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December 16, 2025
This work, Perush-ha Torah, is just one of the early works of Jewish scholarship in the Dalman-Christie collection of Hebrew books, which was recently catalogued as part of the Funk Donation Projects at New College Library. The Dalman-Christie Collection was transferred to New College Library in 1946 from the Church of Scotland Hospice in Jerusalem.
Christine Love-Rodgers, Academic Support Librarian – Divinity
Our blog post today comes from History of the Book student and CRC volunteer Allie Newman.
The University of Edinburgh Centre for Research collections holds a veritable treasure trove of early printed books, also known as incunabula or incunables. Numbering over 200 items, the collection houses everything from the apparently mundane to the richly decorated, both in terms of type ornament and colours. Today I would like to showcase Inc.49.2, a delightfully illustrated Bible printed by Anton Koberger in Berlin in 1483, that is a wonderful illustration of a particular period of book history.
The advent of the printing press in the West, begun by Gutenberg’s moveable type press in 1440, heralded a new era in book production. Suddenly, instead of taking weeks, months, or even years to copy out a book by hand, books could be produced relatively quickly and in larger numbers by moveable type presses. This naturally put manuscript production into an immediate spiral of decline, eventually leading to the triumph of print over hand-written books… Or did it?
Contrary to popular belief, the two forms of production actually continued to exist side by side for nearly 200 years, printed works only overtaking manuscripts in terms of popularity in the 1600s; even then, a big reason for that overtake was due to the fact that printing a book was just plain cheaper than hand-copying a book, not because manuscripts were seen as inferior or old-fashioned. Evidence of this can be seen in the Koberger Bible, where the pages were printed in such a way that they left space for an artist to later come in and add decorative initials by hand!
This is not an uncommon practice – it even happens in the Gutenberg Bible, though its initials are much less embellished. Because manuscripts were still somewhat of a status symbol and occupied a position of prestige in the world of books, this hand-finishing was a way of adding legitimacy to the printed book. And it didn’t just happen to initials! This Bible is full of woodblock prints, such as the one below, that, although printed on a press, were later hand-coloured (most likely at an extra cost!).
Hand-finishing of printed text eventually faded away as a widely practiced stage of book production by the late 17th century, for the same reason that manuscripts became the less common form of book: it was just too expensive and time consuming. However, the intersection of manuscript techniques and printing press technology left its mark (literally) on the way we write today- ever wonder why the first line of a new paragraph is indented? Why, to make room for a hand-finished first initial, of course!
I’m delighted to announced that nearly two hundred and fifty theses dating from 1921-1950 from the New College Library collection are now available online in the Edinburgh Research Archive, part of the Divinity Dissertation and Thesis Collection. While later theses are held in 2 copies, one at the Main Library, we believe that New College Library holds the only copy of theses from this early period. The New College Theses collection was catalogued online in 2012 as part of the Funk Projects.
– Gavin Willshaw, Digital Curator
– Christine Love-Rodgers, Academic Support Librarian – Divinity
Thanks to recommendations from members of staff and requests via RAB from students the Library is continually adding new books to its collections both online and in print. Here are just a small number of the books that have been added to the Library’s collections in April 2015 for Social and Political Science.
The city is ours : squatting and autonomous movements in Europe from the 1970s to the present edited by Bart van der Steen, Ask Katzeff and Leendert van Hoogenhuijze (shelfmark: HD7287.96.E85 Cit.)
Small states and international security : Europe and beyond edited by Clive Archer, Alyson J.K. Bailes and Anders Wivel (shelfmark: JC365 Sma. Also available as e-book.)
This week, conservation went global – in a very literal sense. Our task: to package and transport sections of a wooden globe, no mean feat considering the globe in question was nearly 1.5 metres in width.
This globe is one of two made by Jacques Elisée Reclus, a French geographer, both of which are held in the Patrick Geddes collection. In 1895, with the support of Alfred Russel Wallace and Patrick Geddes, Reclus proposed the construction of a huge relief globe approximately 420 feet in diameter, but this was never realised.
Geddes’ proposed Institute of Geography in Edinburgh was to incorporate the Reclus globe within it. We think the two globes we have here, which came from the Outlook Tower and were made for Geddes by Reclus, may have been models made for that project.
These globes, now in sections, were required to be packed for storage and transported to a new location (luckily for us, still in the same building!). For this purpose, it is important to choose appropriate housing methods and materials as this will act as a good preventive measure, helping to ensure the long-term preservation of the object. As well providing physical support for items, suitable storage will have the added benefits of providing an extra layer of protection from accidental damage during handling and transportation. It will also act as a buffer to atmospheric pollutants, dust, and light, and guard against any fluctuations in environmental conditions. Appropriate packaging will also come into its own if there was ever to be a flood or water ingress, acting as a barrier and thus protecting the contents from more serious damage.
