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December 20, 2025
The University of Edinburgh has been an early adopter of MOOCs (Massive Open Online Courses) and offers courses through both the Coursera and FutureLearn platforms. Library services need to constantly respond to changes in the provision of research and learning activities of their institutions. MOOCs are one such area where libraries are currently exploring their role.
In my role as Head of Research and Learning Services within the Library & University Collections division of Information Services I get to think about these challenges daily. However, as with many aspects of life, there is no better way to learn about something new than to roll up your sleeves and have a go! As such, at the end of 2013 I enrolled on my first MOOC!
MOOC name: An Introduction to Operations Management
Institution: The Wharton School of the University of Pennsylvania
Instructor: Christian Terwiesch
I chose this particular course as it isn’t directly relevant to my role in the library, however it addresses issues such as identifying bottlenecks, optimising workflows, calculating waiting times, and generally improving the operations of a business. All of these are applicable to one area or another of the library. It was also nice to study something a little different and in a domain that I knew nothing about.
The introduction video for the course gives a good overview of what it covered:
Below is a list of thoughts about the course:
The course also had a ‘Signature Track’ option. This requires a payment of about £30, and requires you to upload a photo of yourself holding your passport photo page (to prove it is you), and to take a typing pattern recognition test. After each exam, you had your photo taken by webcam, and had to re-take the typing test. These were to prove that it was actually you who took the exam. This is not infallible, of course, but a good basic level of verification.
In return for being on the Signature Track, you also get a shareable course record that can be used to show you completed the course. Mine can be seen at: https://www.coursera.org/records/FxQQn8nWmW9eeNkc
Overall the course was good fun, I felt I learned a lot, and the process of learning via a MOOC worked well. I didn’t really interact with anyone else on the course forums, and don’t know how many other students were on the course, or completed the course.
You’ll have noticed that the title of the blog is ‘My First MOOC’. I really enjoyed the experience, learning something quite different, and I’m sure I’ll be signing up for another sometime later this year!
This is a leaf from MS.33, a 15th century Gradual received by the Library as part of the David Laing bequest in 1878. We have recently been awarded a substantial grant from the National Manuscripts Conservation Trust to preserve the Laing manuscript books, which are among our greatest treasures. Happy Christmas to all our blog readers and we look forward to sharing more tales from the collections in 2014.
In celebration of the next week’s big event, we thought we’d bring you a sample of some of the festive bits and pieces in our archive collections.
As always, the ECA Christmas Revel provides some wonderful outfit inspiration for all your office parties – above we have a scene from the 1934 skit Picard Goes West, with Miss Nessie Sutherland playing Mae West. Below is a group of dancers in miscellaneous costumes, obviously all blinded by the camera’s flash!
Now, this is what I’ve always needed for Christmas – rules to help me look good on the dancefloor. The Moray House magazine for 1937 offers precisely that, although I think a room full of people all practising their Maurice Chevalier smiles would be quite terrifying…

The 1930’s edition of the magazine describes the dangers of dancing with the ‘sweet maiden’ you’ve had your eye on all night.

And we end on an even darker note – a horrifying poem entitled Nativity from 1938.
Merry Christmas!
[Reposted from https://libraryblogs.is.ed.ac.uk/blog/2013/12/20/thinking-about-a-data-vault/]
In a recent blog post, we looked at the four quadrants of research data curation systems. This categorised systems that manage or describe research data assets by whether their primary role is to store metadata or data, and whether the information is for private or public use. Four systems were then put into these quadrants. We then started to investigate further the requirements of a Data Asset Register in another blog post.

This blog post will look at the requirements and characteristics of a Data Vault, and how this component fits into the data curation system landscape.
What?
The first aspect to consider is what exactly is a Data Vault? For the purposes of this blog post, we’ll simply consider it is a safe, private, store of data that is only accessible by the data creator or their representative. For simplicity, it could be considered very similar to a safety deposit box within a bank vault. However other than the concept, this analogy starts to break down quite quickly, as we’ll discuss later.
Why?
There are different use cases where a Data Vault would be useful. A few are described here:
How?
Clearly the storage characteristics for a Data Vault are different to an open data repository or active data filestore for working data. The following is a list of some of the characteristics a Data Vault will need, or could use:

Feedback on these issues and discussion points are very welcome! We will keep this blog updated with further updates as these services develop.
Image available from http://dx.doi.org/10.6084/m9.figshare.873617
Tony Weir, Head of Unix Section, IT Infrastructure
Stuart Lewis, Head of Research and Learning Services, Library & University Collections.
In a recent blog post, we looked at the four quadrants of research data curation systems. This categorised systems that manage or describe research data assets by whether their primary role is store metadata or data, and whether the information is for private or public use. Four systems were then put into these quadrants. We then started to investigate further the requirements of a Data Asset Register in another blog post.

