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December 14, 2025
This week’s letter from Thomson’s collection comes courtesy of psychologist and psychoanalyst, John Carl Flügel (1884–1955):
The letter was one of many sent from eminent psychologists, mathematicians, scientists, and former students to Lady Thomson following Thomson’s death in 1955. Flügel’s rather amusing anecdote, where he recounts a conference in Sweden Thomson chaired and describes how Thomson threatened to ‘chop off the heads’ of anyone who spoke over their allotted time, is true to character! This was, in fact, a pet hate of Thomson’s, well known to his students and colleagues.
Lady Thomson’s annotations on the reverse of the letter are also important. They refer to a documented account of the seminar, though sadly the cutting is long gone, and endorse Flügel’s account, stressing it was the ‘correct description of Godfrey’s manner’. Her annotations can be found throughout the collection, and were most likely for her projected biography of Thomson (which she never undertook due to ill health) or to aid James Fitzjames Duff in his introduction to Thomson’s posthumously published autobiography, Education of an Englishman.
Like Thomson, Flügel was a psychologist. He was born three years after Thomson, and died a few short months after sending this letter. However, the course of his career and study was very different to Thomson’s. While Flügel was an experimental psychologist, first and foremost he was a practising psychoanalyst. He is credited as one of the few psychoanalysts who successfully bridged both academic psychology and psychoanalysis. His publications included The Psychology of Clothes (1940); Man, Morals and Society: a Psychoanalytical Study (1945); and the neo-Malthusian Population, Psychology and Peace (1947).
Flügel spent most of his working life in the psychological laboratory of University College London, starting off as psychologist Charles Spearman’s assistant, then progressing to senior lecturer (1920) and assistant professor (1929). Following his retirement in 1944, he was appointed special lecturer. Throughout this time, he managed to balance lecturing on psychoanalysis alongside working with Spearman, thus utilising both an emotional and cognitive approach to understanding the human mind. As his obituarist, Roger W Russell, argues:
During the six years I knew him personally, he occasionally discussed the conflicts which these two roles had produced, for he believed that such conflicts could not be resolved by accepting one role and abandoning the other. He felt strongly that the two approaches were working towards similar, general goals, toward a better understanding of human relations, and he did all he could to encourage each to proceed as far and as rapidly as possible.
The American Journal of Psychology, vol. 69, no. 2
The letter hints at a close relationship between Thomson and Flügel – and indeed, they shared many correspondents and acquaintances including Spearman (with whom Thomson had a 30 year professional feud!) and Cyril Burt. Flugel rather eloquently comforts Lady Thomson:
We were so fond of you both, and we felt we had suddenly lost a friend whom we both loved and admired…at such moments, little poignant memories keep creeping in…all of them rousing tender and nostalgic feelings. Our hearts go out to you who have to bear the chief burden of his loss, but we are only too aware of the many who must be mourning with you today and perhaps the thought that your sorrow is so deeply and so widely shared may help in some measure to ease the sad and heavy burden.
The most touching aspect of the letter for me, however, was not Flügel’s kind words, but the letter’s tone. He refers also to the death of his friend, Mollie Rees, ‘another charming person who, alas, has left us’, and the reader is left with his general feeling of acceptance that both he and Thomson’s generation is coming to an end.
Personal archives from any period of change are significant. Thomson’s collection is a case in point, covering eugenics, intelligence testing, and social mobility. They help in our understanding of these ‘big’ themes through the professional and personal relationships represented. At the risk of sounding twee, they allow us to explore what it means to be human at any given time, and give us ‘a better understanding of human relations’. This is perhaps their greatest value.
The Centre for Research Collections is a remarkable resource for students at Edinburgh University, not only for research purposes, but also for experience working with collections. I am an MSc student studying Material Cultures and the History of the Book. As part of the course we were encouraged to volunteer within the CRC. My interests lie in the field of the visual arts and the materiality of books, specifically the in the world of digital media. Serena Fredrick at the CRC was able to match me up with the Digital Imaging Unit and within the DIU I have been researching and enhancing the metadata for one of the university’s photographic image collections: the Hill and Adamson Collection. Hill and Adamson are world-renowned pioneers of early photographic techniques. Building on the work of Englishman Henry Fox-Talbot, they created some iconic images of mid-nineteenth century Edinburgh from their studio on Calton Hill.
Hill and Adamson’s original creative remit was to capture portraits of leading members of the Free Church of Scotland who had been involved in the disruption of the established Church of Scotland in 1843, with the intent of using these portraits as study aids for a massive painting commemorating the disruption.

Soon word of this new means of portraiture spread and Hill and Adamson started creating images of and for Edinburgh society. The collection is full of images of friends and family of Hill and Adamson, as well as being a veritable who’s who in Edinburgh.

