Ivanhoe in Belgium

Holograph letter of Walter Scott to George Steuart Mackenzie 1824Last weekend I was in Leuven at the Annual Conference of the Belgian Association of Anglicists in Higher Education (BAAHE), where I’d been invited to give a paper on translations of Walter Scott in our Corson Collection. While there, I took the opportunity to display two images from another University Collections item which vividly illustrates the extent of ‘Scottomania’ in 1820s Belgium. These are from an album of hand-coloured lithographs by Marcellin Jobard (later Belgium’s first photographer) showing the Ivanhoe-inspired costumes for a fancy dress ball hosted by the Prince and Princess of Orange in Brussels on 5 February 1823.

Belgium was then part of the United Kingdom of the Netherlands, whose court resided in The Hague and Brussels in alternate years. A report in the Lady’s Monthly Museum (May 1823) noted that while the Queen’s balls were very ‘showy and stately’, those held by the Crown Prince and Princess were ‘recherché and graceful’. The 5 February ball was held in honour of the British community, to whom the young royals were ‘remarkably attentive’. Three weeks notice was given

during which period, you may be sure, the hammers of the armourers of old, on the eve of a battle, were never plied with more skill and industry than were our own fancies and our maids’ needles, to prepare for these promised fêtes

0030007dA party of thirty-two guests went as characters from Ivanhoe, dancing a quadrille which caused such a sensation that they were invited to repeat the performance at the next Queen’s Ball. Three months later, a report in The Repository of Arts, Literatures, Fashions, Manufactures, &c declared that the Ivanhoe costumes remained ‘the principal topic of conversation at Brussels’. They clearly made sufficient impression for the costumes to be immortalized by the country’s leading lithographic press. The images show the costumes for Ivanhoe himself, for the ‘Black Knight’ (aka Richard the Lionheart), and for their rivals Prince John and Maurice de Bracy. We also hold hand-coloured engravings for a similar Scott-inspired costume ball in Vienna in 1826.

Paul Barnaby

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Calling all ECA alumni!

Do you know this dog?

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The Power of Google…

clave

We’ve been using Google Inside Search to help us identify some prints in the collection. All you have to do is upload a photo and magically it can find it in seconds! Whilst looking through some folders of posters and facsimiles we came across this lithograph. We uploaded it onto Google and were able to identify the artist as Antoni Clavé, a contemporary of Picasso and one of Spain’s best loved artists.

Clavé was born in Barcelona in 1913 and was trained at the School of Fine Arts from the age of thirteen, working as a house painter to support himself. He was a painter, sculptor and printmaker but is best known for working with collage.

He is also well-known for his theatrical costume and set designs which have appeared on stages across the world (famously in Roland Petit’s ballet, Carmen). He been has also nominated for two Academy Awards for his work on the film Hans Christian Anderson (1952)

During the Spanish Civil War, Clavé served as a Draughtsman in the Republican Army. When the Nationalists took power in 1939, he fled to France to escape persecution and began working as a book illustrator. It was in Paris that he met Picasso who he became heavily influenced by and his style became gradually more abstract. His series Hommage à Picasso in the 1980s is testament to this.

This lithograph entitled, Femme Peintre au Coq (1950), depicts a woman sitting and painting. It is widely believed to be of Clavé’s mother, Maria Sanmarti, a well-known painter and lithographer. She was partially paralyzed and begun painting to encourage her son to pursue a career in art.

Colette Bush, MGS Collections Intern

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Divinity Student Recommendations now available

Divinity students have been active in recommending new books for the library, some of which are being made available as e-books. Here’s just two of the titles they recommended.

Echoes of the CallThe ending of TimeNew this month is Echoes of the call  : identity and ideology among American missionaries in Ecuador / by Jeffrey Swanson, available online to University of Edinburgh users. Currently in the New College Library new books display  is The Ending of Time, by J. Krishnamurti.

 

Students can recommend books using the online Request a Book form for students. You can see an regularly updated list of new books for New College Library on the Library Catalogue – choose the New Books Search and limit your search to New College Library.

