Waverley 200

Waverley 200: An Exhibition Marking the Bicentenary of Sir Walter Scott’s Seminal Novel

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CRC Display Wall, 6th Floor, Main Library, George Square, 2 April-4 July

Tis 200 years since …

The new exhibition in the CRC Display Wall marks the bicentenary of Waverley (1814), Sir Walter Scott’s ground-breaking tale of the 1745 Jacobite uprising.

Scott’s anonymously published debut novel introduced a dynamic new vision of history and landscape which galvanised writers, musicians, and artists throughout the world and drew countless visitors to Scotland. Novelists like Tolstoy, Balzac, and Dickens, composers like Donizetti, Rossini, and Bizet, painters like Delacroix, Millais, and Turner (see print above) all found inspiration in his work. More operas and paintings are based on Scott than any writer except Shakespeare. No other novelist has been so widely adapted for stage, screen, and television. Such was Scott’s enduring contribution to Scotland’s tourist industry, that both Edinburgh’s main railway station and the line heading northwards from England were named after Waverley.

The works on display are drawn from the Corson Collection of Walter Scott materials, a collection of nearly 7,000 books and over 10,000 artworks, which Edinburgh University acquired from James C. Corson, former Deputy Librarian and lifelong Scottophile, in 1978.

They include presentation copies of the first edition of Waverley, French and Italian translations, a chapbook abridgement, and a popular theatrical adaptation. Other items attempt to unmask the stubbornly anonymous ‘author of Waverley’ or cater to public curiosity as to the real events, people, and scenes behind Scott’s fiction. An 1820s tract accuses Scott of corrupting the innocent, but by the end of the century school editions and abridgements show how he came to be seen as the ideal writer for the young. There is a wide selection of engraved illustrations, along with original sketches by Scott’s friend James Skene of Rubislaw. The exhibition concludes with Edinburgh University Press’s landmark ‘Edinburgh Edition of the Waverley Novels’ which has won a whole new audience for Scott.

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This exhibition is open from 02 April 2014 to 04 July 2014, Monday to Friday, 09:00-17:00.

For more information on the Corson Collection, see the Walter Scott Digital Archive.

Prints above:

  1. The March of the Highlanders, engraved by Thomas Higham after J. M. W. Turner (1836)
  2. Mac-Ivor Warned of  his Fate by the Grey Spirit, engraved by James Mitchell after Charles Robert Leslie (1832)
  3. Flora in the Glen of Glennaquoich, engraved by Charles Heath after Charles Robert Leslie (1832)

Paul Barnaby, Project Officer, Walter Scott Digital Archive, Centre for Research Collections

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Searcher: BIG change

The Library is working on a review of Searcher, our branded EBSCO Discovery Service (EDS). We are making some changes which we hope improves your experience of using Searcher.

Default search
As of 1st April, Searcher defaults to search All Library Resources (print and e-content).
This means that your initial search will be limited to searching printed books, e-books, journals articles, databases content and other subscription and local collections- in short, All Library Resources’.

The results screen
On the result screen, you will see that the limiter, ‘All Library Resources (print and e-content)’ is checked by default.  Catalogue items (books and e-books) are weighted to appear at the top of the results lists.

You may also notice that you have fewer results than you’re used to. However, you should also notice that it’s easier to find and access Library Resources via Searcher – no more clicking on results for content to which we don’t subscribe and which you can’t access!

Help
We’ve also added the image below to the basic search screen to help explain what you’re searching and how to manage your results.

 SearcherHelpWeb

Refine your search
To refine a search and limit it to items in the Library Catalogue, CHECK the ‘Library Catalogue’ limiter. This will more or less mirror the current OPAC search and limit your search to printed books, e-books and journal titles (BUT NOT journal content).

Expand your search
To expand a search, UNCHECK, ‘All Library Resources’ the amount of results will increase significantly to include content for which we do NOT provide direct access. This content may include bibliographic records and unsubscribed journal content.

Use the Inter Library Loans service, Book recommendations or RAB (Request A Book) to access this content.

