{"id":1674,"date":"2023-10-13T07:23:38","date_gmt":"2023-10-13T07:23:38","guid":{"rendered":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/?p=1674"},"modified":"2024-05-27T10:15:27","modified_gmt":"2024-05-27T10:15:27","slug":"its-friday-the-13th","status":"publish","type":"post","link":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/2023\/10\/13\/its-friday-the-13th\/","title":{"rendered":"It&#8217;s Friday the 13th!"},"content":{"rendered":"<p>It\u2019s that time of the year when the leaves start changing, the air gets cooler, and I get creeped out by works in the collection\u2026<\/p>\n<p>As the Art Collection is an ever-moving beast, on display across the University of Edinburgh\u2019s entire campus and beyond, I am responsible for overseeing the transport of artwork in and out of storage and ensuring locations are kept up to date. However, occasionally I can get spooked out by works that I swear that I\u2019ve never seen before \u2013 a fitting topic for today\u2019s Friday the 13<sup>th<\/sup> blog!<\/p>\n<p><!--more--><\/p>\n<p>Let\u2019s start with my favourite. A few weeks ago, I had a move into storage of 40+ artworks due to office refurbishments. It was a great (read: sweaty) game of Tetris in which me and our Collections Care Technician, Robyn, ended up moving approximately 130+ artworks to fit the returning collections onto our art racking. However, after the move while double-checking new locations, I stumbled across this guy, who I had never noticed before:<\/p>\n<div id=\"attachment_1676\" style=\"width: 340px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-1676\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1676\" src=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2023\/10\/Vigo-1-225x300.jpg\" alt=\"Portrait painting of a man whose eyes look into the camera. \" width=\"330\" height=\"435\" \/><p id=\"caption-attachment-1676\" class=\"wp-caption-text\">Noticing the portrait from the corner of my eye<\/p><\/div>\n<div id=\"attachment_1677\" style=\"width: 347px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-1677\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1677\" src=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2023\/10\/Vigo-2-225x300.jpg\" alt=\"Front facing view of the painting. \" width=\"337\" height=\"445\" \/><p id=\"caption-attachment-1677\" class=\"wp-caption-text\">Front view of the work &#8211; I can&#8217;t look at it too long&#8230;<\/p><\/div>\n<p>Instantly, I was transported to my first viewing of <em>Ghostbusters II <\/em>(1989) and my 7-year-old inner child freaked out. It\u2019s our Vigo the Carpathian! Hopefully a river of pink slime is not opening up under our stores anytime soon, but I might get Egon and the gang on the phone, just in case\u2026<\/p>\n<p>The second, which still haunts my dreams, is the classic creepy child photograph. Hanging at the very top of our highest racking, I suddenly locked eyes with the little boy and felt horror enter my soul. I was with other staff members at the time, so they saw the confusion on my face as I explained I had no memory of the work in the slightest.<\/p>\n<div id=\"attachment_1675\" style=\"width: 525px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-1675\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1675\" src=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2023\/10\/Creepy-child-1-300x225.jpg\" alt=\"Photograph of an elderly man, a young boy and a man sitting as a trio. The men are looking down at the book the boy is holding, the boy looks directly at the camera. \" width=\"515\" height=\"390\" \/><p id=\"caption-attachment-1675\" class=\"wp-caption-text\">The photograph as discovered on racking.<\/p><\/div>\n<div id=\"attachment_1678\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><img aria-describedby=\"caption-attachment-1678\" decoding=\"async\" loading=\"lazy\" class=\"wp-image-1678 size-medium\" src=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2023\/10\/Creepy-child-2-e1714648954905-300x291.jpg\" alt=\"A close up of the boy from the former photograph looking straight into the camera. \" width=\"300\" height=\"291\" srcset=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2023\/10\/Creepy-child-2-e1714648954905-300x291.jpg 300w, https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2023\/10\/Creepy-child-2-e1714648954905-309x300.jpg 309w, https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/files\/2023\/10\/Creepy-child-2-e1714648954905.jpg 741w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-1678\" class=\"wp-caption-text\">A close up on his haunting face&#8230;<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>Have I stumbled across something from the photo album in <em>The Others <\/em>(2001)? Is it connected to Arthur Conan Doyle and his belief in spiritualism? I don\u2019t have a clue, but I\u2019ve recently moved it, so I don\u2019t have to get creeped out by the image too often.<\/p>\n<p>As we have over 8000 works in the collection, I\u2019m not too surprised that occasionally I come across items that I don\u2019t recognise, especially considering some of the works on campus have never been in storage and only return when work is being undertaken on buildings on campus. To be honest, at this point, sometimes I wonder whether a few of my C&amp;CM colleagues are just having a laugh with me, as I\u2019m sure I\u2019ll come across more unnerving items in store soon, especially with Halloween just around the corner!<\/p>\n<p>Anna Hawkins<\/p>\n<p>Museum Collections Manager<\/p>\n<p>End note: The scariest thing about this post might be my photography, apologies!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s that time of the year when the leaves start changing, the air gets cooler, and I get creeped out by works in the collection\u2026 As the Art Collection is an ever-moving beast, on display across the University of Edinburgh\u2019s &hellip; <a href=\"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/2023\/10\/13\/its-friday-the-13th\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":71,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[1],"tags":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7lwn4-r0","_links":{"self":[{"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/posts\/1674"}],"collection":[{"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/users\/71"}],"replies":[{"embeddable":true,"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/comments?post=1674"}],"version-history":[{"count":4,"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/posts\/1674\/revisions"}],"predecessor-version":[{"id":1858,"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/posts\/1674\/revisions\/1858"}],"wp:attachment":[{"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/media?parent=1674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/categories?post=1674"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/libraryblogs.is.ed.ac.uk\/conservation\/wp-json\/wp\/v2\/tags?post=1674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}