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FAE Crew’s Off-Prints (1814-1940)

In addition to the off-prints of the various past organizations that made up the Roslin Institute, we have FAE Crew’s collection.  The majority of the off-prints in his collection, found in 39 bound volumes, were written by other authors such as Conrad Hal Waddington, Leonard Darwin, and Alan Greenwood among others and some of the articles were even previously owned by Arthur Darbishire. The non-Crew authored material dates between 1814 and 1936 and Crew’s articles date between the years of 1930 to 1940 and he organized the bound off-prints into series: Fowl (18 volumes- GB 237 Coll-1496/1-18); Birds (2 volumes – GB 237 Coll-1496/19-20); Pigeons (2 volumes -GB 237 Coll-1496/21-22); Genetics General (9 volumes – GB 237 Coll-1496/23-31); and General Biology (8 volumes – GB 237 Coll-1496/32-39). There is a wealth of fascinating articles found in this collection – especially in the Genetics General and General  Biology volumes which show Crew’s wide-ranging interests  including animal genetics, human genetics, eugenics, evolution (both scientific and philosophical), teaching medical students and ethics. A few particular highlights are Major Leonard Darwin’s article Organic Evolution: Outstanding Difficulties and Possible Explanation,  Cambridge University Press, 1921; Darwin

Condemned for Teaching Lies: the following is a speech prepared by William Jennings Bryan for delivery in closing argument for the State in the Evolution Case at Dayton, Tennessee, July 21, 1925;WJ Bryan

and H. Muller’s Lenin’s Doctrines in Relation to Genetics, Academy of Sciences, USSR, 1934.Lenin

In addition to the articles collected by Crew for his research, there is a box of un-bound off-prints authored by Crew himself (GB 237 Coll-1496/40/1-70).  IMG_4260These articles span the years between 1930 and 1940 and discuss such topics as: animal breeding, sterilisation, eugenics, heredity versus environment and other genetic based topics. The last article in the collection is quite interesting since it’s Crew’s thoughts on war when he was a Lieutenant-Colonel in the British Army, Crew and warThe war and ourselves in the Journal of the British Army Medical Corps, 1940 (GB 237 Coll-1496/40/74).

This material, the collected offprints of other scientists, offers a fascinating insight into the research interests of FAE Crew by showing his diverse interests which helped to inform his work as seen in the same collection in his self-authored papers.

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Ars Anatomica- back from the dead!

ars

The image collection associated with the Ars Anatomica (Imaging the Renaissance Body) project has finally been restored into the LUNA image service in all its glory, here.

This project was a collaboration between the University of Edinburgh, University of Glasgow and the Royal College of Physicians, and was completed in 2005. It’s full of fascinating images of flayed bodies and skeletons, illustrating the writings on anatomy of Andreas Vesalius and Juan de Valverde.

The collection’s emergence is also interesting from a development perspective. While the general migration work to take it from the old Insight platform was done some time ago, we felt uncomfortable putting it live due to a significant lack of metadata on a number of items. However, in October, we unearthed the original data and were able to load this back into the Vernon Collections Management System and put through the standard processes to re-create the collection in LUNA. We have also put in place enhanced workflow steps which, if desired, would allow further cataloguing to take place in Vernon and keep it in sync with LUNA.

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Darwin cataloguing project completed

freeman 1656small
Today we have finished the cataloguing of our Darwin collection.  Almost last to be done was one of the nicest finds – offprints of two of Darwin’s early articles, on South American volcanos and Scottish geology, presented by Darwin to Charles Lyell, his friend and fellow geologist. One of them, “On the connexion of certain volcanic phenomena in South America ” is inscribed to Lyell in Darwin’s own hand. The other has pencil annotations, almost certainly in the hand of Lyell. We would like to thank the Darwin Correspondence Project, in Cambridge University Library, for reliable recognition of Darwin’s signature.
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‘Encounters of a mathematician’…

For the last few weeks, I have been cataloguing the papers of mathematician, Walter Ledermann (1911-2009).  The collection largely composes of highly mathematical letters from Thomson to Ledermann.  Having the somewhat dubious distinction of failing mathematics twice, its fair to say I had misgivings!

My failure as a young mathematician was due in part to my ready dismissal of mathematics as a dull, dry, monotonous subject (but in the main, a serious lack of talent!).  I remember somewhat haughtily telling my long-suffering teacher that I liked subjects about people.  Mathematics, as far as I was concerned, lacked any humanity and any discernible art.  How wrong I was.