Due to its weight and size, boxing the first globe was not an option. It was decided therefore to soft-wrap its individual sections, using acid-free tissue paper and bubble-wrap. Bubble-wrap was used to provide protective cushioning to the item but it is important that it is used correctly (yes, there is a right and wrong way to use bubble-wrap!). In most cases, it is recommended that the ‘bubbles’ face away from the object – this reduces the risk of creating indentations or marks up the item, particularly if the surface or media is vulnerable, friable or has surface dirt. It is not recommended, however, for bubble-wrap to be placed in direct contact with an object as it is not a recognised conservation-grade material.
Acid-free tissue was therefore used as an interleaving layer between the surface of the globe sections and the bubble-wrap. As the name suggests, it is acid-free and thus a material that we use often, whether for interleaving, wrapping and cushioning objects or padding out excess space in the form of tissue ‘puffs’ or ‘sausages’.
Once safely packaged, we were able to move the globe sections into one of our environmental controlled stores. This will ensure that the temperature and relative humidity conditions are kept stable, and protect against any global warming….
Post by Emma Davey, Conservation Officer
LIBER AMICORUM OF TOKYO ARTISTS
On behalf of Edinburgh University Library, the Centre for Research Collections has recently acquired an example of a Japanese painting album – gassaku-jo or liber amicorum.
There are three main groups of Japanese painting albums: jiteki-jo, being painting albums made by a single artist; gassaku-jo , being albums contributed to by different artists; and, shuga-jo, being albums with paintings done by different artists and calligraphers brought together by a collector.
Gassaku-jo or liber amicorum (‘album of friends’) contain paintings often in combination with pages of calligraphy. Sometimes they belong to the same school of artists, but more commonly they are from different schools or done by amateur painters and poets from different cultural groups or circles.
The recently acquired album contains 22 paintings by a group of Tokyo artists who lived between 1796 and 1917.
In addition to an illustration of a swallow, the album contains paintings of a peony, a waterfall, a monkey, autumn leaves…
…a mandarin duck, a chrysanthemum, a sparrow on a flowering twig, a lobster, heavy rain, a flock of sparrows…
…a tea bowl and camellia, a shrimp, houses in the snow, a fan and handscroll, a white rabbit, and a basket… with a number of others.
A number of the other illustrations are shown below:

Sparrow on a flowering twig – from the album of Japanese paintings – Centre for Research Collections
Dr. Graeme D. Eddie – Assistant Librarian Archives and Manuscripts, Centre for Research Collections
This post drew on information at the Chikurin Gallery and its painting albums pages.
Over the course of digitising the Roslin Slide Collection, amongst all the slides of tables, charts and the like, it has been the images of people, and their animals, that have grabbed my attention most of all. I have noticed two particular styles of photographic composition that are common throughout; the group shot (still popular today of course!) and the ‘one man and his animal’ shot. These images provide a sort of typology where the composition often remains the same with the people and environment changing. Read More
Jisc has partnered with AAAS to provide institutions of higher and further education in the United Kingdom with sitewide access to Science Classic, the digital archives of Science (1880-1996).
Science Classic delivers more than a century’s worth of full-text content from the annals of the world’s largest general scientific journal. The archives are fully integrated with the current content of Science which makes it easier to search the entire collection.
Our e-journal A-Z list has been updated to reflect this extra content.
We have trial access to The Japan Times Online until 31st May.
Japan Times Online is the oldest English-language newspaper in Japan, founded in March 1897 (Meiji 30). It has been published to promote mutual understandings between Japan and other countries. This newspaper includes unique articles which cannot be read in Japanese-language newspapers. Japan Times Online includes articles from 1999-present. (We are also trialling the archive which contains content from 1897-2013).
We have trial access to Visible Body until 22nd May.
Visible Body is a suite of online programs that cover anatomy, physiology, muscles, the skeleton and the circulatory system through interactive 3D models, animations, quizzes and more.
Feedback and further info
We are interested to know what you think of these e-resources as your comments influence purchase decisions so please fill out our feedback form.
A list of all trials currently available to University of Edinburgh staff and students can be found on our trials webpage.
One of the great pleasures of working with archives is the propensity they have to surprise. Hidden amongst the vast records of organisations, or the more petite collections of individuals, you are almost guaranteed to stumble upon something you would never have imagined to find. Items such as these help to add colour to the picture extant records create of the people who have left them, and they add colour to the world they occupied.
There are quite a few such items in the W Ronald D Fairbairn Archive. These items help to support the evidence we have of the wide-ranging interests Fairbairn had, both within and without the world of psychoanalysis. For example, at university he studied philosophy, theology and Hellenic studies, before embarking upon his medical qualifications and he was a member of a number of societies including the Scottish Anthropological and Folklore Society.
A small, yellowing newspaper cutting from 1932, in the Fairbairn Archive, holds the distinction of telling one of the most unusual stories I have ever come across in the ten years I have worked with archives.
This macabre and disturbing incident is shocking to read but, unfortunately perhaps, the journalistic style of the time renders it mildly humorous too.
It is obvious why this story would have interested Fairbairn: the unexpected nature of this cutting is that the event happened at all.
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