{"id":991,"date":"2018-03-30T10:00:30","date_gmt":"2018-03-30T10:00:30","guid":{"rendered":"http:\/\/libraryblogs.is.ed.ac.uk\/conservation\/?p=991"},"modified":"2024-05-22T10:59:29","modified_gmt":"2024-05-22T10:59:29","slug":"thomson-dunlop-research-and-conservation-internship","status":"publish","type":"post","link":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/2018\/03\/30\/thomson-dunlop-research-and-conservation-internship\/","title":{"rendered":"Thomson-Dunlop Research and Conservation Internship"},"content":{"rendered":"<p><em>Our blog this week comes from Michela Albano, who recently spent four weeks working with our Musical Instrument Conservator, Jonathan Santa Maria Bouquet&#8230;<\/em><\/p>\n<p>Thanks to the Thomson-Dunlop Research and Conservation Internship, I had the opportunity to spend four weeks in the autumn of 2017 at St Cecilia\u2019s Hall: Concert Room and Music Museum. This provided me with an amazing experience in an energetic and supportive environment where the deep knowledge of musical instruments preservation is fruitfully combined with a welcoming and enthusiastic team.<\/p>\n<p><!--more--><\/p>\n<p>The project I undertook was driven by the interest in, but lack of knowledge of, two rare musical instruments in the University\u2019s collections known as \u201cviolins without sides,\u201d \u201crib-less violins\u201d or \u201cflat violins\u201d (I strongly suggest you to come and see these instruments at the Museum as they are quite unusual!). There are only three such instruments known and all of them are currently held in Scotland: two at St Cecilia\u2019s Hall and a third at Dean Castle in Kilmarnock. What a fortunate coincidence.<\/p>\n<div id=\"attachment_992\" style=\"width: 676px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-992\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-992 size-full\" src=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich1.jpg\" alt=\"Composite image of the front back and sides of a violin. The wood of the violin appears damaged. \" width=\"666\" height=\"548\" srcset=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich1.jpg 666w, https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich1-300x247.jpg 300w, https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich1-365x300.jpg 365w\" sizes=\"(max-width: 666px) 100vw, 666px\" \/><p id=\"caption-attachment-992\" class=\"wp-caption-text\">\u201cRibless\u201d, \u201cwithout sides\u201d or \u201cflat\u201d violins on display at the St. Cecilia\u2019s Hall Museum<\/p><\/div>\n<p>Overall, little is known about these intriguing instruments and this project aimed to clarify dating, provenance, and attribution, as well as to try and establish their function within a musical context. To reach these outcomes, the instruments were investigated using both historical and scientific approaches. The scientific analysis of the instruments was my main task.\u00a0 I used photographic documentation both in the visible light range and under UV induced fluorescence to learn about the materials used in the violins\u2019 construction, understand their current condition, and to see evidence of prior conservation and repairs. Next, Computed Tomography (CT) scanning allowed for the analysis of the inner structure of the instruments, shedding light on the manufacturing processes. In addition, these CT images were used for non-invasive dendrochronological investigation to figure out the age of the wood \u2013 thus clarifying the dating of the objects. Finally, I carried out spectroscopic and microchemical analysis on the materials used in the violins\u2019 construction. This provided information on the oils and the resins used by the maker for the varnish. The results of this study, combined with the historical research being completed by a fellow intern, will provide more information of these mysterious objects.<\/p>\n<div id=\"attachment_993\" style=\"width: 414px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-993\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-993 size-full\" src=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich2.jpg\" alt=\"The front facing image of the violin. Some of the wood appears worn.\" width=\"404\" height=\"606\" srcset=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich2.jpg 404w, https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich2-200x300.jpg 200w\" sizes=\"(max-width: 404px) 100vw, 404px\" \/><p id=\"caption-attachment-993\" class=\"wp-caption-text\">Violin in visible light<\/p><\/div>\n<div id=\"attachment_994\" style=\"width: 414px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-994\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-994 size-full\" src=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich3.png\" alt=\"Photograph of the front of the violin. In the UV light, the damaged wood is blue tinged and more visible. \" width=\"404\" height=\"606\" srcset=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich3.png 404w, https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich3-200x300.png 200w\" sizes=\"(max-width: 404px) 100vw, 404px\" \/><p id=\"caption-attachment-994\" class=\"wp-caption-text\">Violin in UV light. When UV light is absorbed by certain materials, it is reflected towards the eye as longer wavelength visible radiation (visible light). The presence of fluorescence may assist with materials identification, detecting damage or surface coatings, and uncovering areas of previous restoration. The colours of the observed fluorescence will depend mainly, but not only, on the material.<\/p><\/div>\n<p>This internship has been a special experience for me, both professional and personally. I have gained valuable skills which will be highly beneficial for my career development. Moreover, this internship allowed me to meet great people and work in a very positive and supportive environment. I have learnt a lot about musical instruments whilst acquiring conservation knowledge through hands-on experience. Discovering the amazing treasures in the wider CRC collections has shown me the advantages of the cooperation between great teams of conservators and museum professionals in a well-connected and collaborative environment. Finally, as an intern from Italy, this experience not only provided growth on a professional level, but was an amazing opportunity to learn about Scottish culture and to discover Edinburgh, a truly fascinating city. I am excited to see the final results of the project and I look forward to future collaborations with St Cecilia\u2019s Hall and the University of Edinburgh.<\/p>\n<div id=\"attachment_997\" style=\"width: 702px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-997\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-997 size-full\" src=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich6.jpg\" alt=\"Four close ups of scored decorative details around the edges of the violin, including what looks like butterflies. \" width=\"692\" height=\"286\" srcset=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich6.jpg 692w, https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich6-300x124.jpg 300w, https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich6-500x207.jpg 500w\" sizes=\"(max-width: 692px) 100vw, 692px\" \/><p id=\"caption-attachment-997\" class=\"wp-caption-text\">Details in visible light<\/p><\/div>\n<div id=\"attachment_998\" style=\"width: 702px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-998\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-998 size-full\" src=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich7.png\" alt=\"The same four images under UV light. The decorative detail is less visible, but damage to the wood is more easily seen. \" width=\"692\" height=\"286\" srcset=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich7.png 692w, https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich7-300x124.png 300w, https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2018\/03\/mich7-500x207.png 500w\" sizes=\"(max-width: 692px) 100vw, 692px\" \/><p id=\"caption-attachment-998\" class=\"wp-caption-text\">Details UV light<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Our blog this week comes from Michela Albano, who recently spent four weeks working with our Musical Instrument Conservator, Jonathan Santa Maria Bouquet&#8230; Thanks to the Thomson-Dunlop Research and Conservation Internship, I had the opportunity to spend four weeks in &hellip; <a href=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/2018\/03\/30\/thomson-dunlop-research-and-conservation-internship\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":71,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[14,47],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7lwn4-fZ","_links":{"self":[{"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/posts\/991"}],"collection":[{"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/users\/71"}],"replies":[{"embeddable":true,"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/comments?post=991"}],"version-history":[{"count":4,"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/posts\/991\/revisions"}],"predecessor-version":[{"id":1811,"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/posts\/991\/revisions\/1811"}],"wp:attachment":[{"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/media?parent=991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/categories?post=991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/tags?post=991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}