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Ledermann as a young man, from his autobiography

Ledermann, a German-Jewish refugee, was more than used to such criticism being levelled at the subject – the art form – of his choice.  In fact, he opens his autobiography, Encounters of a Mathematician, with the following:

Mathematics is a soulless occupation devoid of feeling and human values.

But that, Ledermann tells us, was never his experience:

I feel strongly that mathematics can and should form part of human relationships.

Ledermann grew up in Berlin, proving himself a talented violinist and mathematician from an early age.  He loved music, and despite growing up in the midst of the depression, attended concerts regularly by any means possible.  By the 1930s, the Berlin that Ledermann called home had changed rapidly, and he and his family were no longer welcome.  It was his love of mathematics that gave him hope – despite the anti-Semitism he encountered, Ledermann’s ability, talent, and enthusiasm could be neither denied nor quashed.  In fact, Ledermann’s talent for mathematics quite literally saved his life.

On completion of his degree at the University of Berlin in 1934, Ledermann won a scholarship created by students and citizens of St Andrews to support a Jewish refugee.  He received a warm welcome from his fellow students, his lecturers, and the local community at St Andrews, and tells us: ‘it is no exaggeration to affirm that I owe my life to the people of St Andrews’ (Encounters of a Mathematician).

Ledermann completed his PhD after just two years, and found himself at the University of Edinburgh.  This would be the start enduring friendships between Ledermann and the brilliant and troubled mathematician, A C Aitken, as well as Professor Godfrey Thomson.

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Professor Sir Godfrey Thomson

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Alexander Craig Aitken

Ledermann quickly became Thomson’s mathematical assistant (or ‘tame mathematician’, as he puts it!), assisting him in writing The Factorial Analysis of Human Ability.  Thomson and his contemporaries used Factorial Analysis to understand human differences (mathematics and humanity again!), and this is still a technique used by psychologists today.  Thomson spoke to Ledermann in fluent German at their first meeting, much to Ledermann’s delight, and the working relationship was a successful one:

My work with Godfrey Thomson was inspiring, creative, and intimate.  We met daily during the morning break at Moray House, where the Department of Education was situated.  After we had briefly surveyed the progress of our research on the previous day, Miss Matthew, his charming and highly efficient secretary, brought in the coffee and some delicious buttered ginger bread.

The very intensity with which he pursued his ideas, was a great stimulus for me to solve the mathematical problems he had passed on to me.  Godfrey Thomson did not claim to be a mathematician.  Although he understood mathematical formulae when they were presented to him, he preferred to verify his ideas by constructing elaborate numeral examples from which the theoretical result could be guessed with some confidence.

Sadly much of Ledermann’s replies to Thomson are absent.  Thomson sends Ledermann pages and pages of calculations with explanatory notes, then his next letter will be one thanking Ledermann for the brief formula he has sent in return (Thomson at one point refers to Ledermann’s formulae as ‘very pretty’!).  The letters also show the warmth of feeling between the two, with Thomson frequently enquiring of Ledermann’s family, many of whom were still in Germany, and telling Ledermann about his own family.

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An example of the small postcards Thomson sent Ledermann

Ledermann treasured the letters.  In a letter to Lady Thomson, who was attempting to write Thomson’s biography, he writes:

I have over a hundred letters from Sir Godfrey, written between 1937 and 1946, some of them short notes, others carefully worked out in the form of a research paper, with many interesting questions and illustrations.  I greatly treasure the correspondence, not merely on account of its considerable scientific, and, may I add, aesthetic value, but also because it contains so many typical examples of that human warmth and sympathy for which Sir Godfrey finds a place even at the beginning or at the end of a mathematical letter.

Letter from Ledermann to Lady Thomson, Coll-1310/1/1/1/17

Ledermann returned to St Andrews after working with Thomson, and would go on to accept teaching positions at the University of Manchester, and the University of Sussex.  His love of mathematics continued to endear him to students and fellow lecturers, and he continued to undertake revision lectures for students for years following his retirement.  His wife, Ruth, was a social worker and therapist, and they retired together to London, where Ledermann passed away in 2009.

