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Recently I was asked to scope the digitisation of a beautiful scroll we have in our collection, Or.Ms 510, or better known as the Mahabharata. Gemma Scott, our former Digital Library intern, says that:

‘the Mahabharata tells the tale of a dynastic struggle between two sets of cousins for control of the Bharata kingdom in central India. One of the longest poems ever written, eclipsed only by the Gesar Epic of Tibet, it is said to have been composed between 900 and 400BCE by the sage Vyasa, although, in reality, it is likely to have been created by a number of individuals. To Hindus, it is important in terms of both dharma (moral law) and history (itihasa), as its themes are often didactic.’

Our scroll dates to 1795 and came to Edinburgh University in 1821 when it was donated by Colonel Walker of Bowland. It is 13.5cm wide and a staggering 72m long, housed in a wooden case, wound around rollers and turned by a key in the side. It has 78 miniatures of varying sizes and is elaborately decorated in gold, with floral patterning in the late Mughul or Kangra style. The text itself is dense, tiny, and underpinned with yet more gold leaf decorations.

Exhibitions Library Manuscript Collections Museum Collections Projects School of Divinity School of History, Classics and Archaeology School of Literatures, Languages and Cultures

BookReader

We are thrilled to announce that we now have online the entire manuscript of Abu Rayhan Al-Biruni, his ‘Chronology of Ancient Nations’. Al- Biruni was a famous astronomer and polymath and he completed this compendium in the year 1000. It records a vast number of calendars and chronological systems from a variety of different cultural and religious groups in the late antique and medieval periods in the Hellenic world, Central Asia and the Near East, even detailing festivals and liturgical practices.

Edinburgh College of Art Manuscript Collections School of Divinity School of History, Classics and Archaeology School of Literatures, Languages and Cultures School of Physics and Astronomy

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One of the works in the ECA Rare Book Collection that places us firmly in a place and time in history is a book of photographs taken around the time of the notable expedition of Lord Elgin, James Bruce, to China on a diplomatic mission and military campaign. If one does not know much about Chinese history, which I must admit I know little of, you might view this image at first glance as simply another beautiful view of Chinese landscape and architecture. Upon further reading into the life of the 8th Earl of Elgin and the Old Summer Palace, as well as the photographers whose works are featured in the album, it becomes a much different story. One of these photographers was the talented Felice Beato who was known for photography that created images of war as a continuous process. He documented each stage of his subjects, including gruesome scenes of the aftermath of battles and seizes. This method provides great insight into the progression of Lord Elgin’s presence in China as many images fit into his timeline. Although the above photograph taken in 1860 seems to show a sturdy structure overlooking a stunning mountain range, it does depict a cultural landscape that was near the end of its time and one that was extremely vulnerable at the time. The caption for the image tells a snapshot of the gruesome story. The caption reads “View of the Summer Palace, Yuen-Min-Yuen, showing the Pagoda before the burning, Pekin. Octr 1860.” This could easily be one of the last photographs of the site before its infamous looting and burning on October 18, 1860. Many of the items taken from this event are still held today in the UK and other prestigious museums in Europe, although there is an ongoing conversation of where these works of great art and cultural importance belong.

Archive Collections Art Collections Edinburgh College of Art School of History, Classics and Archaeology School of Literatures, Languages and Cultures

Art Collections Edinburgh College of Art Museum Collections Projects School of Informatics

For the last couple of months I have had the pleasure of both volunteering with the DIU and now working a bit more seriously through my work placement as part…

Art Collections Book Collections Edinburgh College of Art School of History, Classics and Archaeology School of Literatures, Languages and Cultures

Santa Maria della Salute, Venice, Italy.

Some time ago we digitised the hand coloured glass slides in the Cavaye collection, but we didn’t have time to do the much larger black and white part of the collection. So when our project photographer John Bryden, found a bit of spare time, we were delighted to have the remaining slides completed.

The whole collection is wonderful, apparently from a Grand Tour of Europe around the turn of the 20th century. I suspect that many of the slides were bought on the trip, much like we buy postcards today. Some of them were probably only lovingly hand tinted on return to Britain- in one of Palermo the tinting appears to be half finished.

Art Collections Edinburgh College of Art School of Geosciences School of Literatures, Languages and Cultures

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In the studio, with a very limited access to backdrops and props, it can be difficult to enliven the more creative shots of objects. We are well set up now for standard record images against a neutral grey background and it is easy when you need to close in on the details of objects, however, these can start to look a bit ‘samey’ when you have lots of images to do for a project. This is the position I found myself in recently when working on the MIMED collection of musical instruments (see http://images.is.ed.ac.uk/luna/servlet/s/s4mynr). Thankfully, at the University we are blessed with some stunning locations to use instead, but with both of the obvious choices – St Cecilia’s Music Hall and the Reid Concert Hall – off limits for redevelopment, an alternative location required a bit of forethought and planning. Our colleagues at the Anatomy School very kindly agreed to let us use their beautiful Rowand Anderson designed building which provided sympathetic architectural details to arrange the instruments against and Malcolm and I decamped from the studio for 2 days to continue with the project.

Edinburgh College of Art Museum Collections News Videos

The work that DIU are developing around moving image has grown considerably in the last two years and the demand for moving image has increased exponentially with each new film…

Edinburgh Medical School Exhibitions Museum Collections Projects Royal (Dick) School of Veterinary Studies School of Biological Sciences Videos

Last week saw the start of a new project- photographing many of the University’s Musical Instruments while they are in storage at the Library during the re-development of St. Cecilia’s…

Edinburgh College of Art Museum Collections News Projects School of History, Classics and Archaeology School of Literatures, Languages and Cultures

IMG_0334-2It is hard to believe that more than a month has passed since the fantastic “2 and 3D: Practice and Prophecies” Conference at the Rijksmuseum in April. So much was packed into those 2 short days: standardisation in colour and targets (who knew standards were so non-standard?), mass-digitisation and bespoke object specific photography techniques, panoramas, multispectral and 3D imaging, digital asset management and the role of photography in heritage institutions. This was a heritage photography event not to be missed, which is why I was delighted when the Association for Historical and Fine Art Photographers (AHFAP) offered me their competition bursary to attend. I gathered so much information in Amsterdam that I am still sifting through the notes and links and chasing up my post –conference ‘to do’ list! However, I would like to share a few of my highlights from the conference.

Edinburgh College of Art Museum Collections News School of Informatics