Hill and Adamson realised that this artform could also be used as a form of documentary reporting and began taking photographs of the Newhaven fishermen and women, as evidence of a strong, united and self-sufficient community.

Unfortunately Hill and Adamson’s collaboration was short-lived due to Adamson’s continually failing health and eventual death at the age of only 27 in 1848. However, during their prolific partnership they were responsible for the creation of thousands of incredible images. I have loved being a part of the team bringing this collection onto a digital platform and increasing access to such an important and exciting set of images. Here are a few of my favourite images, all of which can be found at: http://images.is.ed.ac.uk/luna/servlet/UoEcar~4~4






Caroline Ramsay, MSc Material Cultures and the History of the Book
Last week I was lucky enough to attend the Code4Lib conference taking place in Raleigh, North Carolina. To quote from their website, Code4Lib “is a volunteer-driven collective of hackers, designers, architects, curators, catalogers, artists and instigators from around the world, who largely work for and with libraries, archives and museums on technology stuff”. The conference lasted four days in total and was highly enjoyable from start to finish. The most striking feature of the conference is the community nature of it – the program is largely selected online by public vote, and the sessions are hosted by community volunteers, as are any social events. The majority of attendees were north american as you would expect, but there were a small number of international attendees.
At a technical level the conference reflected modern themes, particularly User Experience. At least three quarters of the presentations featured Javascript (apologies for lapsing into techie speak).
On the social front there was a visit to the NCSU Hunt Library. I went expecting to be underwhelmed and was stunned by what I saw. This is a purpose built modern library incorporating all the modern features you could imagine and plenty more besides. The first thing you notice is that there are no bookshelves, all access being taken care of by a robot! But perhaps most impressive are the various multimedia rooms and open spaces. Worth noting that much of the software for these spaces was developed by students at NCSU. Here is a little taster but please do check out the website https://www.lib.ncsu.edu/huntlibrary.
Robin Taylor – Library Digital Development