For Ledermann, the beauty of the equations passed between himself and Thomson were no different to the music of his violin – each displayed ingenuity and art.  His love of mathematics was the source of the most satisfying ‘human encounters’ he had throughout his lifetime, and the correspondence between himself and Thomson serves as a reminder of the beauty and humanity of mathematics.

Sources: Walter Ledermann’s autobiography, Encounters of a Mathematician

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Hymnology Collections : Ravenscroft’s Book of Psalms

A guest post from Oreste de Tommasso, one of the Funk Project Cataloguers at New College Library.

A reprint of the tunes in Ravenscroft's Book of Psalms :  With introductory remarks. London, 1845. New College Library, Hymn 345.

A reprint of the tunes in Ravenscroft’s Book of Psalms : With introductory remarks. London, 1845. New College Library, Hymn 345.

This item, an edition of the Whole Book of Psalmes, was recently catalogued as part of the Hymnology Collections Project. It’s typical of the many nineteenth century items in the Hymnology Collection, much of which was originally collected by the Edinburgh bookseller James Thin.  The pages in the volume are laid within a red line frame border, with an initial capital letter decorated in red ink. The cover title is within a rounded decorated lozenge in a golden colour.

The Whole Booke of Psalmes is one of the most important psalters of the period, though it contains much music from earlier publications. This collection includes national hymns (such as Dumferline, Dundee, and Glasgow) whose authorship remains uncertain, while the harmonizers into four parts are some of the most celebrated musicians of the Tudor era. Names such as Thomas Tallis, John Dowland, Thomas Morley, Giles Farnaby, Thomas Tomkins, all feature here. Thomas Ravescroft himself contributed fifty-five of its 105 settings.

Hymn 345 tpRavenscroft was not only a good musician, but a man of considerable learning in his faculty. By 1598 he was chorister at St Paul’s Cathedral and graduated MusB from Cambridge at the age of fourteen.

The tunes are simple in their conception, as having a syllable for a note, thus easy to sing. It is the Sternhold and Hopkins metrical version of the psalms. Following the customs of the period, the tune was sung in the Tenor part by male voices, while the bass provided a simple foundation while the treble voices were often learnedly ornate in counterpoint style. Through the events of Civil War and Restoration, this multi-part style of singing was silenced and quickly fell into oblivion, in spite of some genuine attempts to revive it. Nonetheless, Ravenscroft’ Booke of Psalmes is the fount of Psalmody across all Great Britain, and this reprint provides a compendium-model of genuine psalmody.

Sources

The Oxford Dictionary of National Biography, v. 46

Havergal. W.H.; A reprint of the tunes in Ravenscroft’s Book of psalms : With introductory remarks. London, 1845.

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‘To sow the seeds of a new science…’ Happy Birthday James Cossar Ewart

Ewart Verlag portraitThe name of James Cossar Ewart (1851-1933) has featured regularly in this blog over the past year or so, but we wish him a happy 163rd birthday for tomorrow (26th November). Ewart, who was Professor of Natural History at the University of Edinburgh from 1882-1927, is best known for his work cross-breeding zebras and horses and for being instrumental in establishing the UK’s first lectureship in Genetics in 1911. The creation of this post was to lead to a bright future for genetics and associated sciences in Edinburgh.

On this day in 1931, Professor F.A.E Crew, then director of what became known as the Institute of Animal Genetics, wrote this heartfelt letter to Ewart, expressing his admiration in no uncertain terms:

Dear Professor Cossar Ewart,

The 80th anniversary of your birthday surely warrants my writing to you my congratulations and to express my sincere hope that you may enjoy many more of these festive days.

I confess I envy you, to live for a long time means very little in itself but to have lived profitably: to have carved one’s name on the rolls of history of a science: to sow the seeds of a new science and to live to see the harvest gathered: these are things well worth the doing.

Happiness and a certain sense of contentment should be yours. It is the wish of those, who like myself are your disciples, that you shall enjoy the knowledge that you have, in a certain sense, achieved immortality. As long as biology exists, so long will your name be quoted.

On this day I send to you my homage and my affectionate regards.

Yours sincerely,

F.A.E Crew

Ewart died in his native home of Penicuik on New Year’s Eve, 1933. His two homes, the Bungalow and Craigybield House, can still be seen today in Penicuik, although both are now hotels.

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