Feedback
Please feedback any comments to Library.Learning@ed.ac.uk

Angela Laurins, Library Learning Services

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New Books for SPS in the Main Library – April

Science in the Twentieth Century and beyondThis month we’re featuring a selection of new titles purchased to support the area of Science, Technology and Innovation Studies in the School of Social and Political Science.

Science in the twentieth century and beyond by Jon Agar is available on the shelves at Q125 Aga. in the Hub and on the 3rd floor.

The molecular vision of lifeCharting the history of molecular biology, The molecular vision of life : Caltech, the Rockefeller Foundation, and the rise of the new biology by Lily Kay can be found at QH506 Kay.

 

sustainableSustainable food systems : building a new paradigm edited by Terry Marsden and Adrian Morley is available online as an ebook via the library catalogue.

Don’t forget that there’s a regularly updated display of new books in the Main Library on the first floor, adjacent to the current journals display.

 

Christine Love-Rodgers, Academic Support Librarian – School of Social and Political Science

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‘Towards a better understanding of human relations’

This week’s letter from Thomson’s collection comes courtesy of psychologist and psychoanalyst, John Carl Flügel (1884–1955):

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The letter was one of many sent from eminent psychologists, mathematicians, scientists, and former students to Lady Thomson following Thomson’s death in 1955.  Flügel’s  rather amusing anecdote, where he recounts a conference in Sweden Thomson chaired and describes how Thomson threatened to ‘chop off the heads’ of anyone who spoke over their allotted time, is true to character!  This was, in fact, a pet hate of Thomson’s, well known to his students and colleagues.

Lady Thomson’s annotations on the reverse of the letter are also important.  They refer to a documented account of the seminar, though sadly the cutting is long gone, and endorse Flügel’s account, stressing it was the  ‘correct description of Godfrey’s manner’.  Her annotations can be found throughout the collection, and were most likely for her projected biography of Thomson (which she never undertook due to ill health) or to aid James Fitzjames Duff in his introduction to Thomson’s posthumously published autobiography, Education of an Englishman.

 

Flugel, c1930

Like Thomson, Flügel was a psychologist.  He was born three years after Thomson, and died a few short months after sending this letter.  However, the course of his career and study was very different to Thomson’s.  While Flügel was an experimental psychologist, first and foremost he was a practising psychoanalyst.  He is credited as one of the few psychoanalysts who successfully bridged both academic psychology and psychoanalysis.  His publications included The Psychology of Clothes (1940); Man, Morals and Society: a Psychoanalytical Study (1945); and the neo-Malthusian Population, Psychology and Peace (1947).

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Flügel spent most of his working life in the psychological laboratory of University College London, starting off as psychologist Charles Spearman’s assistant, then progressing to senior lecturer (1920) and assistant professor (1929).  Following his retirement in 1944, he was appointed special lecturer.  Throughout this time, he managed to balance lecturing on psychoanalysis alongside working with Spearman, thus utilising both an emotional and cognitive approach to understanding the human mind.  As his obituarist, Roger W Russell, argues:

During the six years I knew him personally, he occasionally discussed the conflicts which these two roles had produced, for he believed that such conflicts could not be resolved by accepting one role and abandoning the other.  He felt strongly that the two approaches were working towards similar, general goals, toward a better understanding of human relations, and he did all he could to encourage each to proceed as far and as rapidly as possible.

The American Journal of Psychology, vol. 69, no. 2

The letter hints at a close relationship between Thomson and Flügel – and indeed, they shared many correspondents and acquaintances including Spearman (with whom Thomson had a 30 year professional feud!) and Cyril Burt.  Flugel rather eloquently comforts Lady Thomson:

We were so fond of you both, and we felt we had suddenly lost a friend whom we both loved and admired…at such moments, little poignant memories keep creeping in…all of them rousing tender and nostalgic feelings.  Our hearts go out to you who have to bear the chief burden of his loss, but we are only too aware of the many who must be mourning with you today and perhaps the thought that your sorrow is so deeply and so widely shared may help in some measure to ease the sad and heavy burden.

The most touching aspect of the letter for me, however, was not Flügel’s kind words, but the letter’s tone.  He refers also to the death of his friend, Mollie Rees, ‘another charming person who, alas, has left us’, and the reader is left with his general feeling of acceptance that both he and Thomson’s generation is coming to an end.