This blog post will look at the requirements and characteristics of a Data Vault, and how this component fits into the data curation system landscape.
What?
The first aspect to consider is what exactly is a Data Vault? For the purposes of this blog post, we’ll simply consider it is a safe, private, store of data that is only accessible by the data creator or their representative. For simplicity, it could be considered very similar to a safety deposit box within a bank vault. However other than the concept, this analogy starts to break down quite quickly, as we’ll discuss later.
Why?
There are different use cases where a Data Vault would be useful. A few are described here:
How?
Clearly the storage characteristics for a Data Vault are different to an open data repository or active data filestore for working data. The following is a list of some of the characteristics a Data Vault will need, or could use:
Feedback on these issues and discussion points are very welcome! We will keep this blog updated with further updates as these services develop.

Image available from http://dx.doi.org/10.6084/m9.figshare.873617
Tony Weir, Head of Unix Section, IT Infrastructure
Stuart Lewis, Head of Research and Learning Services, Library & University Collections.
At the start of the festive period, I had the best of intentions to post a festive blog post for every day of advent. Alas, there isn’t much mention of Christmas in Thomson’s papers – even his family photo albums are a decidedly festive free zone! However, having three working days left until we break up for the festive period, I thought I would share (you’ve guessed it!) three festive items from the collection…
1) Christmas card to Thomson from his students…
Quite possibly the best Christmas card I’ve ever come across – spelling ‘Christmas’ in mathematical terms. Genius! And if that wasn’t zany enough, there is a wonderfully nebulous poem on the inside!
In all seriousness, this is one of my favourite items in the collection – it is signed by 13 of Thomson’s students, who were obviously very fond of him, and I bet the master of Factorial Analysis loved it!
2) Christmas card from Andromache
Andromache was the wife of Thomson’s son, Hector. Hector was a classicist, so the mythical love story of Hector and Andromache would have been one familiar to him. She is a frequent character in the collection, and is mentioned throughout Thomson’s correspondence by friends and family – Thomson and Lady Thomson appear to have been particularly fond of her. The card depicts her native Cyprus.
3) A Christmas gift from Lady Thomson:
The gift is a thoughtful one – Thomson was brought up near Newcastle, and the sights in this book would have been familiar to him. The book has clearly been well loved and frequently referred to, and has some beautiful images of Newcastle.
With that, I’d like to wish you all a lovely Christmas and a productive New Year!
If anyone recognises their signature or that of anyone else’s on the card, do please get in touch (Emma.Anthony@ed.ac.uk)
The Research Excellence Framework (REF) is a system for assessing the quality of research in UK HEIs. It replaced the Research Assessment Exercise (RAE) and is undertaken by the four UK higher education funding bodies, to:
– inform the selective allocation of research funding to HEIs
– provide benchmarking information and establish reputational yardsticks
– provide accountability for public investment in research and demonstrate its benefits
The library’s role in the REF submission was to provide overall leadership for the submission of REF2 data and physical outputs; this involved metadata verification of over 7000 records, checking Scopus citation information and the submission of physical research outputs which amounted to almost 700 items including books, portfolios, journals and compositions.
The electronic submission deadline was 29 November 2013 so for most people involved in REF2014 their part was done, however here in the library there were almost 700 physical items still to be submitted and each one of these had to be checked, labelled and boxed up before being sent to HEFCE.
On 12 December the physical outputs left the library on their way to HEFCE, the past few months have been extremely busy here within Scholarly Communications and we are grateful for all the help we’ve received from our acquisitions and cataloguing colleagues in helping us meet this deadline, finally we can breathe a sigh of relief!
As it’s only a week to go until Christmas, enjoy a festive edition of The Wee Red Herring from the ECA archive, complete with zombies and everything.
Recently the Digital Imaging Unit were asked to photograph all 8 illustrations from the book of the Apocalypse in Anton Koberger’s German Bible of 1483. Shelf-mark Inc.45.2. I have selected a few details from the illustrations here to demonstrate the quality of the line and its powerful descriptive impact. ” Koberger was the godfather of Albrecht Dürer, whose family lived on the same street. In the year before Dürer’s birth in 1471.” Giulia Bartrum, Albrecht Dürer and his Legacy, British Museum Press, 2002, pp 94-96, ISBN 0-7141-2633-0
Malcolm Brown
The annual Sculpture Party is part of ECA legend. Organised by the Sculpture department, it raises money for the School of Art Degree shows and takes over most of the area surrounding the Sculpture Court. Above is Zane by Isobel Turley, which was one of our acquisitions from the 2013 ECA Degree Show, and was projected in one of the studio spaces used in the party. Below is Winged Victory, looking like she is getting set up for a DJ set. Of course, us in Collections are far too well behaved to attend a riotous party like this, so thanks to Emma Smith for the pictures.
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