triumph of print over hand-written books… Or did it?
Contrary to popular belief, the two forms of production actually continued to exist side by side for nearly 200 years, printed works only overtaking manuscripts in terms of popularity in the 1600s; even then, a big reason for that overtake was due to the fact that printing a book was just plain cheaper than hand-copying a book, not because manuscripts were seen as inferior or old-fashioned. Evidence of this can be seen in the Koberger Bible, where the pages were printed in such a way that they left space for an artist to later come in and add decorative initials by hand!
This is not an uncommon practice – it even happens in the Gutenberg Bible, though its initials are much less embellished. Because manuscripts were still somewhat of a status symbol and occupied a position of prestige in the world of books, this hand-finishing was a way of adding legitimacy to the printed book. And it didn’t just happen to initials! This Bible is full of woodblock prints, such as the one below, that, although printed on a press, were later hand-coloured (most likely at an extra cost!).
Hand-finishing of printed text eventually faded away as a widely practiced stage of book production by the late 17th century, for the same reason that manuscripts became the less common form of book: it was just too expensive and time consuming. However, the intersection of manuscript techniques and printing press technology left its mark (literally) on the way we write today- ever wonder why the first line of a new paragraph is indented? Why, to make room for a hand-finished first initial, of course!
I’m delighted to announced that nearly two hundred and fifty theses dating from 1921-1950 from the New College Library collection are now available online in the Edinburgh Research Archive, part of the Divinity Dissertation and Thesis Collection. While later theses are held in 2 copies, one at the Main Library, we believe that New College Library holds the only copy of theses from this early period. The New College Theses collection was catalogued online in 2012 as part of the Funk Projects.
– Gavin Willshaw, Digital Curator
– Christine Love-Rodgers, Academic Support Librarian – Divinity
Thanks to recommendations from members of staff and requests via RAB from students the Library is continually adding new books to its collections both online and in print. Here are just a small number of the books that have been added to the Library’s collections in April 2015 for Social and Political Science.
The city is ours : squatting and autonomous movements in Europe from the 1970s to the present edited by Bart van der Steen, Ask Katzeff and Leendert van Hoogenhuijze (shelfmark: HD7287.96.E85 Cit.)
Small states and international security : Europe and beyond edited by Clive Archer, Alyson J.K. Bailes and Anders Wivel (shelfmark: JC365 Sma. Also available as e-book.)
This week, conservation went global – in a very literal sense. Our task: to package and transport sections of a wooden globe, no mean feat considering the globe in question was nearly 1.5 metres in width.
This globe is one of two made by Jacques Elisée Reclus, a French geographer, both of which are held in the Patrick Geddes collection. In 1895, with the support of Alfred Russel Wallace and Patrick Geddes, Reclus proposed the construction of a huge relief globe approximately 420 feet in diameter, but this was never realised.
Geddes’ proposed Institute of Geography in Edinburgh was to incorporate the Reclus globe within it. We think the two globes we have here, which came from the Outlook Tower and were made for Geddes by Reclus, may have been models made for that project.
These globes, now in sections, were required to be packed for storage and transported to a new location (luckily for us, still in the same building!). For this purpose, it is important to choose appropriate housing methods and materials as this will act as a good preventive measure, helping to ensure the long-term preservation of the object. As well providing physical support for items, suitable storage will have the added benefits of providing an extra layer of protection from accidental damage during handling and transportation. It will also act as a buffer to atmospheric pollutants, dust, and light, and guard against any fluctuations in environmental conditions. Appropriate packaging will also come into its own if there was ever to be a flood or water ingress, acting as a barrier and thus protecting the contents from more serious damage.
Due to its weight and size, boxing the first globe was not an option. It was decided therefore to soft-wrap its individual sections, using acid-free tissue paper and bubble-wrap. Bubble-wrap was used to provide protective cushioning to the item but it is important that it is used correctly (yes, there is a right and wrong way to use bubble-wrap!). In most cases, it is recommended that the ‘bubbles’ face away from the object – this reduces the risk of creating indentations or marks up the item, particularly if the surface or media is vulnerable, friable or has surface dirt. It is not recommended, however, for bubble-wrap to be placed in direct contact with an object as it is not a recognised conservation-grade material.
Acid-free tissue was therefore used as an interleaving layer between the surface of the globe sections and the bubble-wrap. As the name suggests, it is acid-free and thus a material that we use often, whether for interleaving, wrapping and cushioning objects or padding out excess space in the form of tissue ‘puffs’ or ‘sausages’.
Once safely packaged, we were able to move the globe sections into one of our environmental controlled stores. This will ensure that the temperature and relative humidity conditions are kept stable, and protect against any global warming….
Post by Emma Davey, Conservation Officer
LIBER AMICORUM OF TOKYO ARTISTS
On behalf of Edinburgh University Library, the Centre for Research Collections has recently acquired an example of a Japanese painting album – gassaku-jo or liber amicorum.
There are three main groups of Japanese painting albums: jiteki-jo, being painting albums made by a single artist; gassaku-jo , being albums contributed to by different artists; and, shuga-jo, being albums with paintings done by different artists and calligraphers brought together by a collector.
Gassaku-jo or liber amicorum (‘album of friends’) contain paintings often in combination with pages of calligraphy. Sometimes they belong to the same school of artists, but more commonly they are from different schools or done by amateur painters and poets from different cultural groups or circles.
The recently acquired album contains 22 paintings by a group of Tokyo artists who lived between 1796 and 1917.
In addition to an illustration of a swallow, the album contains paintings of a peony, a waterfall, a monkey, autumn leaves…
…a mandarin duck, a chrysanthemum, a sparrow on a flowering twig, a lobster, heavy rain, a flock of sparrows…
…a tea bowl and camellia, a shrimp, houses in the snow, a fan and handscroll, a white rabbit, and a basket… with a number of others.
A number of the other illustrations are shown below:

Sparrow on a flowering twig – from the album of Japanese paintings – Centre for Research Collections
Dr. Graeme D. Eddie – Assistant Librarian Archives and Manuscripts, Centre for Research Collections
This post drew on information at the Chikurin Gallery and its painting albums pages.
Over the course of digitising the Roslin Slide Collection, amongst all the slides of tables, charts and the like, it has been the images of people, and their animals, that have grabbed my attention most of all. I have noticed two particular styles of photographic composition that are common throughout; the group shot (still popular today of course!) and the ‘one man and his animal’ shot. These images provide a sort of typology where the composition often remains the same with the people and environment changing. Read More
Jisc has partnered with AAAS to provide institutions of higher and further education in the United Kingdom with sitewide access to Science Classic, the digital archives of Science (1880-1996).
Science Classic delivers more than a century’s worth of full-text content from the annals of the world’s largest general scientific journal. The archives are fully integrated with the current content of Science which makes it easier to search the entire collection.
Our e-journal A-Z list has been updated to reflect this extra content.
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