I was delighted to take on the challenge of helping photograph the University’s collection of notebooks of geologist Sir Charles Lyell, and there’s a bit more to photographing 300 notebooks than one might imagine. The Cultural Heritage Digitisation Service is a fantastic team of people, and quickly welcomed me onboard. Prior to this posting, I’ve enjoyed a varied background, including photographing the contents of National Trust for Scotland castles as part of a major digitisation project Reveal, plus Polar and Northern Lights photography aboard expedition cruise ships.
Category: <span>College of Science & Engineering</span>
In November 2019 the Library excitedly welcomed Sir Charles Lyell’s two hundred and ninety-four notebooks into its Special Collections. With support and funding from leading institutions, groups and donations pledged from over 1000 individuals, this tectonic acquisition meant the notebooks were able to stay in the UK and join the Library’s existing collection of Lyell-related materials. As part of the DIU team, I was lucky enough to photograph Lyell’s notebooks, working with the world’s finest quality cameras to digitise a previously private collection into the public sphere and beyond.
Recently I digitised Carlo Ruini’s ‘Anatomia Del Cavallo’ (The Anatomy of the Horse, Diseases and Treatments) as part of our Iconic’s collection on our i2S V-shape cradle scanner. It is a lavishly illustrated anatomic manual on the study of horses and was the first book to focus exclusively on the structure of a species other than man. In Ruini’s estimation, the horse combines ‘great love of man’ with natural docility and is celebrated for its many ways to bring pleasure and assistance to man that it is commemorated everywhere in monuments, tombs, poetry, and painting.
I don’t know if I have ever been more excited about a digitisation project going live: the Edinburgh University’s 1795 copy of the Mahābhārata is now available online. This beautiful scroll is one of the longest poems ever written, containing a staggering 200,000 verses spread along 72 meters of richly decorated silk backed paper. As one of the Iconic items in our Collection it was marked as a digitisation priority, so when a customer requested the 78 miniatures back in April 2017 it seemed like a good opportunity to digitise it in its entirety. There was just one problem: it was set to go on display in the ‘Highlands to Hindustan’ exhibition, which opened at the Library in July. This left us with only a narrow window of opportunity for the first stages of the project: conservation and photography.
‘Bound to the stake by the iron chain, with a chaplet of straw and green twigs covered with sulphur on his head, with his long dark face, it is said that he looked like the Christ in whose name he was bound. Around his waist were tied a large bundle of manuscript and a thick octavo printed book. The torch was applied, and as the flames spread to the straw and sulphur and flashed in his eyes, there was a piercing cry that struck terror in the hearts of the bystanders…’Jesu, thou Son of the eternal God, have mercy upon me.’ (Michael Servetus: Humanist and Martyr, Fulton, John F. 1953)
These were the last words of Michael Servetus, physician and theologian, condemned to death in 1553 after being branded a heretic.
The University’s Iconics Collection holds some of the institution’s most valued and treasured items, and the recent push for more digitisation of the University of Edinburgh collections has meant that the Iconic items are a high priority.
Recently I digitised Copernicus’ De Revolutionibus Orbium Coelestium (The Revolutions of the Heavenly Spheres). Copernicus is regarded as one of the central figures of the Scientific Revolution for his heliocentric theory. It is considered one of the key works in the history of western astronomy as it brought forth a new theory about the Universe and our place in it at a time where it was widely believed that everything in the Universe orbited a motionless, central Earth. It was also the first open criticism against Aristotelian and Ptolemic systems, which in addition to claiming Earth was central, employed the classical ideal of ‘celestial motions’ being eternally uniform and circular.
Recently I worked on digitising a small number of volumes of The Veterinary Journal from the late 19th century and late 20th century. Almost 100 years apart, the earlier volumes from 1889-1898 had some questionable advice and cures for ailments including the free use of toxic chemicals and even a few drams of whisky for a horse’s stomach ache! We view these archaic methods nowadays with humour – after all, some absurdities are expected from a late Victorian medical journal.
Team DIU (well, half of it!) have been visiting the Rijksmuseum again for the biennial conference on 2 and 3D photography. 2 full days of speakers followed by another workshop day left us with lots to think about. This year’s conference built on the last, Robert Erdmann released the open source code for his amazing curtain viewer which can be tried out in the Bosh Project here http://boschproject.org/#/ . Malcolm is going to delve deeper in to Erdmann’s latest developments below. Otherwise 3D technology seems to be taking root, with debate over the level of quality and detail needed, and advances such as ‘videogrammetry’ and ‘unstructured light field renderings’ (see below) entering the fray.
At present I am working on a pilot project, digitising the Scottish Court of Session Papers. The collection is held across three institutions; The Advocate’s Library, The Signet Library and the University of Edinburgh’s Library and University Collections. The collection itself consists of circa 6500 volumes, comprising court cases which span the 18th and 19th century.
The aim of the pilot is to determine the most effect digitisation methods for these materials with a view to a potential mass digitisation project covering the entire collection. The digitisation tests and experiments I have been undertaking have raised the many challenges that such a large project would present, namely around the issue of recording metadata and which digitisation practices to employ in relation to the condition and size of any particular volume.
This year’s conference was hosted by The Imperial War Museum London. Diane Lees Director-General of the Imperial War Museums opened this year’s conference with the idea that “Photography delivers the…