![\"scrapbook](\"http:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2015\/05\/scrapbook-1.jpg\")
<\/a>Burke and Hare Scrapbook before treatment<\/p><\/div>\n
<\/a>William Burke ‘blood’ Letter<\/p><\/div>\n
The most interesting and macabre of all of these is a letter written in the blood of William Burke \u2013 as it (helpfully) states \u201cThis is a letter written with the blood of Wm. Burke, who was hanged at Edinburgh on 28th<\/sup> Jan. 1829 for the Murder of Mrs. Campbell or Docherty. The blood was taken for his head on the 1st<\/sup> of Feb. 1829.\u201d<\/em> Unsurprisingly, the scrapbook, and this letter in particular, has caused a lot of attention, and has recently appearing in a number of newspaper and websites. I have found myself in the rather unusual position of combining conservation with press calls \u2013 the conservation life is not always quite so glamorous!<\/p>\n The scrapbook has a pamphlet style of binding with the cuttings pasted into its pages, the larger of which have been folded in order to fit within the volume. Overall, the scrapbook was in a reasonable condition and it was decided therefore to take a minimal interventive conservation approach with treatment focused on surface cleaning, tear repair where necessary\u00a0and rehousing. The aim was to stabilise the object allowing it to be stored and accessed with minimal risk, at the same time as maintaining its authenticity.<\/p>\n Scrapbook containing folded cutting and hand-written documents<\/p><\/div>\n The first stage of treatment was to surface clean the pages. This was done with \u201cchemical sponge\u201d – made of vulcanised rubber which (despite its name) contains no chemicals – which works by gently lifting off any surface dirt on the pages. This has not only aesthetic benefits but, more importantly, will remove any potentially damaging substrates. Surface dirt can contain acidic particulates, cause abrasions, attract moisture, and become a food source of mould, all of which can affect the long-term preservation of the object.<\/p>\n Secondly, I carried out tear repairs where necessary using Japanese tissue and wheat starch paste. The tears where primarily on the larger format cuttings that had been folded in position within the scrapbook and found\u00a0in areas where the paper had become weak, especially along the folds or along edges where the cutting has projected beyond the edge of the scrapbook. Again, as with surface cleaning, repairing tears will not only improve the appearance of the pages, but will also provide structural stability making\u00a0the paper\u00a0easier to handle and reduce the risk of the tear getting caught and becoming worse.<\/p>\n Before tear repair<\/p><\/div>\n After tear repair<\/p><\/div>\n The last stage in treatment, and arguably the most important, was to address the housing needs of the scrapbook. As well as providing physical support to the item, choosing appropriate storage has the added benefits of giving an extra layer of protection from accidental damage, as well as acting as a buffer to atmospheric pollutants, dust and light, and any fluctuations in environmental conditions. It is important to know and understand what the materials you are using are made from as poor quality materials that are in close contact with collection items can cause severe damage. Acid from these materials can migrate to the object causing discolouration and embrittlement and hastening the its deterioration.<\/p>\n Scrapbook during treatment and rehousing<\/p><\/div>\n I decided, therefore, to house the detached, fragile and vulnerable front and back covers of the scrapbook in polyester sleeves allowing them to be easily consulted without being removed and so would drastically improve handling whilst minimising the risk of any tears getting worse. Because of the poor quality and acidic nature of the paper cuttings contained within the scrapbook, the individual pages were interleaved with a light-weight acid-free paper to reduce the transfer of any potential harmful elements within the sheets. The scrapbook itself \u2013 alongside some loose-sheet material contained within \u2013 were rehoused in acid-free paper folders which, in turn, were placed inside a four-flap enclosure made from acid-free card.<\/p>\n Rehousing of the scrapbook into acid-free paper enclosures<\/p><\/div>\n Rehousing of the scrapbook into four-flap enclosure<\/p><\/div>\n And the blood letter? Well, it is certainly not every day that I come across something so unusual, interesting and, quite frankly, a little unsettling. However, by applying general conservation principles of minimal treatment and the use high-quality and appropriate conservation and rehousing materials, I was able to treat the letter, and scrapbook as a whole, very much like other paper-based material. Perhaps with just a little more murder and intrigue this time\u2026<\/p>\n Post by Emma Davey, Conservation Officer<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Over the last month, conservation has been playing host to two rather notorious and unsavoury characters, namely William Burke and William Hare. Thankfully for us not in person but rather in the form of a scrapbook containing original documents and … Continue reading <\/a><\/a><\/a><\/a><\/a>