Personal archives from any period of change are significant.  Thomson’s collection is a case in point, covering eugenics, intelligence testing, and social mobility.  They help in our understanding of these ‘big’ themes through the professional and personal relationships represented.  At the risk of sounding twee, they allow us to explore what it means to be human at any given time, and give us ‘a better understanding of human relations’.  This is perhaps their greatest value.

 

 

 

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Volunteer work at the Digital Imaging Unit

The Centre for Research Collections is a remarkable resource for students at Edinburgh University, not only for research purposes, but also for experience working with collections.  I am an MSc student studying Material Cultures and the History of the Book.  As part of the course we were encouraged to volunteer within the CRC.  My interests lie in the field of the visual arts and the materiality of books, specifically the in the world of digital media.  Serena Fredrick at the CRC was able to match me up with the Digital Imaging Unit and within the DIU I have been researching and enhancing the metadata for one of the university’s photographic image collections: the Hill and Adamson Collection.  Hill and Adamson are world-renowned pioneers of early photographic techniques.  Building on the work of Englishman Henry Fox-Talbot, they created some iconic images of mid-nineteenth century Edinburgh from their studio on Calton Hill.0011901d
Hill and Adamson’s original creative remit was to capture portraits of leading members of the Free Church of Scotland who had been involved in the disruption of the established Church of Scotland in 1843, with the intent of using these portraits as study aids for a massive painting commemorating the disruption.
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Soon word of this new means of portraiture spread and Hill and Adamson started creating images of and for Edinburgh society. The collection is full of images of friends and family of Hill and Adamson, as well as being a veritable who’s who in Edinburgh.
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Hill and Adamson realised that this artform could also be used as a form of documentary reporting and began taking photographs of the Newhaven fishermen and women, as evidence of a strong, united and self-sufficient community.
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Unfortunately Hill and Adamson’s collaboration was short-lived due to Adamson’s continually failing health and eventual death at the age of only 27 in 1848. However, during their prolific partnership they were responsible for the creation of thousands of incredible images. I have loved being a part of the team bringing this collection onto a digital platform and increasing access to such an important and exciting set of images. Here are a few of my favourite images, all of which can be found at: http://images.is.ed.ac.uk/luna/servlet/UoEcar~4~4
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1 calotype, print size 4.
Newhaven 1. 5 calotypes, print size 4.  Unbound images.
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Caroline Ramsay, MSc Material Cultures and the History of the Book

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Code4Lib

Last week I was lucky enough to attend the Code4Lib conference taking place in Raleigh, North Carolina. To quote from their website, Code4Lib “is a volunteer-driven collective of hackers, designers, architects, curators, catalogers, artists and instigators from around the world, who largely work for and with libraries, archives and museums on technology stuff”. The conference lasted four days in total and was highly enjoyable from start to finish. The most striking feature of the conference is the community nature of it – the program is largely selected online by public vote, and the sessions are hosted by community volunteers, as are any social events. The majority of attendees were north american as you would expect, but there were a small number of international attendees.

At a technical level the conference reflected modern themes, particularly User Experience. At least three quarters of the presentations featured Javascript (apologies for lapsing into techie speak).

On the social front there was a visit to the NCSU Hunt Library. I went expecting to be underwhelmed and was stunned by what I saw. This is a purpose built modern library incorporating all the modern features you could imagine and plenty more besides. The first thing you notice is that there are no bookshelves, all access being taken care of by a robot! But perhaps most impressive are the various multimedia rooms and open spaces. Worth noting that much of the software for these spaces was developed by students at NCSU. Here is a little taster but please do check out the website https://www.lib.ncsu.edu/huntlibrary.

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Robin Taylor – Library Digital Development

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From Noah to New Labour – New books at New College Library in April

The rocks don't lieA political theology of climate changeFloods are a theme linking two of our new books this month. Looking back to the Biblical Flood is The rocks don’t lie : a geologist investigates Noah’s flood, by David Montgomery, available at QE39.5.P3 Mon. Also new is A political theology of climate change by Professor Michael Northcott from the School of Divinity, at Folio BR65.A9 Oxf.