Floods are a theme linking two of our new books this month. Looking back to the Biblical Flood is The rocks don’t lie : a geologist investigates Noah’s flood, by David Montgomery, available at QE39.5.P3 Mon. Also new is A political theology of climate change by Professor Michael Northcott from the School of Divinity, at Folio BR65.A9 Oxf.
You can see an regularly updated list of new books for New College Library on the Library Catalogue – choose the New Books Search and limit your search to New College Library. Here’s a quick link to new books arriving in the last few weeks. A word of caution – some of the books listed here may still be in transit between the Main Library (where they are catalogued) and New College Library, so not on the shelf just yet.
Christine Love-Rodgers, Academic Support Librarian – School of Divinity
As of 31st March there are approximately 76,800 records in our Current Research Information System (PURE), of which 16,795 have open access documents available to the general public (22% open access). In addition there are 170 records with documents waiting for validation.
Looking specifically at just journal articles and conference proceedings:
| All time OA docs | Open access % | 2008 onwards OA docs | Open access % | |
| Medicine & Veterinary Medicine | 6513 | 33 | 4476 | 41 |
| Humanities & Social Science | 3002 | 22 | 2509 | 36 |
| Science & Engineering | 5687 | 22 | 3826 | 30 |
Monthly application figures to the Gold Open Access funds:
| Month | Applications to RCUK | Applications to Wellcome |
| January 2014 | 32 | 13 |
| February 2014 | 24 | 13 |
| March 2014 | 23 | 14 |
Status of the RCUK fund – currently there is £367,400 left in the fund*, with an additional £74,400 committed on articles submitted for publication. Altogether the fund has 35% left in the account.
(*this figure was slightly wrong last month – apologies!)
Status of the Wellcome fund – since the start of the new reporting period (November 2013) the cumulative open access spend has been £137,078
Our post today comes from Natasha Russell, Graduate Studio Assistant in Printmaking at ECA.
Recently we spent a couple of hours piecing together and marveling at a stack of 18 or so large scale oil based screen prints by the Artist Boris Bucan. These have recently been taken in by the Art Collection, gathered from the plan chests in the Print Workshop of Edinburgh College of Art where they had sat for almost three decades.
Viewing these prints was no easy feat as the prints measure two by two metres squared and are each made up of six pieces of thin cartridge-like paper. Spreading them out on the carpet between shifted tables we ordered and puzzled together the prints to form vibrant and masterfully composed posters.
The pieces here range from posters for Operas to Theatrical productions to National days. One of the posters is even for his own exhibition that exhibited these prints when they were last shown in Edinburgh, detailing, ‘Posters for Croatian National Theatre…Edinburgh College of Art…27 April 1984’. This solved the mystery of where they came from and how long they had been hiding in the plan chests.
While there are distinct motifs carrying between some of the prints, for example the geometric grass patterns, the posters vary widely in style. They span from scribbly crayon drawn monochrome prints for Puccini’s La Boheme to the bold colours of the checker-boarded ‘Faust’ that plays with a simple shape to create an optical illusion like scene. In this way his prints prove a great example of the diversity of this printmaking technique.
Bucan was born in Zagreb in 1947, where he continued to study and produce work as a graphic artist. Indeed most of these prints are printed with a mark of Zagreb Academy of Fine Arts. He is still working and exhibiting internationally.
To coincide with the 50 Years 50 Books Exhibition, which opened on Thursday 27th March, we have put together a sister website, which features digitised representations of some of the exhibits on offer.
The landing page is at http://exhibitions.ed.ac.uk– click on the flyer to get into the exhibit website (the landing page needs some work- not least to meet the requirements of accessibility and the web standards, but this will be addressed shortly!)- click on ‘Explore the Collections’ to see the images. The exhibits site has been built using a new tool from Google, called Open Gallery, which allows rapid collections development: if you have images and a simple file of metadata, it will do the rest.
Have a look and see what you think. We intend to build such sites for exhibitions as they come along, and there may even be scope for us to build some retrospectively to allow us a view of the exhibitions the library has hosted in the past.
Thanks to Joe Marshall, Emma Smith, Susan Pettigrew, Dave Anderson, Norman Rodger, Stuart Lewis and Claire Knowles for their input on this.
Scott Renton- Digital Developer
The Library has just set up trial access to the Media Education Foundation (MEF) digital films service provided via Kanopy streaming service. You can access this on the Databases trials page at www.ed.ac.uk/is/databases-trials
MEF produces and distributes documentary films and other educational resources to inspire critical thinking about the social, political, and cultural impact of American mass media. From films about the commercialization of childhood and the subtle, yet widespread, effects of pornography, pop-cultural misogyny and sexism, to titles that deal with the devastating effects of rapacious consumerism and the wars for oil that it drives.
The Library has access to the platform tailored for European rights which includes 138 videos. There are a small number of films currently not available on the European platform.
Access to the MEF during the trial period is available on-campus or if working off-campus you must be using the VPN to connect to the University network. Trial access is available until 24th April 2014 and we would welcome feedback on the service.
*As of September 2014 the Library now has a 1-year subscription to this online resource. See New Online Resource for SPS: Education Media Foundation digital films.*
Special Collections has loaned five manuscripts to Shetland Museum and Archives for their new exhibition, “Writing the North”, which celebrates the literature of Orkney and Shetland. This exhibition is part of an AHRC-funded project coordinated by the University of Edinburgh’s English Literature department. The manuscripts include a poem by Hugh MacDiarmid written on Shetland and poems written by George Mackay Brown on his copies of the Radio Times. The display runs from 29/03/2014 – 10/05/2014. http://www.writingthenorth.com/ http://www.shetland-museum.org.uk/
The transformation of Scotland’s oldest purpose built concert hall into a centre of excellence for the study, display and enjoyment of historic musical instruments has taken a major step forward with a significant funding award.
The St Cecilia’s Hall Redevelopment Project has been awarded £823,500 by the Heritage Lottery Fund (HLF). The award is a key part of the University’s £6.5 million vision to restore, renovate and make accessible Scotland’s oldest concert hall and its world class collection of historic musical instruments.
The University is a leader in musical instrument research and St Cecilia’s Hall is home to one of the most important historic musical instrument collections anywhere in the world. St Cecilia’s Hall is a place where visitors can discover forgotten sounds and musical styles, learn about beautiful instruments and find out about the cultures of the people who created and played them.
The HLF award will fund new ways for audiences to enjoy and experience the instruments. There will be live demonstrations, innovative use of sound and recordings, song-writing projects, exhibitions about instruments and their owners, resources for schools, ‘brown bag’ concerts and much more.
The redeveloped Hall will combine over 1,000 world-class objects, research and teaching, sounds and stories; all set within the interiors of a refurbished and extended building. The plans, being developed by architects Page Park, will reinstate the 18th century character of the venue, restoring the original historic frontage and repairing the external stonework. A new entrance with a double-height feature door will be highly visible from the Royal Mile. The oval Concert Hall at the heart of the building will be completely restored and the original acoustic reinstated.
Jacky MacBeath, Head of Museums and Deputy Head of Centre for Research Collections, said:
“We are absolutely thrilled with this award from the Heritage Lottery Fund, it’s a huge boost to the project which focusses on revealing St Cecilia’s Hall as one of the Old Town’s most important historic places, transforming access to this special building and its unique collections of international significance”.
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