You can see an regularly updated list of new books for New College Library on the Library Catalogue – choose the New Books Search and limit your search to New College Library. Here’s a quick link to new books arriving in the last few weeks. A word of caution – some of the books listed here may still be in transit between the Main Library (where they are catalogued) and New College Library, so not on the shelf just yet.

Christine Love-Rodgers, Academic Support Librarian – School of Divinity

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University of Edinburgh Open Access update: March 2014

As of 31st March there are approximately 76,800 records in our Current Research Information System (PURE), of which 16,795 have open access documents available to the general public (22% open access). In addition there are 170 records with documents waiting for validation.

Looking specifically at just journal articles and conference proceedings:

All time OA docs Open access % 2008 onwards OA docs Open access %
Medicine & Veterinary Medicine 6513 33 4476 41
Humanities & Social Science 3002 22 2509 36
Science & Engineering 5687 22 3826 30

Monthly application figures to the Gold Open Access funds:

Month Applications to RCUK Applications to Wellcome
January 2014 32 13
February 2014 24 13
March 2014 23 14

Status of the RCUK fund – currently there is £367,400 left in the fund*, with an additional £74,400 committed on articles submitted for publication. Altogether the fund has 35% left in the account.

(*this figure was slightly wrong last month – apologies!)

Status of the Wellcome fund – since the start of the new reporting period (November 2013) the cumulative open access spend has been £137,078

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Boris Bućan – Printmaker

Our post today comes from Natasha Russell, Graduate Studio Assistant in Printmaking at ECA.

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Recently we spent a couple of hours piecing together and marveling at a stack of 18 or so large scale oil based screen prints by the Artist Boris Bucan. These have recently been taken in by the Art Collection, gathered from the plan chests in the Print Workshop of Edinburgh College of Art where they had sat for almost three decades.

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Viewing these prints was no easy feat as the prints measure two by two metres squared and are each made up of six pieces of thin cartridge-like paper. Spreading them out on the carpet between shifted tables we ordered and puzzled together the prints to form vibrant and masterfully composed posters.

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The pieces here range from posters for Operas to Theatrical productions to National days. One of the posters is even for his own exhibition that exhibited these prints when they were last shown in Edinburgh, detailing, ‘Posters for Croatian National Theatre…Edinburgh College of Art…27 April 1984’. This solved the mystery of where they came from and how long they had been hiding in the plan chests.

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While there are distinct motifs carrying between some of the prints, for example the geometric grass patterns, the posters vary widely in style. They span from scribbly crayon drawn monochrome prints for Puccini’s La Boheme to the bold colours of the checker-boarded ‘Faust’ that plays with a simple shape to create an optical illusion like scene.  In this way his prints prove a great example of the diversity of this printmaking technique.

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Bucan was born in Zagreb in 1947, where he continued to study and produce work as a graphic artist. Indeed most of these prints are printed with a mark of Zagreb Academy of Fine Arts.  He is still working and exhibiting internationally.

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New Exhibitions Site!

50 Years, 50 Books Exhibition- powered by Google Open Gallery

50 Years, 50 Books Exhibition- powered by Google Open Gallery

To coincide with the 50 Years 50 Books Exhibition, which opened on Thursday 27th March, we have put together a sister website, which features digitised representations of some of the exhibits on offer.

The landing page is at http://exhibitions.ed.ac.uk– click on the flyer to get into the exhibit website (the landing page needs some work- not least to meet the requirements of accessibility and the web standards, but this will be addressed shortly!)- click on ‘Explore the Collections’ to see the images. The exhibits site has been built using a new tool from Google, called Open Gallery, which allows rapid collections development: if you have images and a simple file of metadata, it will do the rest.

Have a look and see what you think. We intend to build such sites for exhibitions as they come along, and there may even be scope for us to build some retrospectively to allow us a view of the exhibitions the library has hosted in the past.

Thanks to Joe Marshall, Emma Smith, Susan Pettigrew, Dave Anderson, Norman Rodger, Stuart Lewis and Claire Knowles for their input on this.

Scott Renton- Digital Developer

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